tag:blogger.com,1999:blog-2646649727817050132024-03-13T14:50:16.769-07:00HANDKE TRIVIASUMMA POLITICOhttp://www.blogger.com/profile/11214697505465094305noreply@blogger.comBlogger61125tag:blogger.com,1999:blog-264664972781705013.post-27285805155959524112019-01-21T16:13:00.000-08:002019-01-22T12:26:20.818-08:00 As one of the few American witnesses of Handke’s famous May 1966 Gruppe 47 Prineceton critique this future Handke translator and specialist wishes to comment at some length.<div>
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<div class="m_6801188388671998433gmail-comment-author m_6801188388671998433gmail-vcard" style="background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; border: 0px none; color: #666666; font-family: Georgia, "Bitstream Charter", serif; margin: 0px; padding: 0px; vertical-align: baseline;">
<span style="background-color: yellow;"><b><span style="font-size: medium;"><cite class="m_6801188388671998433gmail-fn" style="background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto auto; border: 0px none; color: black; font-style: normal; margin: 0px; padding: 0px; vertical-align: baseline;"><a class="m_6801188388671998433gmail-url m_6801188388671998433external" data-saferedirecturl="https://www.google.com/url?q=http://handke-magazin.blogspot.com/2014/03/the-hub-navel-to-todos-handke.html/&source=gmail&ust=1548274867608000&usg=AFQjCNEeYbtLUVK8TkIT6Ks-24c50A1Vwg" href="http://handke-magazin.blogspot.com/2014/03/the-hub-navel-to-todos-handke.html/" rel="external nofollow" style="background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto auto; border: 0px none; color: #743399; margin: 0px; padding: 0px; vertical-align: baseline;" target="_blank">MICHAEL ROLOFF</a></cite> <span class="m_6801188388671998433gmail-says" style="background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto auto; border: 0px none; font-style: italic; margin: 0px; padding: 0px; vertical-align: baseline;">sagt:</span></span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: medium;"><a data-saferedirecturl="https://www.google.com/url?q=https://www.begleitschreiben.net/mal-wieder-handke-zuerst/%23comment-26968&source=gmail&ust=1548274867608000&usg=AFQjCNE6QRhndA6jbOv91XYgBL-scBS5Cg" href="https://www.begleitschreiben.net/mal-wieder-handke-zuerst/#comment-26968" style="background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto; border: 0px none; color: #888888; margin: 0px; padding: 0px; text-decoration-line: none; vertical-align: baseline;" target="_blank">21. Jan. 2019 um 21:58</a></span></b></span></div>
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<span style="font-size: medium;"><b><span style="background-color: yellow;">As
one of the few American witnesses of Handke’s famous May 1966 Gruppe 47
Prineceton critique this future Handke translator and specialist wishes
to comment at some length.</span></b></span></div>
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<span style="font-size: medium;"><b><span style="background-color: yellow;">First
of all who was I to be invited to Princeton and what was I doing and
what did I know. As a reader of contemporary German literature for
various American publishers I had started to make up a lack of
acquaintance with the culture of my childhood with which I sought to
re-establish and maintain contact. In 1966 I was the U.S. scout for
Suhrkamp Verlag, but never heard of Handke until Princeton. I had been
the German literature scout for Seymour Lawrence at Atlantic Monthly
Press& Alfred Knopf in 1964–5[als</span>o f<span style="background-color: yellow;">amously
in East Berlin] and knew HM Enzensberer as of 1961 and had interviewed
Uwe Johnson, Peter Weiss & Guenter Grass, and had read quite a few
of the younger writers’s works in galleys at their German publishers,
and spent much time at aunt Ursula von Krosigk’s bookshop on the Kudamm
in Berlin making rather disorganized acquaintance with the wealth of
material on offer, but if you had asked me to provide a general opinion
of post WW II German literature I would have only been able to offer
opinion of individual writers and not really used the WW II caesura as
as reference point. Via acquaintance with Fritz Raddatz and my favorite
German publisher Ledig Rowohlt I had made acquiescent with the Austrian
avant</span> g<span style="background-color: yellow;">arde that
Rowohlt published. I even once signed a contract for Ossie Wiener’s
famous VERBESSERUNG on a napkin at Harry’s Bar in Frankfurt, the kind of
contract that if you changed your mind you would dip the napkin in a
whisky soda for it to dissolve, as we then did a year later. And it was
next to Hamburg acquaintance Erich Kuby that I happened to be sitting
when Handke let loose his tirade and Kuby told me the name of the fellow
in the beatles’s hair cut a few rows over</span></b></span></div>
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<span style="font-size: medium;"><b><span style="background-color: yellow;">Handke’s
generalized attack did not strike someone who had participated in
American creative writing classes, at Bryn Mawr/Haverford and Stanford
University as all that momentous, I had heard for more aggressive and
vicious & anticipated someone to ask the fellow to be more specific,
which Handke might have of course have been when Richter [to whom
Johnson had introduced me for us to remain mutually unimpressed in
Berlin] cited the rules that generalized attacks were out of order,
whereupon Handke, robotically, launched into a repeat of his initial
charge. – It would never occurred to me at that moment that something on
the order of a world historical eve</span>nt had transpired, or that the major critics had <span style="background-color: yellow;">be</span></b><span style="background-color: yellow;"><b>come a problem, <br />which
shows to what extent I was entirely ignorant of the Gruppe’s group
dynamic or its history, but that it was founded in 1947 at the inception
of the Cold War to assure against the repeat of Nazi like censure ship,
and under the aegis of the experience that German U.S. prisoners of war
had made with the day to day workings of American democracy something
that persists on that level no matter that nationally the U.S. is a n
imperialist duopoly ruling under the dictatorship of Kapital. However, I
knew the work of quite a few younger writers who indeed, including
Piwit, and Handke’s own HAUSIERER text, were anything but potent
descriptively. As a matter of fact, this great admirer of DER HAUSIERER
finds that it was a huge mistake to read out from a phenomenological
demanding text of that kind, an imaginative deconstructive way to play
with anxiety and dread while demonstrating what it consists of in
literature – the sort of thing you couldn’t possibly write, seek
disabuse yourself of in typical defensive obsessive literary fashion if
you had not had a terror-filled childhood. Enzensberger’s verdict „oede”
[desolate] exactly in one word describes the over-all texts read, and
none of the famous great one’s read as I recall; not the sort of thing
you want to show the first time you show abroad – at Princeton due to
powerful Professoor Lange’s invitation. A day or so afterwards at a
party that Pannah Grady, Jakov Lind [SOUL OF WOOD] and I gave for the
Gruppe at Pannah’s splendid Dakota apartment, [the same complex where
John Lennon would be gunned down in 1980], I sought to inquire whom
Handke, who had described himself to friend Ted Ziolkovwky at Princeton,
as „the new Kafka,” had had in mind, -however we were famously
interrupted by Alan Ginsberg trying to get me to translate for Handke
that Alan wanted to fuck him; and though I met Handke quite a few times
subsequently i never thought of asking him again and continue to be
amazed that his 1966 statement is more long-lived than as many of his
works ought to be.</b></span></span></div>
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<span style="background-color: yellow;"><span style="font-size: medium;"><b><a class="m_6801188388671998433gmail-fett" data-saferedirecturl="https://www.google.com/url?q=https://www.begleitschreiben.net/mal-wieder-handke-zuerst/%23comment-26968&source=gmail&ust=1548274867608000&usg=AFQjCNE6QRhndA6jbOv91XYgBL-scBS5Cg" href="https://www.begleitschreiben.net/mal-wieder-handke-zuerst/#comment-26968" style="background-clip: border-box; background-image: none; background-origin: padding-box; background-position: 0% 0%; background-repeat: repeat; background-size: auto auto; border: 0px none; color: #743399; margin: 0px; padding: 0px; vertical-align: baseline;" target="_blank">#4</a></b></span></span></div>
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<a data-saferedirecturl="https://www.google.com/url?q=http://www.glanzundelend.de/Red17/d17/joerg-doering-peter-handke-beschimpft-die-gruppe-47.htm&source=gmail&ust=1548274867608000&usg=AFQjCNFMjMTc7anrCQqpvhkiqJClzm378g" href="http://www.glanzundelend.de/Red17/d17/joerg-doering-peter-handke-beschimpft-die-gruppe-47.htm" target="_blank"><b><span style="background-color: lime; font-size: medium;">http://www.glanzundelend.de/<wbr></wbr>Red17/d17/joerg-doering-peter-<wbr></wbr>handke-beschimpft-die-gruppe-<wbr></wbr>47.htm</span></b></a></div>
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SUMMA POLITICOhttp://www.blogger.com/profile/11214697505465094305noreply@blogger.com7tag:blogger.com,1999:blog-264664972781705013.post-24222034030868572392014-11-16T11:11:00.000-08:002015-10-29T20:01:28.533-07:00HANDKE & THE NY TIMES DEFICIENCIES<div style="text-align: center;">
<b><span style="background-color: magenta; font-size: x-large;">THE BASIS FOR A PIECE THAT I AM DOING ON THE SUBJECT OF DEFICIENCIES OF </span></b></div>
<div style="text-align: center;">
<b><span style="background-color: magenta; font-size: x-large;">THE</span></b></div>
<div style="text-align: center;">
<b><span style="background-color: magenta; font-size: x-large;"> NY TIMES ARTS SECTION</span></b><br />
<span style="font-size: x-large;"><b><span style="background-color: magenta;"><br /></span></b>
<b><span style="background-color: #b6d7a8;"><br /></span></b>
<b style="background-color: #b6d7a8;">THE NY TIMES & PETER HANDKE , </b></span><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">THE FIRST FIFTY YEARS!</span></b><br />
<span style="font-size: x-large;"><b style="background-color: #b6d7a8;"><br /></b>
<b style="background-color: #b6d7a8;">The NY Times failure to cover and inform its readers of Peter Handke winning the</b></span><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;"> IBSEN PRIZE for DRAMA </span></b><br />
<span style="font-size: x-large;"><b style="background-color: #b6d7a8;"><br /></b>
<b style="background-color: #b6d7a8;">http://handke-drama.blogspot.com/2014/09/knausgard-laudatio-of-handke-ibsen-price.html</b></span><br />
<span style="font-size: x-large;"><b style="background-color: #b6d7a8;"><br /></b>
<b style="background-color: #b6d7a8;">http://handke-drama.blogspot.com/2014/09/celebrating-handkes-ibsen-prize.html</b></span><br />
<span style="font-size: x-large;"><b style="background-color: #b6d7a8;"><br /></b>
<b style="background-color: #b6d7a8;">http://handke-drama.blogspot.com/2012/07/peter-handke-plays-in-english.html</b></span><br />
<span style="font-size: x-large;"><b style="background-color: #b6d7a8;"><br /></b>
<b style="background-color: #b6d7a8;">http://handke-yugo.blogspot.com/2014/09/yvind-bergs-attack-on-handke.html</b></span><br />
<span style="font-size: x-large;"><b style="background-color: #b6d7a8;"><br /></b>
<b style="background-color: #b6d7a8;">alerted me </b></span><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">not only to a number of other recent lacunae</span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;"> of obvious importance</span></b><br />
<span style="font-size: x-large;"><b style="background-color: #b6d7a8;"><br /></b>
<b style="background-color: #b6d7a8;">i.e.</b></span><br />
<span style="font-size: x-large;"><b style="background-color: #b6d7a8;"><br /></b>
<b style="background-color: #b6d7a8;">failure on the book review’s part</b></span><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">to review </span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">STORM STILL</span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">http://handke-drama.blogspot.com/2011/08/still-storm-introductory-thoughts-on.html</span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">http://handke-drama.blogspot.com/2011/08/directors-view-of-forever-storm.html</span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">http://handke-drama.blogspot.com/2011/08/handke-immmer-noch-sturm-still-storm.html</span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">http://handke-drama.blogspot.com/2011/08/background-material-for-still-storm.html</span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">http://handke-drama.blogspot.com/2014/06/still-storm-discussion.html</span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">http://handke--revista-of-reviews.blogspot.com/2011/08/immer-noch-sturm-still-storm-stormy.html</span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">https://plus.google.com/photos/106505819654688893791/albums/5640738175153983697</span></b><br />
<span style="font-size: x-large;"><b style="background-color: #b6d7a8;"><br /></b>
<b style="background-color: #b6d7a8;">FAILURE TO TAKE ANY NOTE OF THE PUBLICATION OF </b></span><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">“VOYAGE BY DUGOUT”</span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">BY PERFORMINNG ARTS JOURNAL</span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">http://handke-drama.blogspot.com/2010/06/voyage-by-dugout-play-that-came-out-of.html</span></b><br />
<span style="font-size: x-large;"><b style="background-color: #b6d7a8;"><br /></b>
<b style="background-color: #b6d7a8;">failure of the Arts Pages to cover</b></span><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">the avignon festival</span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">http://handke-drama.blogspot.com/2013/07/par-les-villages-avignon-handkes.html</span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">or to take note of the U.S. publication </span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">of</span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">“walk about the villages”</span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">http://handke-drama.blogspot.com/2010/06/walk-about-villages-ueber-die-doerfer.html</span></b><br />
<span style="font-size: x-large;"><b style="background-color: #b6d7a8;"><br /></b>
<b style="background-color: #b6d7a8;">failure of the Arts Pages to cover</b></span><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">the muelheim prize</span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">https://www1.muelheim-ruhr.de/kunst-kultur/theater/stuecke/handke%252C_peter/1137</span></b><br />
<span style="font-size: x-large;"><br /></span>
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">but, also, once again, to the by and large shoddy reviews that his work has received during these mounting years</span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;"> famously </span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">eeeeggrrrreeggggeeious</span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">were the NY Times review of Handke</span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">MY YEAR IN THE NO-MAN'S BAY</span></b><br />
<span style="font-size: x-large;"><b style="background-color: #b6d7a8;"><br /></b>
<b style="background-color: #b6d7a8;">http://handke--revista-of-reviews.blogspot.com/2010/05/my-year-in-no-mans-bay-niemandsbuch-t.html</b></span><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">of</span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">The Afternoon of a Writer</span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">and of </span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">Crossing the Sierra del Gredos.</span></b><br />
<span style="font-size: x-large;"><b style="background-color: #b6d7a8;"><br /></b>
<b style="background-color: #b6d7a8;">http://handke--revista-of-reviews.blogspot.com/2011/12/der-bildverlust-sierra-del-gredos.html</b></span><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">http://handke--revista-of-reviews.blogspot.com/2010/05/essay-on-juke-box-daniel-gutmann-etc.html</span></b><br />
<span style="font-size: x-large;"><b style="background-color: #b6d7a8;"><br /></b>
<b style="background-color: #b6d7a8;">all of which amounts to a comment on the culture</b></span><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">its provinciality</span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">where scarcely a single other non-U.S. playwright</span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">except the occasional Brit </span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">seems to be worth mentioning</span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;"> </span></b><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">I will detail these, basing myself on the complete list</span></b><br />
<span style="font-size: x-large;"><b style="background-color: #b6d7a8;"><br /></b>
<b style="background-color: #b6d7a8;">http://handke-trivia.blogspot.com/2014/11/handke-ny-times-deficiencies.html</b></span><br />
<span style="font-size: x-large;"><b style="background-color: #b6d7a8;"><br /></b>
<b style="background-color: #b6d7a8;">in </b></span><br />
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">as it were Poundian fashion</span></b><br />
<span style="font-size: x-large;"><b style="background-color: #b6d7a8;"></b><br /></span>
<b style="background-color: #b6d7a8;"><span style="font-size: x-large;">in due course</span></b><br />
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<span style="background-color: yellow; color: blue; font-size: x-large;"><b>BELOW YOU WILL FIND LINKS TO <i><u>ALL</u> </i>PIECES IN THE NY TIMES THAT DEAL WITH HANDKE, GOING BACK TO 1966 (A PETER WEISS QUOTE FROM PRINCETON GRUPPE 47 IS THE FIRST MENTION) AND, I NOTED JUST NOW, THAT I MYSELF, IN 1967 - FOR THE BOOK REVIEW - DID A PIECE FROM THE BOOKFAIR - WRITTEN THE NIGHT AFTER AT THE TIMES OFFICE IN BERLIN - WHERE I MENTION "DER HAUSIERER" - HAD COMPLETELY FOROTTEN ABOUT THAT. </b></span></div>
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<span style="background-color: yellow; color: blue; font-size: x-large;"><b><br /></b></span></div>
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<span style="background-color: yellow; color: blue; font-size: x-large;"><b>MY PIECE WILL BE CRITICAL OF THE COVERAGE AND THE EDITORIAL POLICIES AND, GENERALLY, CRITICAL OF THE QUALITY OF THE REVIEWERS. FEW HAPPY SURPRISES & A LOT OF HORROR STORIES!</b></span></div>
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<span style="background-color: yellow; color: blue; font-size: x-large;"><b><br /></b></span></div>
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<span style="background-color: yellow; color: blue; font-size: x-large;"><b> WHAT TICKED ME OFF JUST NOW WAS THAT AUNTIE COULDN'T EVEN MENTION HANDKE'S RECEIVING THE IBSEN PRIZE! </b></span></div>
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<b style="background-color: #ffe599;"><a href="http://handke-drama.blogspot.com/2014/09/knausgard-laudatio-of-handke-ibsen-price.html" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;">http://handke-drama.blogspot.<wbr></wbr>com/2014/09/knausgard-<wbr></wbr>laudatio-of-handke-ibsen-<wbr></wbr>price.html</span></a></b></div>
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<b style="background-color: #f9cb9c;"><a href="http://handke-drama.blogspot.com/2014/09/celebrating-handkes-ibsen-prize.html" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;">http://handke-drama.blogspot.<wbr></wbr>com/2014/09/celebrating-<wbr></wbr>handkes-ibsen-prize.html</span></a></b></div>
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<b style="background-color: #ead1dc;"><a href="http://handke-drama.blogspot.com/2012/07/peter-handke-plays-in-english.html" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;">http://handke-drama.blogspot.<wbr></wbr>com/2012/07/peter-handke-<wbr></wbr>plays-in-english.html</span></a></b></div>
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<b style="background-color: cyan;"><a href="http://handke-yugo.blogspot.com/2014/09/yvind-bergs-attack-on-handke.html" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;">http://handke-yugo.blogspot.<wbr></wbr>com/2014/09/yvind-bergs-<wbr></wbr>attack-on-handke.html</span></a></b></div>
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<b><span style="background-color: yellow; color: blue; font-size: x-large;"> AND THIS PAPER OF RECORD CLAIMS TO HAVE A THEATER SECTION! </span></b></div>
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<b><span style="background-color: yellow; color: blue; font-size: x-large;">Upshots from a single-minded decadeS long focus!</span></b></div>
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<span style="font-size: x-large;"><span style="color: #222222;"><span style="font-family: Courier New, monospace;"><b>B</b></span></span><span style="color: blue;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(255, 255, 0);">FIRST MENTION<br />1966<br /><br />QUORTING PETER WEISS</span></b></span></span><span style="color: #222222;"><span style="font-family: Courier New, monospace;"><b><br /></b></span></span><a href="http://query.nytimes.com/gst/abstract.html?res=9407E6D8173BE63ABC4D52DFB366838D679EDE" style="color: #1155cc;" target="_blank"><span style="color: #1155cc;"><span style="font-family: Courier New, monospace;"><b>http://query.nytimes.com/gst/<wbr></wbr>abstract.html?res=<wbr></wbr>9407E6D8173BE63ABC4D52DFB36683<wbr></wbr>8D679EDE</b></span></span></a><span style="color: #222222;"><span style="font-family: Courier New, monospace;"><b><br /></b></span></span><a href="http://query.nytimes.com/gst/abstract.html?res=9906E0DE1E3DE43BBC4852DFB166838D679EDE" style="color: #1155cc;" target="_blank"><span style="color: #1155cc;"><span style="font-family: Courier New, monospace;"><b>http://query.nytimes.com/gst/<wbr></wbr>abstract.html?res=<wbr></wbr>9906E0DE1E3DE43BBC4852DFB16683<wbr></wbr>8D679EDE</b></span></span></a><span style="color: #222222;"><span style="font-family: Courier New, monospace;"><b><br /><br /><br />1967</b></span></span><a href="http://query.nytimes.com/gst/abstract.html?res=9F0CE1DA113FEF3BBC4052DFB066838C679EDE" style="color: #1155cc;" target="_blank"><span style="color: #1155cc;"><span style="font-family: Courier New, monospace;"><b>http://query.nytimes.com/gst/<wbr></wbr>abstract.html?res=<wbr></wbr>9F0CE1DA113FEF3BBC4052DFB06683<wbr></wbr>8C679EDE</b></span></span></a></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=FA0C10F73C5812718DDDAC0894D9415B878AF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">Publishers and Politics; Publishers and Politics</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>Of equally great interest was "Der Hausierer" ("'The Panhandler"), a second novel by 25-year-old </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>, who became famous in Germany with his play ...</b></span></span></span></div>
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<span style="font-size: x-large;"><span style="color: grey;"><span style="font-family: Courier New, monospace;"><b>November 5, 1967 - By MICHAEL ROLOFF - The New York Times Book Review - Article - Print Headline: "Publishers and Politics; Publishers and Politics"</b></span></span><a href="http://query.nytimes.com/gst/abstract.html?res=9506E1D6173CE731A25756C0A9679D946691D6CF" style="color: #1155cc;" target="_blank"><span style="color: #1155cc;"><span style="font-family: Courier New, monospace;"><b>http://query.nytimes.com/gst/<wbr></wbr>abstract.html?res=<wbr></wbr>9506E1D6173CE731A25756C0A9679D<wbr></wbr>946691D6CF</b></span></span></a></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F60811FE3C5A157493CAAB1789D85F448785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">New Books</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>Kaspar and Other Plays, by </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>, translated by Michael Roloff (Farrar, Straus Giroux, .95; paperbound, Sl.95). Mr. Jack and the Greenstalks, by Gene ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>February 28, 1970 - Article - Print Headline: "New Books"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F10B17FE395810718EDDAA0994D1405B808BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">European Notebook</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>... the highly publicized--and widely discussed </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>, contains only 128 pages. In the last two years Switzerland's Peter Bichsel has been recognized as ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>September 13, 1970 - By MARC SLONIM - The New York Times Book Review - Article - Print Headline: "European Notebook"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=FB0813F8345C1B7493C1A8178BD95F448785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">Berlin Stage Fete: Some Highlights</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>Back in the West, the list of new German-language plays is largely of Austrian origin: plays like "Quodlibet" by </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> and a macabre birthday party for a ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>October 13, 1970 - By IRVING WARDLE Special to The New York Times - Article - Print Headline: "Berlin Stage Fete: Some Highlights"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F10E13FE3C591A718DDDAC0A94D8415B808BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">About nothing and everything, which is nothing; Efraim's Book</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>We find this hall-of mirrors construction in Uwe Johnson, </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> and others. But Andersch manipulates it with an ease and unpretentiousness that are ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>October 25, 1970 - By JORN SIMON - The New York Times Book Review - Article - Print Headline: "About nothing and everything, which is nothing; Efraim's Book"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F40F17FC3C59107A93CBA9178AD85F468785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">THE WEEK'S OPENINGS</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Keene Curtis acts a magician, among other roles, in </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke's</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> free- wheeling play. The Lincoln Center Repertory production opens Thursday at the Forum ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">January 9, 1972 - ARTS AND LEISURE - Article - Print Headline: "THE WEEK'S OPENINGS"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F70E11FB3C591A7493C6A8178AD85F468785F9" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">The Theater: </span></b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke's</span></b></span></span></strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> 'Ride Across Lake Constance'; Drama </span></b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">...</span></b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">To say I didn't understand </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke's</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> play "The Ride Across Lake Constance ," which opened at the Forum Theater last night would be to underestimate ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">January 14, 1972 - By CLIVE BARNES - Article - Print Headline: "The Theater: Peter Handke's 'Ride Across Lake Constance'; Drama by German Is at the Forum Air of Charades Infuses Reality of Plot"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F70812FA3B591A7493C3A81788D85F468785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">Talent Festival</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Based on a novel to be published here next month by </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">, the film is tile most ambitious and most successful of the museum series so far, a beautifully ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">March 11, 1972 - By VINCENT CANBY - Article - Print Headline: "Talent Festival"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F60E1EF83F5E127A93C4A8178FD85F468785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">Fiction, A Tabloid of Fiction</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">The first issue contains stories by Max Friseh, John Hawkes, Stanley Elkin, Anthony Kerri. gan, </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">, ls Simckes, Jean Goldschmidt, Rosalyn Drexler, ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">April 16, 1972 - By MARK J. MIRSKY - BOOK REVIEW - Article - Print Headline: "Fiction, A Tabloid of Fiction"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F20914F93F5E127A93C5A8178FD85F468785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">London: Soho's Almost Free Theater</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Recently the troupe staged *'Offending tire Audience,'' by tile young Austrian playwright (or anti-playwright) </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">, whose play has achieved almost ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">April 17, 1972 - By BERNARD WEINRAUBSpecial to The New Times - SPORTS - Article - Print Headline: "London: Soho's Almost Free Theater"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F40A12FA3F5F117B93C3AB178ED85F468785F9" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">The Goalie's Anxiety at the Penalty Kick; By </span></b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> </span></b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">...</span></b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> is a young Austrian writer, best known for his plays, which have been variously described as audacious, clever, brilliant, pretentious, fraudulent, ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">May 21, 1972 - By FRANK CONROY - Book Review - Article - Print Headline: "The Goalie's Anxiety at the Penalty Kick; By Peter Handke. Translated by Michael Roloff. 133 pp. New York: Farrar, Straus & Giroux. $6.95. Goalie's Anxiety"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F50915F93A5910738DDDAD0894DE405B828BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">A Selection Of Recent Titles</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">. (Farrar, Straus Giroux. $6.95.) The week-long experiences of a former soccer goalie are related in straight descriptive prose in this first novel by a ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">June 4, 1972 - Book review - Article - Print Headline: "A Selection Of Recent Titles"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F10A17FC345A137B93CAA9178DD85F468785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">A Literary Troublemaker</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">By </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">. Translated by Michael Roloff. 133 pages. Farrar, Straus Giroux. $6.95. For six years -- ever since he publicly insulted some of Germany's most ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">June 8, 1972 - By RICHARD LOCKE - Article - Print Headline: "A Literary Troublemaker"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F00812F83E5E127A93C4A8178CD85F468785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">Diary of a Madman The Diary of a Madman</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">NOVEMBER 30, 1971: Rehearsals start for new </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> play. The time seems ripe to explore the devious and brilliant mind of the feigning enfant terrible ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">July 16, 1972 - By JULES IRVING, director, the Repertory Theater of Lincoln Center - Article -Print Headline: "Diary of a Madman, or How to Build a Classical Theater on $5 a Day; Diary of a Madman The Diary of a Madman"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F60D14FC3A591A7493C5A91783D85F468785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">Zurich: Frisch's Best-Selling 'Diary'</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">, the writer from the Austrian provincial town of Graz, from which many talents have lately emerged, has now reached the mature age of 30.</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">August 7, 1972 - By FRANCOIS BONDYSpecial to The New York Times - Article - Print Headline: "Zurich: Frisch's Best-Selling 'Diary'"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F60613FC3F59107A93C1A91789D95F468785F9" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Arrabal's Theater of Panic:; " . . . the fantasies of Don Quixote, the</span></b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">...</span></b></span></span></strong></span></a></h3>
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<span style="color: #333333;"><span style="background: rgb(231, 239, 249); font-size: x-large;"> </span></span></div>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">... I can think of only one -Heathcote Williams -who would be properly classified as avant-garde. In Germany, there are </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> and Rainer Fassbinder.</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">December 3, 1972 - By Charles Marowitz - Magazine - Article - Print Headline: "Arrabal's Theater of Panic:; " . . . the fantasies of Don Quixote, the nightmares of Alice, the anxieties of K, and the humanoid dreams that haunt the nights of IBM machines""</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F50F1EFC3F59107A93C1A91789D95F468785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">1972: A Selection of Noteworthy Titles</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">. (Farrar,, Straus Giroux. $6.95.) The week-long experiences of a former soccer goalie are related in straight descriptive prose in this first novel by a ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">December 3, 1972 - BOOK REVIEW - Article - Print Headline: "1972: A Selection of Noteworthy Titles"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=FB0B1FF73E551A7493C4A91789D85F478785F9" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Briefs on the Arts; Britain Lifts Ban On Warhol Film Government Gets </span></b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">...</span></b></span></span></strong></span></a></h3>
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<span style="color: #333333;"><span style="background: rgb(231, 239, 249); font-size: x-large;"> </span></span></div>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">... presents its opening perform-, ager, will present as guest ance of "Kaspar," by </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> of honor Gloria Caruso, the </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">, tonight at 7:30. ..,; tenor s daughter.</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">February 6, 1973 - Special to The New York Times - Article - Print Headline: "Briefs on the Arts; Britain Lifts Ban On Warhol Film Government Gets 2 Rare Mementos Marginalia: Course By Jose Quintero Met to Honor Caruso With 'Aida'"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F30B10FB3C54137A93C3A81789D85F478785F9" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Bertolucci Is All Tangoed Out; THE OPENINGS Bertolucci Is All </span></b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">...</span></b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">The Chelsea Theater Center In a play by </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">. Bertolucci Is All Tangoed Out By GUY FLATLEY Bertolucci Is All Tangoed Out Continued From Page I ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">February 11, 1973 - By GUY FLATLEY - AL - Article - Print Headline: "Bertolucci Is All Tangoed Out; THE OPENINGS Bertolucci Is All Tangoed Out"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F40C10FB3C54137A93C3A81789D85F478785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">In 1990 Will We Still Go Out to the Movies?</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">N..k " KASPAR" -- Christopher Lloyd acts him in </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke's</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> play through March 4 at the Chelsea Theater Center in Brooklyn's Academy of Music.</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">February 11, 1973 - By SHERRY SONNETT - AL - Article - Print Headline: "In 1990 Will We Still Go Out to the Movies?; In 1990 Will We Still Go Out to the Movies?"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F50E12F93C54137A93C6A81789D85F478785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">Entertainment Events Today; Theater Opera Concerts Dance Film</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">WARP, a science felton work by Bury St. Edmund and Stuart Gordon. At the Ambassador, West 49th Street, at 7. KASPAR, a play by </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Performed by ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">February 14, 1973 - Article - Print Headline: "Entertainment Events Today; Theater Opera Concerts Dance Film"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F10E10F73C5C1A7A93C4A81789D85F478785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">News Summary and Index; The Major Events of the Day</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Page24 "Kaspar," play by </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">, bows. Page26 Two albums from Coward musicals. Page 26 "Caro: The Fatal Passion," by Blyth, is reviewed. Page 35 ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">February 16, 1973 - Article - Print Headline: "News Summary and Index; The Major Events of the Day"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F50E13F73C5C1A7A93C4A81789D85F478785F9" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Theater: </span></b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Handke's</span></b></span></span></strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> 'Kaspar' Is Staged in Brooklyn; The Cast</span></b></span></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">The more I see and read of </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> the more and more ready I am to accept the common European view that he is one of the most important young ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">February 16, 1973 - By CLIVE BARNES - Article - Print Headline: "Theater: Handke's 'Kaspar' Is Staged in Brooklyn; The Cast"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F60812F93C5C147A93C7AB1789D85F478785F9" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Yes, This Is </span></b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Handke</span></b></span></span></strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">, But Very Good </span></b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Handke</span></b></span></span></strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">; Very Good </span></b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Handke</span></b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">FOR "Kaspar," now being performed at the Chelsea Theater Center in Brooklyn, Austrian dramatist </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> has taken the celebrated case of a "wild child" ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">February 25, 1973 - By WALTER KERR - AL - Article - Print Headline: "Yes, This Is Handke, But Very Good Handke; Very Good Handke"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=FA0612F93C5C147A93C7AB1789D85F478785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">The New Plays; The New Plays</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">KASPAR, a play by </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">, translated by Michael Roloff, got two favorable reviews (Barnes, Times; Gottfried, Women's Wear), two mixed (Watt, News;.</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">February 25, 1973 - AL - Article - Print Headline: "The New Plays; The New Plays"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F60612F73C54137A93C1A91788D85F478785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">A Friendly 'Mrs. Spook' Gives Funds for 'Kaspar'</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Kaspar," </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke's</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> critically acclaimed play about a mute boy's struggle with language, has had a week added to its limited engagement at Brooklyn's ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">March 3, 1973 - Article - Print Headline: "A Friendly 'Mrs. Spook' Gives Funds for 'Kaspar'"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F30712FF3959137A93C1AB178ED85F478785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">' The Hot I Baltimore' Shares Obie Award With 'River Niger'</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Samuel Beckett's "Not I" and </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke's</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> "Kaspar" were named distinguished foreign plays. Twelve actors and actresses were honored for distinguished ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">May 23, 1973 - Article - Print Headline: "' The Hot I Baltimore' Shares Obie Award With 'River Niger'"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F10D14F8395B1B778DDDAA0894DE405B838BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">Mr. Astaire Should Know; Mr. Astaire Should Know</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Christopher Lloyd scarcely needed to be called to anyone s attention in </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">PeterHandke's</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> '!Kaspar." He was playing Kaspar. But he had been given, behind his ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">June 3, 1973 - By WALTER KERR - AL - Article - Print Headline: "Mr. Astaire Should Know; Mr. Astaire Should Know"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F70711F73C5D127A93CAAB178BD95F478785F9" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Today's TV; Saturday Tuesday Thursday NIGHTTIME PROGRAMS </span></b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">...</span></b></span></span></strong></span></a></h3>
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<span style="color: #333333;"><span style="background: rgb(231, 239, 249); font-size: x-large;"> </span></span></div>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">CAMERA THREE: </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">: Theater and Ideas" Part I (5)Flintstones (7)hr Pufnstuf (9)Rex Humbard (1I)F Troop 11:30 (2)Face the Nation: Israeli Prime ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">October 28, 1973 - AL - Article - Print Headline: "Today's TV; Saturday Tuesday Thursday NIGHTTIME PROGRAMS DAYTIME MOVIES Afternoon Evening Morning Friday Afternoon Morning Monday-Friday Morning Afternoon Monday Wednesday Evening DAY TIME PROGRAMS"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F0091FFE3E5D127A93C3A8178AD95F478785F9" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Today's TV; Afternoon DAYTIME MOVIES Friday Evening Saturday </span></b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">...</span></b></span></span></strong></span></a></h3>
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<span style="color: #333333;"><span style="background: rgb(231, 239, 249); font-size: x-large;"> </span></span></div>
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<span style="font-size: x-large;"><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">: Theater and Ideas" Part 2 (5)Flintstones (7)hr Pufnstuf (9)Rex Humbard ()F Troop Lloyd ... Fred Astaire, Jane Powell, </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> Lawford, Sarah Churchill.</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">November 11, 1973 - AL - Article - Print Headline: "Today's TV; Afternoon DAYTIME MOVIES Friday Evening Saturday DAYTIME PROGRAMS Afternoon Morning Thursday Afternoon Wednesday Evening Morning Monday-Friday Tuesday Monday NIGHTTIME PROGRAMS"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F50E11FB385F107A93C2AB178AD85F408785F9" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Article 2 -- No Title; </span></b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter</span></b></span></span></strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> Brook's Theater</span></b></span></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">`The Complete Truth Is Global' Peter Brook, the renowned British director .... We also ex- with a play by the young German author </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">, "Kaspar," ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">January 20, 1974 - AL - Article - Print Headline: "Article 2 -- No Title; Peter Brook's Theater"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F50714FF3A5D127A93CAA81783D85F408785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">Book Ends</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">The Austrian writer of Hank Aaron's previous high of three), Eva alienation,</span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">, has a new novel Braun, James Dean, Pierpont Morgan (Cass "Short ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">August 18, 1974 - BR - Article - Print Headline: "Book Ends"</span></b></span></span></div>
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<a href="http://timesmachine.nytimes.com/svc/tmach/v1/refer?res=F50714FF3A5D127A93CAA81783D85F408785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="text-decoration: none;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">View original in TimesMachine</span></b></span></span></span></a></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=FA0916F63F591A7A93CAA91782D85F408785F9" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">The Making of Modern Drama; A Study of Buchner, Ibsen, Strindberg </span></b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">...</span></b></span></span></strong></span></a></h3>
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<span style="color: #333333;"><span style="background: rgb(231, 239, 249); font-size: x-large;"> </span></span></div>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Ibsen, Strindberg, Chehhov, Pirandello, Brecht, Bechett, Handke. ... Chekhov, Pirandello, Brecht, Beckett and the young Austrian playwright</span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">.</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">September 8, 1974 - By THOMAS R. EDWARDS - BR - Article - Print Headline: "The Making of Modern Drama; A Study of Buchner, Ibsen, Strindberg, Chekhov, Pirandello, Brecht, Beckett, Handke. By Richard Gilman. 292 pp. New York: Farrar, Straus & Giroux. $8.95."</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F20612F93A551A7493C0A81782D85F408785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">Books of The Times The Secret Places Others Analyzed</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Others Analyzed Analyzing Bbchner, Ibsen, Strindberg, Chekhov, Pirandello, Brecht, Beckett and </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> as the most effective of the last 100 years; Mr.</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">September 12, 1974 - By ANATOLE BROYARD - Article - Print Headline: "The Drama of Consciousness; Books of The Times The Secret Places Others Analyzed"</span></b></span></span></div>
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<a href="http://timesmachine.nytimes.com/svc/tmach/v1/refer?res=F20612F93A551A7493C0A81782D85F408785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="text-decoration: none;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">View original in TimesMachine</span></b></span></span></span></a></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F10914FE3554177488DDAC0994D1405B848BF1D3" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Short Letter, Long Farewell; By </span></b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">. Translated by Ralph</span></b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">...</span></b></span></span></strong></span></a></h3>
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<span style="color: #333333;"><span style="background: rgb(231, 239, 249); font-size: x-large;"> </span></span></div>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Above all, </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> is an original protagonist receives a short, flat farewell note from his wife ("I am in New York. Please don't look for me. It would not be ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">September 15, 1974 - By JOHN ROCKWELL - BR - Article - Print Headline: "Short Letter, Long Farewell; By Peter Handke. Translated by Ralph Manheim. 166 pp. New York: Farrar, Straus & Giroux. $7.95."</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F60614FA3E5B1A7493C1AB1782D85F408785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">Recently Published Books; FICTION GENERAL</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">, translated by Joan-The Reluctant Kennedy, by Ralph Manheim ( Farrar, Straus Lester David (Funk Wagnalls, Giroux, $7.95). An Austrian. $6.95).</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">September 23, 1974 - Article - Print Headline: "Recently Published Books; FICTION GENERAL"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F1061EF63A5D127A93CBAB1782D85F408785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">Tom Long Farewell Black Mafia Corrections Phaze Out Cohabitation</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">To the Editor: On behalf of Ralph Manheim, the translator of </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke's</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">novel "Short Letter, Long Farewell," I would like to correct a misapprehension in ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">September 29, 1974 - SUSAN GENSELWENDELL WRAYTHOMAS A. STEWARTWALLACE STEGNERPATRICIA W. BELDING - BR - Article - Print Headline: "Letters To the Editor; Tom Long Farewell Black Mafia Corrections Phaze Out Cohabitation"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F4071EFA3E591A7A93C2AB178BD95F408785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">Antaeus Magazine</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">, Thomas mcguane and Alexander The. roux. Most of the three dozen writ- ers gathered here were once considered avant-garde or ex- perimental ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">October 20, 1974 - By J. D. O'HARA - BR - Article - Print Headline: "Antaeus Magazine"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F10912F9355D127A93C3A91789D95F408785F9" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">1974: A Selection Of Noteworthy Titles; Autobiography & Biography</span></b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">...</span></b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">. (Farrar, Straus. $7.95.) A novel by the highly acclaimed young Austrian novelist. "For those who respond to complex ana clever artifice, Handke ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">December 1, 1974 - BR - Article - Print Headline: "1974: A Selection Of Noteworthy Titles; Autobiography & Biography Current Affairs Essays & Criticism Fiction Family Crisis History Sociology, Science, Philosophy & Religion Poetry Music Sports Young Readers Watergate"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F10911F83B5C107B93C0A91788D85F418785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">Book Ends</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">"5anya" by Aleksandr Solzhenitsyn's first whe, Natalya Reshetovskaya and</span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Handke's</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> "A Sorrow Beyond Dreams." . Biographical subjects include Judy ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">March 2, 1975 - International Economic Survey - Article - Print Headline: "Book Ends"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=FA061FF73F5B137A93C5A81788D85F418785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">Nominees for National Book Awards Listed</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Ibsen, Strindberp, Chekhov, Pirandelio: Brecht, Beckett, </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">". by Richard Gliman (Farrar. .... "Life Is Elsewhere" by Milan Kundera, by </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Kussl (Knppf).</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">March 17, 1975 - By THOMAS LASK - Article - Print Headline: "Nominees for National Book Awards Listed"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F4061EFF385E157493CAA8178FD85F418785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">New Books; FICTION</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">A Sorrow Beyond Dreams: A Life Story, 6y </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> translated by Ralph Manheim (Farrar, I Straus Grroux, $5.95). Of a mother s suicide. i Bertolt Brecht's ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">April 18, 1975 - Article - Print Headline: "New Books; FICTION"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F10616FF3A5B14768FDDAE0A94DC405B858BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">A Sorrow Beyond Dreams; The Lost Honor of Katharina Blum</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Almost everything appears to separate Heinrich Boll and </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">: age, experience, preoccupations. Boll is German and was born in 1917, Handke is ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">April 27, 1975 - By MICHAEL WOOD - International Economic Survey - Article - Print Headline: "A Sorrow Beyond Dreams; The Lost Honor of Katharina Blum"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F10611FF3E5E16738DDDA80894DE405B858BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">Selected Vacation Reading List; Autobiography & Biography</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">A SORROW BEYOND DREAMS. </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">. (Farrar. $5.95.) The best young writer in the German language today thinks about the suicide of his mother.</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">June 1, 1975 - Article - Print Headline: "Selected Vacation Reading List; Autobiography & Biography"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F60A1EFF3E5E16738DDDA80894DE405B858BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">Editors' Choice</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Depressing conclusions about civil-service morality as revealed by case studies of principled resignations. A SORROW BEYOND DREAMS. by </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">.</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">June 1, 1975 - Article - Print Headline: "Editors' Choice"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F20710F7395E16738DDDAE0894DA415B858BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">1975: A Selection Of Noteworthy Titles</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">. (Farrar. 35.95.) The .best young writer fin the German language today thinks about the suicide of his mother. SPECIAL ENVOY: Ta Churchill and ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">December 7, 1975 - The New York Times Book Review - Article - Print Headline: "1975: A Selection Of Noteworthy Titles"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F10611F83C5916768FDDA10A94DA415B858BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">Editors' Choice 1975</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Doctorow 'Random House. $8.95 A SORROW BEYOND DREAMS By </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">PeterHandke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> Farrar, Straus Giroux. 35.95 EDITH WHARTON By rwb Lewis Harper Row.</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">December 28, 1975 - The New York Times Magazine - Article - Print Headline: "Editors' Choice 1975"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F60910FA395910728DDDAF0A94D9405B868BF1D3" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Chelsea Theater Center Facing Financial Crisis; Acclaim and </span></b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">...</span></b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">... Jean Gen2t's "The Screens," Heathcote Williams's "AC/DC," Imamu Amiri Baraka's "Slave Ship;' </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke's</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> "Kaspar" and David Storey's "The Contractor.</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">January 26, 1976 - By MEL GUSSOW - Article - Print Headline: "Chelsea Theater Center Facing Financial Crisis; Acclaim and Awards One Dollar"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F10C17FC3C5F14738DDDAD0994DB405B868BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">A daughter's memories; Generations</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">... Eudoru Welty's "The Optim Reynolds Price's latest book is '"fhe Surface of Earth ," fist s Daughter," </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke's</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> "A Sorrow Beyond Dreams"; and the impulse ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">March 14, 1976 - By REYNOLDS PRICEIllustrations from "Generations." - The New York Times Book Review - Article - Print Headline: "A daughter's memories; Generations"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F40611FE3D59157493C5A9178DD85F428785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">pen Elects Carlisle President</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Ralph Manheim won. the Goethe House-pen translation award for the best translation from the German for his rendering of </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke's</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> "A Sorrow Beyond ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">June 7, 1976 - Article - Print Headline: "P.E.N. Elects Carlisle President"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F10F17F93F5E14768FDDAC0894D1405B868BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">Brustein on Theater</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">... with its playwrights, particularly those who, like Beckett, Bond, and</span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> in ... John Pasquin (not to mention Andrzej Wajda, Ron Daniels, and</span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> Brook ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">September 5, 1976 - By ROBERT BRUSTEIN - Arts & Leisure - Article - Print Headline: "Brustein on Theater"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F60814FD345C177A93C6A8178AD95F428785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">Book Ends</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Current titles include poems by </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">, a collection of essays on sex differences (which Mr. Roloff announced had just been taken by five book clubs), ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">November 14, 1976 - The New York Times Book Review - Article - Print Headline: "Book Ends"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=FB0812FA3F59157493CAA91789D95F428785F9" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Critic's Notebook: Comments, Not Complaints, About Broadway, Mr</span></b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">...</span></b></span></span></strong></span></a></h3>
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<span style="color: #333333;"><span style="background: rgb(231, 239, 249); font-size: x-large;"> </span></span></div>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">It was there that New York had its first taste of </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">. It was there that we saw Friedrich Diirrerunatt's "Play Strindberg." Oddly enough, Mr. Papp has ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">December 8, 1976 - By CLIVE BARNES - Westchester Weekly - Article - Print Headline: "Critic's Notebook: Comments, Not Complaints, About Broadway, Mr. Papp and the Irish; Sabbath Band: Blue Monday"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F00916FE3C5A107B93C5AB1789D95F428785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">Publishing: A Pioneer at Road's End</span></b></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">... "The Savage God" by A. Atvarez, "Catholics" by Brian Moore, "A Sorrow Beyond Dreams" by </span></b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">, 'The Lives of the Children" by George Dennison, ...</span></b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">December 27, 1976 - By HERBERT MITGANG - Westchester Weekly - Article - Print Headline: "Publishing: A Pioneer at Road's End"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F10612FB3A55157085DDAD0894D9405B878BF1D3" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Len Cariou Will Star In </span></b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);">Peter Handke</span></b></span></span></strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249);"> Play</span></b></span></span></span></a></h3>
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<span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">Len Cariou, who recently completed his role opposite Elizabeth Taylor in "A Little Night Music,"-which was filmed in Austria, has returned to New York to star in ...</span></b></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace;"><b><span style="background: rgb(231, 239, 249); font-size: x-large;">January 4, 1977 - Article - Print Headline: "Len Cariou Will Star In Peter Handke Play"</span></b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F00916FE3C5A107B93C5AB1789D95F428785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">Publishing: A Pioneer at Road's End</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>... "The Savage God" by A. Atvarez, "Catholics" by Brian Moore, "A Sorrow Beyond Dreams" by </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>, 'The Lives of the Children" by George Dennison, ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>December 27, 1976 - By HERBERT MITGANG - Westchester Weekly - Article - Print Headline: "Publishing: A Pioneer at Road's End"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F10612FB3A55157085DDAD0894D9405B878BF1D3" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>Len Cariou Will Star In </b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>Peter Handke</b></span></span></strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b> Play</b></span></span></span></a></h3>
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<span style="color: #333333;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>Len Cariou, who recently completed his role opposite Elizabeth Taylor in "A Little Night Music,"-which was filmed in Austria, has returned to New York to star in ...</b></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>January 4, 1977 - Article - Print Headline: "Len Cariou Will Star In Peter Handke Play"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F40815F93B5E16738DDDA00894D9405B878BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">Films; Opening This Week</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>FILM FORUM-Films by Wim Wended and </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>. 15 Vandam it. Thur.- Sun., 7:70. GARY GRANT-The middle Years. 1977 19W. Carne9lo Hall Cinema ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>January 9, 1977 - Arts & Leisure - Article - Print Headline: "Films; Opening This Week"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=FA0913FA385B167493C1A8178AD85F438785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">Events Today</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>THE GOALIE S ANXIETY AT THE PENALTY KICK, directed by Wim Wonders; by </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>, at the Film Forum. ' Dance. AMERICAN BALLET THEATER, Csly ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>January 13, 1977 - Sports - Article - Print Headline: "Events Today"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F50917FA345E1A738DDDAD0994D9405B878BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">Screen: 'The Goalie's Anxiety'; Lonely Madness</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>For, as we learn in Wim Wenders's superlative screen version of </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke's</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> novel "The Goalie's Anxiety at the Penalty Kick," Josef Bloch has been ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>January 14, 1977 - By VINCENT CANBY - The Weekend - Article - Print Headline: "Screen: 'The Goalie's Anxiety'; Lonely Madness"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=FA0F1FF83C5D167493C4A8178AD85F438785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">Arts and Leisure Guide; Arts & Leisure Guide</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>Roundabovt Stave One, 777 W. 27J St. 7160) Opens Wed. A SORROW BEYOND DREAMS-A theater piece by Austrian </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>. subtitled "A Lilo Story: ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>January 16, 1977 - Edited by ANN BARRY - Arts & Leisure - Article - Print Headline: "Arts and Leisure Guide; Arts & Leisure Guide"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F70F14FF3F5D167493C5A8178AD85F438785F9" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>Superb 'A Sorrow Beyond Dreams,' Dramatic Monologue About </b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>...</b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>The death of a mother. That and nothing else is the subject matter and the focus of a wonderfully dramatic monologue by </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> called "A Sorrow Beyond ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>January 17, 1977 - By CLIVE BARNES - Article - Print Headline: "Superb 'A Sorrow Beyond Dreams,' Dramatic Monologue About Suicide"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F20B12F63F5D167493C1AB178AD85F438785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">Arts and Leisure Guide</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>Golden, 252 W. isih St. ICI 6-6710) -Peter Sheller's play about a stable Dor wao .... Sf. (919-202D) THE SORROW 6 DREAMS-A Dr </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>. translated by ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>January 23, 1977 - Edited by ANN BARRY - Arts & Leisure - Article - Print Headline: "Arts and Leisure Guide; Of Special Interest Arts & Leisure Guide"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=FA0A11FA385910728DDDA90B94D9405B878BF1D3" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>STAGE VIEW; Uninspired Ibsen And Utterly Unexpected </b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>Handke</b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>Earlier in the same week I'd seen </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke's</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> "A Sorrow Beyond Dreams" during its limited (and already concluded) engagement as part of the Phoenix ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>January 30, 1977 - WALTER KERR - Arts & Leisure - Article - Print Headline: "STAGE VIEW; Uninspired Ibsen And Utterly Unexpected Handke"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F10D12FD3A5D14768FDDA80994DA405B878BF1D3" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>Alone on Stage With a Ghost; 'Sustained Emotional Pitch' A </b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>...</b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>He is now appearing in "A Sorrow Beyond Dreams," an elegiac, one-hour one- character play adapted from the book by </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>, and, he said, "I never felt ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>February 11, 1977 - By MEL GUSSOW - Weekend - Article - Print Headline: "Alone on Stage With a Ghost; 'Sustained Emotional Pitch' A Regional Reputation Fascinated by the Material"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F10613FE345915768FDDA90A94DA405B878BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">Arts and Leisure Guide</span></span></a></h3>
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<span style="font-size: x-large;"><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> Shutter's "L:" has accommodated the artistry of three major stars who have ..... 19892D20) A SORROW BEYOND DREAMS-pctef </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Handke's</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> play in which ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>February 20, 1977 - Edited by ANN BARRY - Arts & Leisure - Article - Print Headline: "Arts and Leisure Guide; Of Special Interest Arts & Leisure Guide"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F40C15FA345C137B93C5AB1789D85F438785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">FILM VIEW; Sometimes The Decor Is the Thing</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>Wim Wenders's superlative film adaptation of </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke's</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> novel, "The Goalie's Anxiety at the Penalty Kick; ' looks to have been photographed entirely on ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>February 27, 1977 - VINCENT CANBY - Article - Print Headline: "FILM VIEW; Sometimes The Decor Is the Thing"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F10C17FD3A5F167493C4AB1788D85F438785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">'Heaven and Earth' a Play of Life</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>In "A Sorrow Beyond Dreams," </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>, facing his mother's suicide, tries to comprehend the meaning or the meaninglessness of her existence. In "Heaven ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>March 26, 1977 - By MEL GUSSOW - Article - Print Headline: "'Heaven and Earth' a Play of Life"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F20914F7345C127A93C0AB178ED85F438785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">FILM VIEW; The New Movie --Cool and Disorienting</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>They are full of unmistakable emotions-love, sorrow, ,dread,confusion. Wim Wenders's screen adaptation of </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke's</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> "The Goalie's Anxiety at the Penalty ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>May 22, 1977 - VINCENT CANBY - Arts & Leisure - Article - Print Headline: "FILM VIEW; The New Movie --Cool and Disorienting"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F10B14FC3F5F15768FDDAD0A94DE405B878BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">New Face: Christopher Lloyd; A Real 'Happy End'</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>He scored a particular success in 1973 as the inarticulate hero of </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke's</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> "Kasper," also a Chelsea production. The soft-spoken actor credits much of his ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>June 24, 1977 - By ROBERT BERKVIST - Travel - Accent on The Sun - Article - Print Headline: "New Face: Christopher Lloyd; A Real 'Happy End'"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F10B16FB3F5F15768FDDAD0A94DE405B878BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">Books of The Times</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>If I am impatient inside </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke's</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> new novel, is it my fault or is it </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">PeterHandke's</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>? "Something has happened to me, I can t doubt it any more," said Antoine ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>June 24, 1977 - By John Leonard - Travel - Accent on The Sun - Article - Print Headline: "Books of The Times"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F60C10FD345F167493CBAB178CD85F438785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">At the Movies; Black Director Puts the Accent On Entertainment</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>... which has been written by Henry Edwards and stars Peter Frampton, the Bee ... "The Scarf Letter" and "False Movement," with a screenplay by </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>.</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>July 29, 1977 - Guy Flatley - New Jersey Weekly - Article - Print Headline: "At the Movies; Black Director Puts the Accent On Entertainment"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F60A10F83B5F117A93C3AA178CD85F438785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">Intendedly Inauthentic; Intendedly Inauthentic</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>THE Austrian, </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>, who writes poetry, novels, plays and memoirs, is concerned with a familiar subject--the loss of authenticity or innocence.</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>July 31, 1977 - By LEONARD MICHAELS - The New York Times Book Review - Article - Print Headline: "Intendedly Inauthentic; Intendedly Inauthentic"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=FA0B1FFA385A167493C1A91782D85F438785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">Man's Despair, and Hope</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>Against this background, pessimism is often a certificate of spiritual integrity and intellectual in the work of Franz Kafka, Samuel Beckett, </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>, Harold ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>September 3, 1977 - By Eric Bentley - Article - Print Headline: "Man's Despair, and Hope"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F20817FC3D5C167493C6AB1782D85F438785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">Film Festival: 'American Friend' Tops Day's Fare</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>Mr. blenders describes "Ttie American Friend" as "an entertainment film," by which, I assume, he means that unlike, say, his fine, icy adaptation of </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">PeterHandke's</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>September 24, 1977 - By VINCENT CANBY - Article - Print Headline: "Film Festival: 'American Friend' Tops Day's Fare"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F20817FC3D5C167493C6AB1782D85F438785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">ilm Festival: 'American Friend' Tops Day's Fare</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>Mr. blenders describes "Ttie American Friend" as "an entertainment film," by which, I assume, he means that unlike, say, his fine, icy adaptation of </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">PeterHandke's</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>September 24, 1977 - By VINCENT CANBY - Article - Print Headline: "Film Festival: 'American Friend' Tops Day's Fare"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=FA0610F6395E137B93C7AB1782D85F438785F9" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>FILM VIEW; This Festival Could Turn Out To Be a Real Smash FILM </b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>...</b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>... whose first film to be seen here, "The Goalie's Anxiety at the Penalty Kick," probably owed as much of its success to the </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> screenplay (and novel ) ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>September 25, 1977 - VINCENT CANBY - Arts & Leisure - Article - Print Headline: "FILM VIEW; This Festival Could Turn Out To Be a Real Smash FILM VIEW Film Festival"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F6081EF93D5C167493C0A8178BD95F438785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">At Frankfurt Fair, Eyes Are on Books With 'Legs'</span></span></a></h3>
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<span style="font-size: x-large;"><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>, the Austrian novelist who lives in France, is published by Farrar, Straus Giroux. His "The Left-Handed Woman," printed in Germany last fall, his ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>October 12, 1977 - By HERBERT MITGANG - Article - Print Headline: "At Frankfurt Fair, Eyes Are on Books With 'Legs'"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F00B16FB3E5E137B93C6A91789D95F438785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">EUROPE; Europe</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>What one now hears much of is what </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> was the first to call "the new inward-: ness," a dispensation whose welcome effect has been to set writers ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>December 4, 1977 - by John Sturrock - International Economic Survey - Article - Print Headline: "EUROPE; Europe"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F00A16FB3E5E137B93C6A91789D95F438785F9" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>A SELECTION OF NOTEWORTHY TITLES:; Autobiography </b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>...</b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>(Doubleday. $10.) A novel based on the trial of Leo Frank in Atlanta, Ga. in 1913. A MOMENT OF TRUE FEELING. </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>. Translated By Ralph Manheim.</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>December 4, 1977 - International Economic Survey - Article - Print Headline: "A SELECTION OF NOTEWORTHY TITLES:; Autobiography & Biography"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F60913F93F5F15738DDDA80994DA415B878BF1D3" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>FILM VIEW; The German Renaissance--No Room for Laughter or</b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>...</b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>This is the feeling one takes away from Wim Wenders's remarkable film adaptation of </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke's</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> "The Goalie's Anxiety at, the Penalty Kick," perhaps the ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>December 11, 1977 - VINCENT CANBY - Arts & Leisure - Article - Print Headline: "FILM VIEW; The German Renaissance--No Room for Laughter or Love FILM VIEW"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F70913F93F5F15738DDDA80994DA415B878BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">German Films Are Subsidized</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>Recently, </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke's</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> "The Left- Handed Woman," adapted from his own novel, was a recipient of Curatorium money. There is movie money to be reaped; ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>December 11, 1977 - Arts & Leisure - Article - Print Headline: "German Films Are Subsidized"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F30B11F93F5F15738DDDA80994DA415B878BF1D3" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>Arts and Leisure Guide; Of Special Interest Rare Ibsen Star Soloists </b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>...</b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>"Under Peter Mark Schilter's direction, a thoroughly sound and sensitive company ..... is Howard Brenton's political drama, the second a play by </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">PeterHandke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>.</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>December 11, 1977 - Edited by ANN BARRY - Arts & Leisure - Article - Print Headline: "Arts and Leisure Guide; Of Special Interest Rare Ibsen Star Soloists Couturiers Grass Roots Theater Broadway Now Previewing Off Broadway Off Off Broadway Tristate Dance Film Opening This Week Recent Openings Special Series Music Opera Metropolitan Other Jazz In Concert In the Clubs Pop/Folk/Rock In Concert Arts and Leisure Guide In the Clubs Art Galleries Uptown Group Shows Galleries 57th St. Group Shows Galleries SoHo Group Shows Other Museums Photography Group Shows Miscellany Poetry Readings"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F00A1FF73B59157493CAA81789D95F438785F9" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">Theater; Dance Film Music</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>Jonathan Hadary, Sfephanle Gordon, "Under Peter Mark Schifler's direction. a ..... is Howard Brentan's political drama, the second a play by </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>.</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>December 18, 1977 - Arts & Leisure - Article - Print Headline: "Theater; Dance Film Music"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F10A1EFD395A13728DDDA80894D9405B888BF1D3" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>Arts and Leisure Guide; Of Special Interest Dance Panorama West</b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>...</b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>KASPAR-A play by </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>, presented by New York Paradox and by David J. Yakfr. Nat Horne, 440 W.42d St. (736?712B) Opens Wed. (prey. Tues.) ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>January 1, 1978 - Edited by ANN BARRY - Arts & Leisure - Article - Print Headline: "Arts and Leisure Guide; Of Special Interest Dance Panorama West Siders Meet For the Young at Art New York, New York" Theater Opening This Week Broadway Now Previewing Off Broadway Off Off Broadway Tristate Dance Film Recent Openings Special Series Music Opera Jazz Pop/Folk/Rock Art Galleries Uptown Galleries 57th St. Arts and Leisure Guide Galleries SoHo Other Museums Photography Miscellany Lectures Poetry Readings"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F70614F83B5A13728DDDAC0994D9405B888BF1D3" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>Arts and Leisure Guide; Of Special Interest Ribman Revival </b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>...</b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>"Under Peter Mark Schifter's , a Ihoroughly sound and sensitive company does ..... is a politi cal drama by Howard Brenton: the lat tar is </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke's</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> play.</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>January 15, 1978 - Edited by ANN BARRY - Arts & Leisure - Article - Print Headline: "Arts and Leisure Guide; Of Special Interest Ribman Revival Retrospective Duos Theater Film Opening This Week Dance Music Art Galleries Uptown Arts and Leisure Guide Photography Miscellany"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=FA0F17FE3A5A13728DDDAE0994D9405B888BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">2 Young Foreign Playwrights Are Introduced in Double Bill</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>SELF-ACCUSATION, by </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>, by i. ... The second half of the double bill is "Self-.4," a "speakin" or :c, by Peter Iiandke, as translated by Michael Roloff.</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>January 17, 1978 - By MEL GUSSOW - Article - Print Headline: "2 Young Foreign Playwrights Are Introduced in Double Bill"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F30C17F83A5A13728DDDAB0A94D9405B888BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">THE LITERARY VIEW; Books About to Be Books</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>... Gail Godwin, Shelby Hearon, Loyd Little, James Purdy, </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>, Isaac Bashevis Singer (who will also be represented with an autobiography this spring) , ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>January 22, 1978 - By Richard R. Lingeman - The New York Times Book Review - Article - Print Headline: "THE LITERARY VIEW; Books About to Be Books"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F10A17F63D5513728DDDA00994DB405B888BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">Max Frisch Considered; Literary View Authors' Queries</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>... Now Praise Famous Men," George Orwell's "Down and Out in Paris and London," </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke's</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> "A Sorrow Beyond Dreams," or Max Frisch's " Sketchbooks"?</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>March 19, 1978 - By Francine du Plessix Gray - The New York Times Book Review - Article - Print Headline: "Max Frisch Considered; Literary View Authors' Queries"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F0081FFB395413728DDDAE0894DD405B888BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">Letter From Vienna; Vienna</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>Addiction to the authentic has, of course, always distinguished </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>. Quite possibly it would not have developed so powerfully in him had he not been ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>May 7, 1978 - By FREDERIC MORTON - The New York Times Book Review - Article - Print Headline: "Letter From Vienna; Vienna"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F40810FB385513728DDDAD0894DE405B888BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">BOOK ENDS; Poor Richard's Almanac JUNE JULY AUGUST</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>Fiction: "The Left-Handed Woman" by </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>, "Picture Palace" by Paul'I' heroux. Genernl: "1 America" by Garry Wills, "Illness as Metaphor" by Susan ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>June 4, 1978 - By Richard R. Lingeman - The New York Times Book Review - Article - Print Headline: "BOOK ENDS; Poor Richard's Almanac JUNE JULY AUGUST"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F50B14FC3B5513728DDDA80994DE405B888BF1D3" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>Arts and Leisure Guide; Theater Dance Film Music Of Special </b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>...</b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>Music by Peter Schickele, Robert Dennis and Stanley Walden; ..... 17 White St. ( 869-3530) THE RIDE ACROSS LAKE CONSTANCE-</b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke's</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>play, ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>June 11, 1978 - Edited by ANN BARRY - Arts & Leisure - Article - Print Headline: "Arts and Leisure Guide; Theater Dance Film Music Of Special Interest Salute to Robeson Time for Dine Ballet Blaska Al Fresco Opera Arts and Leisure Guide Art Photography Miscellany"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F60A13F73B5513728DDDAE0994DE405B888BF1D3" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>Books of The Times; New Novel by </b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>Handke</b></span></span></strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b> A Brilliant Impatience</b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>...</b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>I read this quotation from John Updike's review of </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke's</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> last novel on the dust wrapper of "The Left-Handed Woman," and I wondered whether this ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>June 17, 1978 - By ANATOLE BROYARD - Article - Print Headline: "Books of The Times; New Novel by Handke A Brilliant Impatience Fatiguing Progression"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F60D17FB345413718DDDA10994DE405B888BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">Sleeping Beauty as a Housewife</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>BACK in 1966, the then 24-year old </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> made a triple debut, more or less simultaneously: he published his first novel, produced his first play, and ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>June 18, 1978 - By ERNST PAWEL - The New York Times Book Review - Article - Print Headline: "Sleeping Beauty as a Housewife"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=FB0C1EFD345413718DDDA10994DE405B888BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">Arts and Leisure Guide; Theater</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>Book by </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> Masterson and Larry L. King: musical score by Carol Hall. ..... THE RIDE ACROSS LAKE CONSTANCE-Paler </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Handke's</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> play, directed by Matthew ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>June 18, 1978 - Edited by ANN BARRY - Arts & Leisure - Article - Print Headline: "Arts and Leisure Guide; Theater"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F10F14FF345C12728DDDA00994D0405B898BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">THEATER Musicals Reprised</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>On Oct. 18, "They Are Dying Out," by </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>, is to join the repertory. The third play and its opening date are yet to be selected. "Broadway Tonite!" devised ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>August 19, 1979 - By HASKEL FRANKEL - Connecticut Weekly - Article - Print Headline: "THEATER Musicals Reprised"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F50E12FF3D5C12728DDDA80994D1405B898BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">Yale Repertory to Open 14th Season Oct. 5</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>lowed by new plays by </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> and Athol Fugard and a production of Shakespeare's "Timon of Athens. Mr. Guare's play, a farcical examination of family ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>September 11, 1979 - Science Times - Article - Print Headline: "Yale Repertory to Open 14th Season Oct. 5"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F30612FC395A12728DDDAD0994D8415B898BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">Fall Entertainment Season: Bright as a Leaf</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>This year s season opened with John Guare's "Bosoms and Neglect," to be joined in repertory next Thursday by the American premiere of </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke's</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> " They ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>October 14, 1979 - By ELEANOR CHARLES - Connecticut Weekly - Article - Print Headline: "Curtain Rising on a Rich Season; Fall Entertainment Season: Bright as a Leaf"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=FB0715FD395A12728DDDA80A94D8415B898BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">New Playwrights Take Center Stage</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>Tuesday, a young American playwright, Peter Parnell, makes his New York .... which launched Bernard Pomerance's "The Elephant Man"), </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke's</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> "A ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>October 21, 1979 - By ROBERT BERKVIST - Arts & Leisure - Article - Print Headline: "Where New Playwrights Take Center Stage; New Playwrights Take Center Stage"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=FA0916F8345D11728DDDA10A94D8415B898BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">Opening This Week; Broadway</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>Book DY Peter Masfenon and Larry L. King; musical score by Carol Hall. ..... directed by Steven Robman: Me latter play by </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>, directed by Karl Weber ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>October 28, 1979 - Arts & Leisure - Article - Print Headline: "Opening This Week; Broadway"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=FB0D1FFA3B5D12728DDDA80894D9415B898BF1D3" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>Theater: 'Dying Out' By </b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>Peter Handke</b></span></span></strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>; Fading Business</b></span></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>the contrast between what we say and what we do-- are essential elements in the theater of </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>. In "They Are Dying Out," a tantalizing new play of ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>November 1, 1979 - By MEL GUSSOW - The Home Section - Article - Print Headline: "Theater: 'Dying Out' By Peter Handke; Fading Business"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F20F17FE345410728DDDAD0894D9415B898BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">What's Doing in NEW HAVEN</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>... and "They Are Dying Out," the American premiere of a play by </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> on mass marketing and its big-business creators. Monday through Friday 8 pm, ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>November 4, 1979 - By JAY WALZ - Travel - Article - Print Headline: "What's Doing in NEW HAVEN"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=FB0B1EFE345410728DDDAD0894D9415B898BF1D3" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>Connecticut/This Week; ART MUSIC & DANCE THEATER FILM </b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>...</b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>NEW HAVEN--Yale Repertory Theater, "Bosoms and Neglect," by John Guare, 8 pm Monday and Wednesday; "They are Dying Out," by </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>, 8 pm ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>November 4, 1979 - Connecticut Weekly - Article - Print Headline: "Connecticut/This Week; ART MUSIC & DANCE THEATER FILM LECTURES CHILDREN MISCELLANEOUS SPORTS IN WESTCHESTER"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F70617F9395A12728DDDA80994D9415B898BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">STAGE VIEW; Two Plays That Challenge as They Entertain</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>The published version of </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke's</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> play, "They Are Dying Out," now having its American premiere at the Yale Repertory Theater, begins with a prefatory ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>November 11, 1979 - MEL GUSSOW - Arts & Leisure - Article - Print Headline: "STAGE VIEW; Two Plays That Challenge as They Entertain"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=FA0713F73D5F12728DDDAF0994DA415B898BF1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">STAGE VIEW; For the 'Serious' Theatergoer</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>musical.comedy buff and the man who hurries all the way to ' Brooklyn to see what </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke's</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> been up to are, really, one and the same person. In each ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>December 16, 1979 - WALTER KERR - Arts & Leisure - Article - Print Headline: "STAGE VIEW; For the 'Serious' Theatergoer"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=FB0B14F8395C12728DDDAB0894DC405B8084F1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">Events Today; Theater Films Music Dance Cabaret</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>Films THE WOMAN, a German film with English subtitles, directed by </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">PeterHandke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>, of the Cinema Studfo2 Theater. Music METROPOLITAN OPERA ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>April 2, 1980 - The Living Section - Article - Print Headline: "Events Today; Theater Films Music Dance Cabaret"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F50E17F93F5F12728DDDAF0894DC405B8084F1D3" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>STAGE VIEW; An Auspicious Beginning For Lloyd Richards at Yale</b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>...</b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>os Mr. Richards next turned to the international repertory, to </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>, one of the world s foremost theatrical experimentalists, and a new play, "They Are ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>April 6, 1980 - MEL GUSSOW - Arts & Leisure - Article - Print Headline: "STAGE VIEW; An Auspicious Beginning For Lloyd Richards at Yale STAGE VIEW An Auspicious Start for Lloyd Richards at Yale"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F30B16FD395D17728DDDAA0994DC405B8084F1D3" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>Arts and Leisure Guide; Of Special Interest Rite of Spring Joffrey </b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>...</b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>"Under Peter Merk Schlfter's direction, a round and company does ample to Mr. ..... LEFT HANDED WOMAN--A Ger mnn film DY </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> about a mer reed ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>April 13, 1980 - Edited by ANN BARRY - Arts & Leisure - Article - Print Headline: "Arts and Leisure Guide; Of Special Interest Rite of Spring Joffrey Gala Tribute Patrons Theater Recent Openings The Blood Knot The Haggadah I Ought To Be in Pictures Tristate Dance Film Music Arts and Leisure Guide Art Photography"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F10911FE395410728DDDAA0A94DC405B8084F1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">Screen: German 'Knife in the Head'; Meditation on Survival</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>He may also be seen currently in </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke's</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> "The lefthanded Woman," though he was more prominently employed in Eric Rohmer's "The Marquise of O, " ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>April 23, 1980 - By VINCENT CANBY - The Living Section - Article - Print Headline: "Screen: German 'Knife in the Head'; Meditation on Survival"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F1061FFA3C5512728DDDA00894D9415B8084F1D3" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>Long Island This Week; ART MUSIC & DANCE SPORTS FOR </b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>...</b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>... Dutch film, Thursday; all 8 pm; </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke's</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> "The Left-Handed Woman," li premiere 8, 10:30 pm Friday, Saturday: New Community Cinema, 923 Park Ave.</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>November 9, 1980 - Long Island Weekly - Article - Print Headline: "Long Island This Week; ART MUSIC & DANCE SPORTS FOR CHILDREN MOVIES THEATER MEETINGS & TALKS MISCELLANEOUS"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F20612FC385C17728DDDAA0A94D9415B8084F1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">Sage of Sam Shepard; SHEPARD</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>While suggesting the influence of Europeans like Brecht, Beckett and </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">PeterHandke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>, Shepard has parlayed the myths of American popular culture--the Old West, ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>November 23, 1980 - By Robert Coe - The New York Times Magazine - Article - Print Headline: "Sage of Sam Shepard; SHEPARD"</b></span></span></div>
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<a href="http://select.nytimes.com/gst/abstract.html?res=F30E11FE3F5512728DDDA90B94D9415B8084F1D3" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">THE AMERICAN SHORT STORY: AN UNTOLD TALE</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>The best foreign stories--those of Argentina's Jorge Luis Borges, Colombia's Gabriel Garcia Marquez, Italy's Italo Calvino and Austria's </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>--are ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>November 30, 1980 - By Anita Shreve - The New York Times Magazine - Article - Print Headline: "THE AMERICAN SHORT STORY: AN UNTOLD TALE"</b></span></span></div>
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<a href="http://www.nytimes.com/1983/10/23/theater/stage-big-and-little-scenes-by-botho-strauss.html" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>STAGE - 'BIG AND LITTLE/SCENES' BY BOTHO STRAUSS </b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>...</b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>... more interesting to contemplate than to experience and less adventurous than works by Mr. Strauss's peers such as </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> and Franz ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>October 23, 1983 - By MEL GUSSOW - Theater - Article - Print Headline: "STAGE: 'BIG AND LITTLE/SCENES' BY BOTHO STRAUSS"</b></span></span></div>
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<a href="http://www.nytimes.com/1984/07/12/books/books-of-the-times-058835.html" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">BOOKS OF THE TIMES</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>THE WEIGHT OF THE WORLD. By </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>. Translated by Ralph Manheim. 243 pages. Farrar, Straus and Giroux. $16.95. FOR fullest ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>July 12, 1984 - By Walter Goodman - Books - Article - Print Headline: "BOOKS OF THE TIMES"</b></span></span></div>
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<a href="http://www.nytimes.com/1987/01/09/theater/handke-theater-piece.html" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>Handke</b></span></span></strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b> Theater Piece</b></span></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>''Self-Accusation,'' a theater piece by the Austrian playwright </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>, will be presented for the next three weekends by the Women in ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>January 9, 1987 - The New York Times - Theater - Article - Print Headline: "Handke Theater Piece"</b></span></span></div>
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<a href="http://www.nytimes.com/1988/01/03/books/brides-of-the-reich.html" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">BRIDES OF THE REICH</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>In ''A Sorrow Beyond Dreams,'' written in response to his mother's suicide,</b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> tells of her excitement at age 20 following the arrival ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>January 3, 1988 - By ROBERT JAY LIFTON,Robert Jay Lifton's most recent books are the ''The Nazi Doctors: Medical Killing and the Psychology of Genocide'' and ''The Future of Immortality: And Other Essays for a Nuclear Age.'' - Books - Article - Print Headline: "BRIDES OF THE REICH"</b></span></span></div>
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<a href="http://www.nytimes.com/1988/04/29/movies/review-film-the-rage-of-angels-according-to-wim-wenders.html" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>Review/Film; The Rage of Angels, According to Wim Wenders - New </b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>...</b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>In a screenplay written by the director with </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>, his earlier collaborator ( on ''The Goalie's Anxiety at the Penalty Kick''), the angels ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>April 29, 1988 - By JANET MASLIN - Movies - Article - Print Headline: "Review/Film,The Rage of Angels, According to Wim Wenders"</b></span></span></div>
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<a href="http://www.nytimes.com/1988/06/12/magazine/criminal-pursuits.html" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">CRIMINAL PURSUITS</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>And </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>, the acclaimed Austrian novelist and playwright, said in 1975, ' 'Not since Dostoyevsky has an author been so generous with ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>June 12, 1988 - By Joan Dupont,Joan Dupont, a writer living in Paris, reports frequently on the arts. - Magazine - Article - Print Headline: "CRIMINAL PURSUITS"</b></span></span></div>
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<a href="http://www.nytimes.com/1988/07/10/books/new-noteworthy.html" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">New & Noteworthy</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>The Austrian novelist </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> is known for his fictional meditations on the uneasy relationship between language and reality. These three ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>July 10, 1988 - By GEORGE JOHNSON - Books - Article - Print Headline: "New & Noteworthy"</b></span></span></div>
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<a href="http://www.nytimes.com/1988/08/07/books/austria-without-austrians.html" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">AUSTRIA WITHOUT AUSTRIANS</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>REPETITION By </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>. Translated by Ralph Manheim. 246 pp. New York : Farrar, Straus & Giroux. $18.95. </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> is an Austrian, ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>August 7, 1988 - By DAVID PRYCE-JONES,David Pryce-Jones's most recent novel is ''Afternoon Sun,'' which is set in Austria, where he was born. - Books - Article - Print Headline: "AUSTRIA WITHOUT AUSTRIANS"</b></span></span></div>
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<a href="http://www.nytimes.com/1989/05/24/movies/critic-s-notebook-american-s-first-film-is-top-cannes-winner.html" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>Critic's Notebook; American's First Film Is Top Cannes Winner - New </b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>...</b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>He was named best director last year for ''Wings of Desire,'' which was written by </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>, the German novelist, screenwriter and ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>May 24, 1989 - By VINCENT CANBY, Special to The New York Times - Movies - Article - Print Headline: "Critic's Notebook,American's First Film Is Top Cannes Winner"</b></span></span></div>
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<a href="http://www.nytimes.com/1989/07/24/obituaries/donald-barthelme-is-dead-at-58-a-short-story-writer-and-novelist.html" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>Donald Barthelme Is Dead at 58; A Short-Story Writer and Novelist</b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>...</b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>Among Europeans, he named </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>, Thomas Bernhard and Italo Calvino . The writers he admired, he said, included Stephane ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>July 24, 1989 - By HERBERT MITGANG - Obituaries - Article - Print Headline: "Donald Barthelme Is Dead at 58,A Short-Story Writer and Novelist"</b></span></span></div>
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<a href="http://www.nytimes.com/1989/07/24/books/barthelme-obit.html" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>Donald Barthelme Is Dead at 58; A Short-Story Writer and Novelist</b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>...</b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>Among Europeans, he named </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>, Thomas Bernhard and Italo Calvino . The writers he admired, he said, included Stephane ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>July 24, 1989 - By HERBERT MITGANG - Books - Article - Print Headline: "Donald Barthelme Is Dead at 58,A Short-Story Writer and Novelist"</b></span></span></div>
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<a href="http://www.nytimes.com/1989/08/28/books/books-of-the-times-author-rises-briefly-from-his-typewriter.html" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>Books of The Times; Author Rises Briefly From His Typewriter - New </b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>...</b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>The Afternoon of a Writer By </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> Translated by Ralph Manheim. 87 pages. Farrar, Straus & Giroux. $14.95. </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke's</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> latest ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>August 28, 1989 - By Herbert Mitgang - Books - Article - Print Headline: "Books of The Times,Author Rises Briefly From His Typewriter"</b></span></span></div>
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<a href="http://www.nytimes.com/1989/09/03/books/he-walks-alone.html" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">HE WALKS ALONE</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>THE AFTERNOON OF A WRITER By </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>. Translated By Ralph Manheim. 86 pp. New York: Farrar, Straus & Giroux. $14.95. It is sad ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>September 3, 1989 - By LINDA SIMON,Linda Simon, the author of biographies of Alice B. Toklas and Thornton Wilder, is director of the Writing Center at Harvard University. - Books - Article - Print Headline: "HE WALKS ALONE"</b></span></span></div>
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<a href="http://www.nytimes.com/1989/10/01/books/l-handke-s-afternoon-520889.html" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>Handke's</b></span></span></strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b> Afternoon</b></span></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>To the Editor: In her review of </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke's</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> book ''The Afternoon of a Writer'' ( Sept. 3), Linda Simon seemed bemused by the author's ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>October 1, 1989 - The New York Times - Books - Article - Print Headline: "Handke's Afternoon"</b></span></span></div>
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<a href="http://www.nytimes.com/1990/02/16/theater/review-theater-tyrannical-as-ever-margarida-returns.html" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>Review/Theater; Tyrannical As Ever, 'Margarida' Returns - New York </b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>...</b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>... polemics and the metaphorical insights are one-dimensional - in contrast to </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke's</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> ''Offending the Audience,'' among other plays.</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>February 16, 1990 - By MEL GUSSOW - Theater - Article - Print Headline: "Review/Theater,Tyrannical As Ever, 'Margarida' Returns"</b></span></span></div>
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<a href="http://www.nytimes.com/1991/04/07/books/where-s-the-rest-of-them.html" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">Where's the Rest of Them?</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>... "David Copperfield," the Lawrence of "Sons and Lovers," and both </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">PeterHandke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> and Harold Brodkey in their stories about a mother's death.</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>April 7, 1991 - By Anne Hollander,Anne Hollander is the author of "Moving Pictures," a study of the sources for cinema in the history of art. - Books - Article - Print Headline: "Where's the Rest of Them?"</b></span></span></div>
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<a href="http://www.nytimes.com/1992/05/12/arts/in-the-arts-in-vienna-all-is-not-gemutlich.html" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">In the Arts In Vienna, All Is Not Gemutlich</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>... Austria's foremost writer, </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>. The piece, a two-hour mime exercise, was performed by Burgtheater forces at the festival's main site, ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>May 12, 1992 - By JOHN ROCKWELL, - Arts - Article - Print Headline: "In the Arts In Vienna, All Is Not Gemutlich"</b></span></span></div>
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<a href="http://www.nytimes.com/1992/09/12/style/12iht-veni_0.html" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>Venice Fest: </b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>Peter Handke</b></span></span></strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>, David Mamet</b></span></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>Is </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>'snew film, "The Absence," a remake of a previous esoteric movie or a story that has never been told?Even the Austrian director ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>September 12, 1992 - By Thomas Quinn Curtiss - Style - Article - Print Headline: "Venice Fest: Peter Handke, David Mamet"</b></span></span></div>
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<a href="http://www.nytimes.com/1992/09/27/us/ralph-manheim-is-dead-at-85-translator-of-200-major-works.html" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>Ralph Manheim Is Dead at 85; Translator of 200 Major Works - New </b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>...</b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>... Martin Heidegger, </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>, Louis-Ferdinand Celine, Hermann Hesse, Karl Jaspers, E. T. A. Hoffmann's "Nutcracker," Brothers Grimm ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>September 27, 1992 - By BRUCE LAMBERT - U.S. - Article - Print Headline: "Ralph Manheim Is Dead at 85,Translator of 200 Major Works"</b></span></span></div>
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<a href="http://www.nytimes.com/1992/09/28/us/ralph-manheim-85-translator-of-major-works-to-english-dies.html" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>Ralph Manheim, 85, Translator Of Major Works to English, Dies </b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>...</b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>... selected letters of Marcel Proust, Paul Klee, Martin Heidegger, </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>, Louis-Ferdinand Celine, Hermann Hesse, Karl Jaspers, E. T. A. ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>September 28, 1992 - By BRUCE LAMBERT - U.S. - Article - Print Headline: "Ralph Manheim, 85, Translator Of Major Works to English, Dies"</b></span></span></div>
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<a href="http://www.nytimes.com/1994/06/10/obituaries/kurt-burnheim-85-literary-agent.html" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">Kurt Burnheim, 85, Literary Agent</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>Among the authors Mr. Bernheim helped introduce to this country were Hermann Hesse, </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> and the psychologist Alice Miller.</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>June 10, 1994 - The New York Times - Obituaries - Article - Print Headline: "Kurt Burnheim, 85, Literary Agent"</b></span></span></div>
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<a href="http://www.nytimes.com/1994/08/21/books/what-does-it-mean-to-be-tired.html" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">What Does It Mean to Be Tired?</span></span></a></h3>
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<span style="font-size: x-large;"><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">PETER HANDKE</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> first came to my attention in the early 1970's as the young Austrian "anti" author. He was attacking everything: postwar ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>August 21, 1994 - By Sven Birkerts - Books - Article - Print Headline: "What Does It Mean to Be Tired?"</b></span></span></div>
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<a href="http://www.nytimes.com/1994/09/07/books/books-of-the-times-in-a-story-of-inwardness-the-hero-is-always-the-self.html" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>BOOKS OF THE TIMES; In a Story of Inwardness, the Hero Is Always </b></span></span><strong><span style="color: #004276;"><span style="font-family: Courier New, monospace;"><b>...</b></span></span></strong></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>The Jukebox And Other Essays on Storytelling By </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> Translated by Ralph Manheim and Krishna Winston. 167 pages. Farrar Straus ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>September 7, 1994 - By MARGO JEFFERSON - Books - Article - Print Headline: "BOOKS OF THE TIMES,In a Story of Inwardness, the Hero Is Always the Self"</b></span></span></div>
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<a href="http://query.nytimes.com/gst/fullpage.html?res=9C00EED8143FF937A15754C0A9609C8B63" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>Briefly - Actress to Run Comdie-Franaise</b></span></span></a></div>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>But this spring he provoked a storm of criticism when he abruptly canceled a scheduled new play by the Austrian writer </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> after Mr.</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>July 24, 2006 - By ALAN RIDING,Compiled by Steven McElroy - Theater - Article - Print Headline: "Arts, Briefly,Actress to Run Com die-Fran aise"</b></span></span></div>
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<a href="http://www.nytimes.com/2006/09/10/magazine/10wwln_safire.html" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">Dwarf Planet</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>... 2006); Times Select Content THE WAY WE LIVE NOW: 7-02-06: QUESTIONS FOR </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">PETER HANDKE</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>; Facing His Critics (July 2, 2006) ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>September 10, 2006 - By WILLIAM SAFIRE - Magazine - Print Headline: "Dwarf Planet"</b></span></span></div>
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<a href="http://www.nytimes.com/2006/09/17/magazine/17wwln_safire.html?_r=0" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">Skin in the Game</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>... 2006); Times Select Content THE WAY WE LIVE NOW: 7-02-06: QUESTIONS FOR </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">PETER HANDKE</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>; Facing His Critics (July 2, 2006) ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>September 17, 2006 - By WILLIAM SAFIRE - Magazine - Print Headline: "Skin in the Game"</b></span></span></div>
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<span style="font-size: x-large;">2006); Times Select Content THE WAY WE LIVE NOW: 7-02-06: QUEST<a href="http://www.nytimes.com/2006/07/12/opinion/12pollitt.html" style="color: #1155cc;" target="_blank"><span style="color: #004276;">ank You for Hating My Book</span></a>IONS FOR <strong>PETER HANDKE</strong>; Facing His Critics (July 2, 2006) ...</span></div>
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<span style="color: grey; font-size: x-large;">July 12, 2006 - By KATHA POLLITT - Opinion - Print Headline: "Thank You for Hating My Book"</span></div>
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<span dir="LTR" style="border: none; float: left; min-height: 0.02in; padding: 0in; width: 0.78in;"><span style="color: #004276; font-size: x-large;"><a href="http://www.nytimes.com/2006/10/31/theater/31gilman.html?pagewanted=print" style="color: #1155cc;" target="_blank"><img align="BOTTOM" border="0" height="75" name="149b5f9fae93c8f9_graphics9" src="https://ci6.googleusercontent.com/proxy/hrDQ8jyX4ADk2fEsZUiOJVhMhlD5n8Stj1paVxkgxc7_S9gjZtDgzOe_DD0Bqoim0Hz1HRxP4mtLSEPnwwtEvZe7A4yxGOQPxEpCDAMsrRQ3=s0-d-e1-ft#http://static01.nyt.com/images/2006/10/31/arts/31gil_75.jpg" width="75" /></a></span></span></h3>
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<a href="http://www.nytimes.com/2006/10/31/theater/31gilman.html?pagewanted=print" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-size: x-large; font-weight: normal;">Richard Gilman, Theater Critic, Dies at 83</span></span></a></h3>
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... iconoclastic and the cryptic: the directors Jerzy Grotowski, Joseph Chaikin and Peter Brook; the playwrights Harold Pinter and<strong>Peter Handke</strong>.</div>
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<span style="color: grey;">October 31, 2006 - By BEN BRANTLEY - Theater - Print Headline: "Richard Gilman, Theater Critic, Dies at 83"</span></div>
</span><span dir="LTR" style="border: none; float: left; min-height: 0.02in; padding: 0in; width: 0.78in;"><span style="color: #004276; font-size: x-large;"><a href="http://www.nytimes.com/2006/12/05/theater/reviews/05wing.html?pagewanted=print" style="color: #1155cc;" target="_blank"><img align="BOTTOM" border="0" height="75" name="149b5f9fae93c8f9_graphics10" src="https://ci5.googleusercontent.com/proxy/lzGe_ToFq94cYjeV0lzogVmOKSxrL4f2cObZa1_zXB7UXzUdl9etSaY_5n_xZPKv27W4JX82ZLV100u-Qz0hrBIPBmJ-DTbDkYc32T6vdA=s0-d-e1-ft#http://static01.nyt.com/images/2006/12/05/arts/Wing75.jpg" width="75" /></a></span></span></h3>
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<a href="http://www.nytimes.com/2006/12/05/theater/reviews/05wing.html?pagewanted=print" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-size: x-large; font-weight: normal;">Wings of Desire - Theater - Review</span></span></a></h3>
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... the playwright <strong>Peter Handke</strong> and Richard Reitinger), trimming and rearranging its densely patterned, elliptical and sometimes pretentious ...</div>
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<span style="color: grey;">December 5, 2006 - By CHARLES ISHERWOOD - Theater - Print Headline: "Foolishly, an Angel Falls in Love and Rushes In ... and Up"</span></div>
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<a href="http://www.nytimes.com/2007/06/10/books/review/Simpson-t.html?pagewanted=print" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-size: x-large; font-weight: normal;">Fiction by Leonard Michaels - Books - Review</span></span></a></h3>
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Though finally not as realized as <strong>Peter Handke's</strong> great memoir, “A Sorrow Beyond Dreams,” about his mother's suicide, “Sylvia” nonetheless ...</div>
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<span style="color: grey;">June 10, 2007 - By MONA SIMPSON - Books / Sunday Book Review - Print Headline: "Proximity to Darkness"</span></div>
</span><span dir="LTR" style="border: none; float: left; min-height: 0.02in; padding: 0in; width: 0.78in;"><span style="color: #004276; font-size: x-large;"><a href="http://www.nytimes.com/2007/08/19/books/review/Gordon-t.html?pagewanted=print" style="color: #1155cc;" target="_blank"><img align="BOTTOM" border="0" height="75" name="149b5f9fae93c8f9_graphics12" src="https://ci6.googleusercontent.com/proxy/lTgTzKeqYmasZ-D31HNUxUdhQM9zYUnK42r7R0NuMr1BMXc8OgoJdUJywEJ2oozvkrQydku4_4hQP3-WtUVBxiB-RVZlVZnbkEJcIzu3lrp8Kw=s0-d-e1-ft#http://static01.nyt.com/images/2007/08/19/books/handke75.jpg" width="75" /></a></span></span></h3>
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<a href="http://www.nytimes.com/2007/08/19/books/review/Gordon-t.html?pagewanted=print" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;"><span style="color: #004276;"><span style="font-weight: normal;">Crossing the Sierra de Gredos - </span></span><strong><span style="color: #004276;"><span style="font-weight: normal;">Peter Handke</span></span></strong><span style="color: #004276;"><span style="font-weight: normal;"> - Books - Review </span></span><strong><span style="color: #004276;"><span style="font-weight: normal;">...</span></span></strong></span></a></h3>
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<strong>Peter Handke's</strong> novel is about a banker hiking across the Iberian Peninsula to meet her biographer in La Mancha.</div>
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<span style="color: grey;">August 19, 2007 - By NEIL GORDON - Books / Sunday Book Review - Print Headline: "Over the Hills and Far Away"</span></div>
</span><a href="http://query.nytimes.com/gst/fullpage.html?res=9502E2DA1039F93AA2575BC0A9619C8B63" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;">Over the Hills and Far Away - Review</span></span></a></span></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>CROSSING THE SIERRA DE GREDOS By </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>. Translated by Krishna Winston.</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>August 19, 2007 - By NEIL GORDON - Archive - Article - Print Headline: "Over the Hills and Far Away"</b></span></span></div>
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<a href="http://www.nytimes.com/2007/11/11/theater/11blank.html" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace; font-size: x-large;">The Bats - the Flea Theater</span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b>... Adam Rapp that had its premiere Friday, and </b></span></span><strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;">Peter Handke's</span></span></strong><span style="color: #333333;"><span style="font-family: Courier New, monospace;"><b> “Offending the Audience,” an experimental piece that opens in early January.</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>November 11, 2007 - By MARK BLANKENSHIP - Theater - Print Headline: "Hard Work, No Pay, Stiff Competition"</b></span></span></div>
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<span dir="LTR" style="border: none; float: left; min-height: 0.02in; padding: 0in; width: 0.78in;"><span style="color: #004276; font-size: x-large;"><a href="http://www.nytimes.com/2008/02/10/theater/10ishe.html?pagewanted=all" style="color: #1155cc;" target="_blank"><img align="BOTTOM" border="0" height="75" name="149b5f9fae93c8f9_graphics1" src="https://ci5.googleusercontent.com/proxy/ngGnAGnbNniYuV57F20_TnlD3ipIfAP3wF6FoiJO5PL5T51o_xun--GRLq-YvqVKKmt7lhP2KUErrBqJ_i2hjUFsyWxiN3JwFzM8SyG2=s0-d-e1-ft#http://static01.nyt.com/images/2008/02/05/arts/Red75.jpg" width="75" /></a></span></span></h3>
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<a href="http://www.nytimes.com/2008/02/10/theater/10ishe.html?pagewanted=all" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-size: x-large; font-weight: normal;">When Audiences Get In on the Act</span></span></a></h3>
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And the Flea Theater in TriBeCa is presenting <strong>Peter Handke's</strong>1966 play “ Offending the Audience,” famous for a finale that finds the actors ...</div>
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<span style="color: grey;">February 10, 2008 - By CHARLES ISHERWOOD - Theater - Article - Print Headline: "When Audiences Get In on the Act"</span></div>
</span><span dir="LTR" style="border: none; float: left; min-height: 0.02in; padding: 0in; width: 0.78in;"><span style="color: #004276; font-size: x-large;"><a href="http://www.nytimes.com/2008/02/16/arts/dance/16desi.html" style="color: #1155cc;" target="_blank"><img align="BOTTOM" border="0" height="75" name="149b5f9fae93c8f9_graphics2" src="https://ci3.googleusercontent.com/proxy/gJ2TYEqMMW3b8V8wqeNevExZVv_zWArm35guK6IjBAAFv6wSGlTi8Bp8guoTvxNicb-hB6H4Dzg4nuVymH5rdFByRCZxnb1g7Ue3oSFUowc=s0-d-e1-ft#http://static01.nyt.com/images/2008/02/16/arts/wings75.jpg" width="75" /></a></span></span></h3>
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<a href="http://www.nytimes.com/2008/02/16/arts/dance/16desi.html" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-size: x-large; font-weight: normal;">Nejla Y. Yatkin - Dance - Review</span></span></a></h3>
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In “Echoes of Hope for Those Still on the Ground,” set to music by Sheila Chandra and Jurgen Knieper, she enlisted the writing of<strong>Peter Handke</strong> ...</div>
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<span style="color: grey;">February 16, 2008 - By JENNIFER DUNNING - Arts / Dance - Article - Print Headline: "Solo Flight on Feathered Wings and Bare Back"</span></div>
</span><a href="http://www.nytimes.com/2008/02/18/theater/reviews/18bran.html?pagewanted=all" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;">Tom Stoppard - Edward Albee - Theater</span></span></a></span></h3>
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<span style="font-size: x-large;"><span style="color: #222222;"><span style="font-family: Courier New, monospace;"><b>PETER: (After she goes — recognizing he had heard her) What? ... THE WAY WE LIVE NOW: 7-02-06: QUESTIONS FOR </b></span></span><strong><span style="color: #222222;"><span style="font-family: Courier New, monospace;">PETER HANDKE</span></span></strong><span style="color: #222222;"><span style="font-family: Courier New, monospace;"><b>; ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>February 18, 2008 - By BEN BRANTLEY - Theater - Article - Print Headline: "Language, the Muse That Provokes Stoppard and Albee"</b></span></span></div>
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<span dir="LTR" style="border: none; float: left; min-height: 0.02in; padding: 0in; width: 0.78in;"><span style="color: #004276; font-size: x-large;"><a href="http://www.nytimes.com/2009/07/23/arts/23iht-povo.html?pagewanted=all" style="color: #1155cc;" target="_blank"><img align="BOTTOM" border="0" height="75" name="149b5f9fae93c8f9_graphics3" src="https://ci6.googleusercontent.com/proxy/gASZPlbTfMS5wlSGVPdNoS-3lw7eyKexULQnqWa4WhygGZDy5viMcZEyUTC3_Lf-qKWo1aWCaLPhQaTueSUeZZzL-1G0G4lUxVSaumfI_GrL1w=s0-d-e1-ft#http://static01.nyt.com/images/2009/07/22/arts/22povo-75.jpg" width="75" /></a></span></span></h3>
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<a href="http://www.nytimes.com/2009/07/23/arts/23iht-povo.html?pagewanted=all" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-size: x-large; font-weight: normal;">Maximum Security and a Starring Role</span></span></a></h3>
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<span style="font-size: x-large;"><span dir="LTR" style="background-image: initial; background-repeat: initial; border: none; float: left; min-height: 0.02in; padding: 0in; width: 4.9in;"><div style="margin-bottom: 0.05in;">
... <strong>Peter Handke</strong>, and even the tale of Pinocchio. Around 50 inmates are involved on a regular basis, some as actors, others behind the scenes.</div>
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<span style="color: grey;">July 23, 2009 - By ELISABETTA POVOLEDO - Arts - Article - Print Headline: "Maximum Security, and a Starring Role"</span></div>
</span><a href="http://artsbeat.blogs.nytimes.com/2009/10/08/herta-muller-wins-the-2009-nobel-prize-for-literature/" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: Courier New, monospace;">Herta Müller Wins the 2009 Nobel Prize for Literature</span></span></a></span></h3>
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<span style="font-size: x-large;"><span style="color: #222222;"><span style="font-family: Courier New, monospace;"><b>The saddest thing about this selection is that some of Germany's far better writers, like Christa Wolf, </b></span></span><strong><span style="color: #222222;"><span style="font-family: Courier New, monospace;">Peter Handke</span></span></strong><span style="color: #222222;"><span style="font-family: Courier New, monospace;"><b>, and Alexander Kluge now ...</b></span></span></span></div>
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<span style="color: grey;"><span style="font-family: Courier New, monospace; font-size: x-large;"><b>October 08, 2009 - By Motoko Rich - Arts</b></span></span></div>
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<span style="font-size: x-large;"><span style="color: #004276;"><a href="http://www.nytimes.com/2010/02/14/books/review/Agee-t.html" style="color: #1155cc;" target="_blank"><img align="BOTTOM" border="0" height="75" name="149b5f9fae93c8f9_graphics4" src="https://ci6.googleusercontent.com/proxy/dzE7D7cinAQWQjOr4_EO9TdrfLYw-wGrn9atihcHaf9WWSF1dTKU6Uxiocjym36cSeyO_lF6LnvRweJKD5BHFVmOiQIFuhRnZYsD3HJsSocaqGQ74kJ0i17-ZE-F4U_-r52-reS8z8vPTR0SI_aW_5Hr7QA=s0-d-e1-ft#http://static01.nyt.com/images/2010/02/14/books/review/Agee-t_CA0/Agee-t_CA0-thumbStandard.jpg" width="75" /></a></span><br />
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<a href="http://www.nytimes.com/2010/02/14/books/review/Agee-t.html" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-weight: normal;">Book Review - 'Don Juan - His Own Version,' by </span></span><strong><span style="color: #004276;"><span style="font-weight: normal;">Peter Handke</span></span></strong><span style="color: #004276;"><span style="font-weight: normal;"> </span></span><strong><span style="color: #004276;"><span style="font-weight: normal;">...</span></span></strong></a></h3>
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<strong>Peter Handke's</strong> novel of Don Juan ponders beauty and eternity — and it's not about sex.</div>
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<span style="color: grey;">February 14, 2010 - By JOEL AGEE - Books / Sunday Book Review - Article - Print Headline: "Man of Constant Sorrow"</span></div>
</span></span><span dir="LTR" style="border: none; float: left; min-height: 0.02in; padding: 0in; width: 0.78in;"><span style="color: #004276; font-size: x-large;"><a href="http://www.nytimes.com/2010/12/26/books/review/Peck-t.html?pagewanted=all" style="color: #1155cc;" target="_blank"><img align="BOTTOM" border="0" height="75" name="149b5f9fae93c8f9_graphics5" src="https://ci3.googleusercontent.com/proxy/T12dKEMsIIHQ9MUIdg_2mCT9gk5bProbS0FanMIkvZWjFUA-6bBeG6Y0xW0AmHqEMajfLhIAq-XYl629Ji3mZhF26j6PU7k6DOECvbwbt8VuBnOZ9EdNsZLu6vlcN0YkQs4dENPASh9rSK94p--FdcNnvSs=s0-d-e1-ft#http://static01.nyt.com/images/2010/12/26/books/review/Peck-t_CA0/Peck-t_CA0-thumbStandard.jpg" width="75" /></a></span></span><span dir="LTR" style="background-image: initial; background-repeat: initial; border: none; float: left; font-size: x-large; min-height: 0.02in; padding: 0in; width: 4.9in;"><h3 style="margin-bottom: 0.02in; margin-top: 0in;">
<a href="http://www.nytimes.com/2010/12/26/books/review/Peck-t.html?pagewanted=all" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-weight: normal;">Thomas Bernhard, the Alienator</span></span></a></h3>
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Despite this, Bernhard's international reputation has never solidified in the manner of a W. G. Sebald, Christa Wolf or <strong>Peter Handke</strong>, let alone ...</div>
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<span style="color: grey;">December 24, 2010 - By DALE PECK - Books / Sunday Book Review - Article - Print Headline: "Thomas Bernhard, the Alienator"</span></div>
</span><span dir="LTR" style="border: none; float: left; min-height: 0.02in; padding: 0in; width: 0.78in;"><span style="color: #004276; font-size: x-large;"><a href="http://www.nytimes.com/2013/03/17/books/review/emily-rapps-still-point-of-the-turning-world.html?pagewanted=all" style="color: #1155cc;" target="_blank"><img align="BOTTOM" border="0" height="75" name="149b5f9fae93c8f9_graphics6" src="https://ci5.googleusercontent.com/proxy/umGwBZEyKMQxyDNNcRwfW75CZaTBRyguorK4aOjq6MW1mY72fUZuH_YE3-yVPPjBxeCxmBR8UiaThQsOhzOsFUdpns41uG3kChE2AbRblG3peE93xo-jAxVIzZfhjLOQJFIiit4JVGzmC-C3spY_7JwrtfR3CIsb0Vfg=s0-d-e1-ft#http://static01.nyt.com/images/2013/03/17/books/review/0317-Manguso/0317-Manguso-thumbStandard-v2.jpg" width="75" /></a></span></span><span dir="LTR" style="background-image: initial; background-repeat: initial; border: none; float: left; font-size: x-large; min-height: 0.02in; padding: 0in; width: 4.9in;"><h3 style="margin-bottom: 0.02in; margin-top: 0in;">
<a href="http://www.nytimes.com/2013/03/17/books/review/emily-rapps-still-point-of-the-turning-world.html?pagewanted=all" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-weight: normal;">Emily Rapp's 'Still Point of the Turning World'</span></span></a></h3>
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The best of these — Jamaica Kincaid's “My Brother” and <strong>Peter Handke's</strong> “Sorrow Beyond Dreams” — aren't just sad stories; they're attempts to ...</div>
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<span style="color: grey;">March 15, 2013 - By SARAH MANGUSO - Books / Sunday Book Review - Article -Print Headline: "Requiem"</span></div>
</span><span dir="LTR" style="border: none; float: left; min-height: 0.02in; padding: 0in; width: 0.78in;"><span style="color: #004276; font-size: x-large;"><a href="http://www.nytimes.com/2013/03/28/arts/artsspecial/a-selection-of-stage-productions-worldwide.html?pagewanted=all" style="color: #1155cc;" target="_blank"><img align="BOTTOM" border="0" height="75" name="149b5f9fae93c8f9_graphics7" src="https://ci5.googleusercontent.com/proxy/_7L8GOiXo6K0UZfe3bkNkcr_-CVNeRU_M5eAstoa1-TOClN9VUMtZgexRt7X46OYQQpJhWoKJpRnZNggwiDA7LOCs2GE_wVe23UoXDgCXfi6QMCstUnP1PL9R2UCdMDYOCtRMr2wfNOu8UFYWC6_tA__hclsYvVy7SZYkzlbEd_7Z-TDS56okA=s0-d-e1-ft#http://static01.nyt.com/images/2013/03/28/arts/artsspecial/28iht-rfrcguide28A/28iht-rfrcguide28A-thumbStandard.jpg" width="75" /></a></span></span><span dir="LTR" style="background-image: initial; background-repeat: initial; border: none; float: left; font-size: x-large; min-height: 0.02in; padding: 0in; width: 4.9in;"><h3 style="margin-bottom: 0.02in; margin-top: 0in;">
<a href="http://www.nytimes.com/2013/03/28/arts/artsspecial/a-selection-of-stage-productions-worldwide.html?pagewanted=all" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-weight: normal;">A Selection of Stage Productions Worldwide</span></span></a></h3>
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... der Verirrten,” (Traces of the Lost) based on <strong>Peter Handke's</strong>2006 eponymous play. David Pountney is the director. <a href="http://www.musiktheater-linz.at/" style="color: #1155cc;" target="_blank">www.musiktheater-linz.at</a>.</div>
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<span style="color: grey;">March 27, 2013 - Compiled by ELISABETH HOPKINS - Arts / Arts - Article - Print Headline: "Stage Guide"</span></div>
</span><span dir="LTR" style="border: none; float: left; min-height: 0.02in; padding: 0in; width: 0.78in;"><span style="color: #004276; font-size: x-large;"><a href="http://www.nytimes.com/2013/04/15/arts/music/in-austria-the-city-of-linzs-bid-to-get-on-cultural-map.html?pagewanted=all" style="color: #1155cc;" target="_blank"><img align="BOTTOM" border="0" height="75" name="149b5f9fae93c8f9_graphics8" src="https://ci4.googleusercontent.com/proxy/P2YVfW3cKfmST7UwUrb0XpFtDRmnq90qB38HUnqPdeO0ESVFbpvF-_hNgsLTBWErFzYjg2v_gKBbSJPsbUPiF0LWTo_yO9cZaq6PSwiTM5vIzhWdufktKJ8yfxFnWkkq5cBFL0Sus10=s0-d-e1-ft#http://static01.nyt.com/images/2013/04/15/arts/jpopera2/jpopera2-thumbStandard.jpg" width="75" /></a></span></span><span dir="LTR" style="background-image: initial; background-repeat: initial; border: none; float: left; font-size: x-large; min-height: 0.02in; padding: 0in; width: 4.9in;"><h3 style="margin-bottom: 0.02in; margin-top: 0in;">
<a href="http://www.nytimes.com/2013/04/15/arts/music/in-austria-the-city-of-linzs-bid-to-get-on-cultural-map.html?pagewanted=all" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-weight: normal;">In Austria, the City of Linz's Bid to Get on Cultural Map</span></span></a></h3>
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Mr. Glass's new opera, based on a play by the Austrian writer<strong>Peter Handke</strong>, was scarcely less outlandish in its elaboration of an elliptical text.</div>
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<span style="color: grey;">April 14, 2013 - By JAMES R. OESTREICH - Arts / Music - Article - Print Headline: "Flaunting The Spirit Of Support For the Arts"</span></div>
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<a href="http://www.nytimes.com/2014/03/23/books/review/a-place-in-the-country-by-w-g-sebald.html" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: arial, helvetica, sans-serif;"><u><span style="font-size: x-large; font-weight: normal;">'A Place in the Country,' by W. G. Sebald</span></u></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;">“</span><span style="color: #333333;"><span style="font-family: arial, helvetica, sans-serif;">Campo Santo” is composed of a travelogue to Corsica, and Sebald's more scholarly work on peers like </span></span><strong><span style="color: #333333;"><span style="font-family: arial, helvetica, sans-serif;"><span style="font-weight: normal;">Peter Handke</span></span></span></strong><span style="color: #333333;"><span style="font-family: arial, helvetica, sans-serif;"> (written before Handke ...</span></span></span></div>
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<span style="color: grey;"><span style="font-family: arial, helvetica, sans-serif; font-size: x-large;">March 21, 2014 - By JOSHUA COHEN - Books - article - Print Headline: "Points of Departure"</span></span></div>
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<a href="http://www.nytimes.com/2014/10/08/books/the-nobel-prize-waiting-game-a-year-for-long-shots-.html" style="color: #1155cc;" target="_blank"><span style="color: #004276;"><span style="font-family: arial, helvetica, sans-serif;"><u><span style="font-size: x-large; font-weight: normal;">The Nobel Prize in Literature: A Year for Long Shots?</span></u></span></span></a></h3>
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<span style="font-size: x-large;"><span style="color: #333333;"><span style="font-family: arial, helvetica, sans-serif;">Among the many foreign writers on the Ladbrokes Nobel list are </span></span><strong><span style="color: #333333;"><span style="font-family: arial, helvetica, sans-serif;"><span style="font-weight: normal;">Peter Handke</span></span></span></strong><span style="color: #333333;"><span style="font-family: arial, helvetica, sans-serif;">, Milan Kundera, Nuruddin Farah, Umberto Eco, Margaret ...</span></span></span></div>
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<span style="color: grey;"><span style="font-family: arial, helvetica, sans-serif; font-size: x-large;">Oct. 7, 2014 - By DWIGHT GARNER - Books - article - Print Headline: "The Nobel Prize Waiting Game: A Year for Long Shots?"</span></span></div>
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<b style="background-color: yellow;"><a href="http://handke-magazin.blogspot.com/2014/03/the-hub-navel-to-todos-handke.html" style="color: #1155cc;" target="_blank"><span style="font-size: x-large;">http://handke-magazin.<wbr></wbr>blogspot.com/2014/03/the-hub-<wbr></wbr>navel-to-todos-handke.html</span></a></b></div>
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SUMMA POLITICOhttp://www.blogger.com/profile/11214697505465094305noreply@blogger.com0tag:blogger.com,1999:blog-264664972781705013.post-70443082915785036522014-11-14T15:59:00.004-08:002014-11-14T15:59:44.324-08:00Anna Kinder's Handke Buch<div class="gmail_default" style="color: #222222; font-family: arial, sans-serif;">
<b><span style="background-color: yellow; font-family: courier new, monospace;">Zu kaum einem deutschsprachigen Autor der Gegenwart wird derart viel publiziert wie zu Handke. Nicht die literaturwissenschaftliche Forschung allein, auch die Kanonisierung des Autors, seine Strategie zur Archivierung seines Vor- und Nachlasses und die neu erschienenen biografischen Publikationen zu Handke bezeugen den Rang dieses eigenwilligen Schriftstellers </span></b></div>
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<b><span style="background-color: orange; font-family: courier new, monospace;"> <a href="http://www.literaturkritik.de/public/rezension.php?rez_id=19995" style="color: #1155cc;" target="_blank">http://www.literaturkritik.<wbr></wbr>de/public/rezension.php?rez_<wbr></wbr>id=19995</a></span></b></div>
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<b style="background-color: lime;">Die Beschäftigung mit Peter Handke ist ein Politikum – und noch sehr viel mehr als das, wie der Band „Peter Handke. Stationen, Orte, Positionen“ beweist, der aus Anlass einer gleichnamigen Tagung, die 2012 im Deutschen Literaturarchiv Marbach stattfand, entstanden ist. Schon die Einleitung der Herausgeberin, Anna Kinder, macht deutlich: das Interesse liegt auf „Handke als Forschungsphänomen“. Zu kaum einem deutschsprachigen Autor der Gegenwart wird derart viel publiziert wie zu Handke. Nicht die literaturwissenschaftliche Forschung allein, auch die Kanonisierung des Autors, seine Strategie zur Archivierung seines Vor- und Nachlasses und die neu erschienenen biografischen Publikationen zu Handke bezeugen den Rang dieses eigenwilligen Schriftstellers. Die Literaturwissenschaft müsse sich dabei stets die Frage gefallen lassen, „inwieweit sie selbst in Handke`schen Duktus verfällt und sich diesen anverwandelt“. Die Autoren des vorliegenden Bandes konnten dieser Metamorphose entgehen und pflegen einen wissenschaftlichen, mit vielen Fußnoten abgesicherten Duktus, der zwar kontrastiv zu Handkes Sprache steht, aber zugleich die Poetologie des Autors begreiflich werden lässt.</b></div>
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<b style="background-color: lime;">In vier Oberthemen – „Poetik und Politik“, „Erfahrung und Sprache“, „Lesen und Schreiben“ sowie „Dokumentation“ – ist der Sammelband gegliedert, womit man dem ‚Phänomen‛ Handke tatsächlich gerecht wird und die Perspektive nicht auf nur einen Aspekt, wie in den öffentlichen Debatten um den Autor schon so oft geschehen, verengt.</b></div>
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<b style="background-color: lime;">Mit vorbildlicher Sachlichkeit geht Jürgen Brokoff in seinem Beitrag auf Handkes Texte und Positionen zum Jugoslawien-Krieg ein und zeichnet das Bild eines anfangs unsicheren, suchenden Intellektuellen, dessen Haltung sich erst „aufgrund der von Handke wahrgenommenen Struktur des Öffentlichkeitsbetriebs radikalisiert und verfestigt“. Zunächst sei Handkes umstrittenes Engagement für Serbien als eine zugegebenermaßen einseitige Medienkritik zu verstehen, wenn auch Handke selbst nicht vor der Wirkung der medialen Bilder, namentlich des serbischen Staatsfernsehens, gefeit sei und in ihnen eine Propaganda als „etwas Naturgewa<span style="font-size: 1.1em;">chsenes“ (Handke) sehen möchte. Sehr treffend beschreibt Brokoff die Verschränkung des Politischen mit dem Poetischen, was wiederum mit Realpolitik wenig zu tun hat...</span></b></div>
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<span style="background-color: yellow; font-size: 20px;"><span style="color: #222222; font-family: Open Sans, sans-serif;"><b>http://www.literaturkritik.de/public/rezension.php?rez_id=19995</b></span></span></div>
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SUMMA POLITICOhttp://www.blogger.com/profile/11214697505465094305noreply@blogger.com0tag:blogger.com,1999:blog-264664972781705013.post-58708332912306250112014-10-27T08:13:00.004-07:002016-04-03T19:11:59.328-07:00HANDKE TRIVIA INDEX<span style="background-color: yellow;"><br /></span>
<b style="background-color: yellow;">http://handke-trivia.blogspot.com/2014/11/handke-ny-times-deficiencies.html</b><br />
<b style="background-color: #cfe2f3;"><br /></b>
<b style="background-color: #cfe2f3;">http://handke-trivia.blogspot.com/2014/10/and-yet-another-drama-prize.html</b><br />
<b style="background-color: #cfe2f3;"><br /></b>
<b style="background-color: #cfe2f3;">http://handke-trivia.blogspot.com/2014/11/anna-kinders-handke-buch.html</b><br />
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<b style="background-color: lime;"><a href="http://handke-trivia.blogspot.com/2012/09/auf-den-spuren-vonpeter-handke-film.html">http://handke-trivia.blogspot.com/2012/09/auf-den-spuren-vonpeter-handke-film.html</a></b><br />
<b style="background-color: #cfe2f3;"><br /></b>
<b style="background-color: #cfe2f3;">http://handke-trivia.blogspot.com/2014/11/anna-kinders-handke-buch.html</b><br />
<b style="background-color: #ffd966;"><br /></b>
<a href="http://handke-trivia.blogspot.com/2014/01/premiere-griffen-auf-den-spuren-von.html"><b style="background-color: #ffd966;">http://handke-trivia.blogspot.com/2014/01/premiere-griffen-auf-den-spuren-von.html</b></a><br />
<b style="background-color: lime;"><span style="background-color: yellow;"><br /></span></b><b style="background-color: lime;"><span style="background-color: yellow;">http://handke-trivia.blogspot.com/2012/12/handke-verteufelt-hans-barlach.html</span></b><br />
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<b style="background-color: lime;"><i>http://handke-trivia.blogspot.com/2012/12/end-of-2012-handke-trivia-collection.html</i></b><br />
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<b style="background-color: lime;"><span style="background-color: cyan;"><i>http://handke-trivia.blogspot.com/2012/11/handke-peter-wieser-lojze-die-sprachen.html </i></span></b><br />
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<a href="http://handke-trivia.blogspot.com/2012/06/handke-note-from-synopsis-of-grass-poem.html"><b>htt</b><b style="background-color: #6fa8dc;">p://handke-trivia.blogspot.com/2012/06/handke-note-from-synopsis-of-grass-poem.html</b></a><b style="background-color: #6fa8dc;"></b><br />
<b style="background-color: #c27ba0;"><br /></b><a href="http://handke-trivia.blogspot.com/2012/07/man-wei-ja-von-handke-dass-er-die.html"><b style="background-color: #c27ba0;">http://handke-trivia.blogspot.com/2012/07/man-wei-ja-von-handke-dass-er-die.html</b></a><br />
<b style="background-color: #6fa8dc;"><br /></b><a href="http://handke-trivia.blogspot.com/2012/10/bundesprasident-fischer-am-donnerstag.html"><b style="background-color: yellow;">http://handke-trivia.blogspot.com/2012/10/bundesprasident-fischer-am-donnerstag.html</b></a><br />
<span style="background-color: #d5a6bd;"><b><br /></b><a href="http://handke-trivia.blogspot.com/2012/05/handke-interview-re-france-sarkozy.html"><b>http://handke-trivia.blogspot.com/2012/05/handke-interview-re-france-sarkozy.html</b></a></span><br />
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<span style="background-color: #fff2cc;"><b><i>http://handke-trivia.blogspot.com/2012/10/sz-interview-of-oct-2012.html</i> </b></span><br />
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<span style="background-color: yellow;"><b><a href="http://handke-trivia.blogspot.com/2012/05/tween-teens-competing-in-handke-reading.html">http://handke-trivia.blogspot.com/2012/05/tween-teens-competing-in-handke-reading.html</a></b></span><br />
<b style="background-color: #e69138;"><br /></b><span class="Apple-style-span" style="color: black;"><a href="http://www.handke.scriptmania.com/favorite_links_1.html"><b style="background-color: #e69138;">http://www.handke.scriptmania.com/favorite_links_1.html</b></a></span><br />
<span style="background-color: #ffd966;"><b><br /></b></span><b><a href="http://handke-trivia.blogspot.com/2012/06/begegnung-mit-peter-handke.html" style="background-color: #ffd966;">http://handke-trivia.blogspot.com/2012/06/begegnung-mit-peter-handke.html</a></b><br />
<span style="background-color: cyan;"><b><br /></b></span><b><a href="http://handke-trivia.blogspot.com/2012/03/list-of-prizes-handke-has-won.html" style="background-color: cyan;">http://handke-trivia.blogspot.com/2012/03/list-of-prizes-handke-has-won.html</a></b><br />
<b><br /></b><span style="background-color: lime;"><b><a href="http://handke-trivia.blogspot.com/2012/04/my-two-whores-and-peter-handke-play-by.html">http://handke-trivia.blogspot.com/2012/04/my-two-whores-and-peter-handke-play-by.html</a></b></span><br />
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<span class="Apple-style-span" style="font-family: "arial";"><b><span style="font-size: large;"><a href="http://www.twitter.com/summapolitico"><img alt="Follow summapolitico on Twitter" src="http://twitter-badges.s3.amazonaws.com/t_logo-a.png" /></a></span></b></span></div>
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<span class="Apple-style-span" style="font-family: "arial"; font-size: small;"><b><span class="Apple-style-span" style="font-family: "arial";"></span></b></span></div>
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<a href="http://handke-trivia.blogspot.com/2012/03/list-of-prizes-handke-has-won.html"><span style="color: blue;"><b>http://handke-trivia.blogspot.com/2012/03/list-of-prizes-handke-has-won.html</b></span></a><span class="Apple-style-span" style="font-family: "arial"; font-size: small; font-weight: normal;"><b></b></span></div>
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SUMMA POLITICOhttp://www.blogger.com/profile/11214697505465094305noreply@blogger.com0tag:blogger.com,1999:blog-264664972781705013.post-78715528059082501272014-10-27T08:09:00.003-07:002014-10-28T09:16:15.894-07:00AND YET ANOTHER DRAMA PRIZE<h1 class="portal_left" style="background-color: #f1f6fc; color: #2f2f2f; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 1.3em; line-height: 16px; margin: 0px 0px 5px;">
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Literarisches Leben</h1>
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<a class="thickbox" href="http://www.boersenblatt.net/media/747/thumbnails/Peter_Handke_Photo_Bjrn_Kjetil_Undem.jpg.1045422.jpg" style="background: no-repeat transparent; border: 0px; color: #c40500; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;"><img alt="Peter Handke" src="http://www.boersenblatt.net/media/747/thumbnails/Peter_Handke_Photo_Bjrn_Kjetil_Undem.jpg.1045417.jpg" style="background: transparent; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: bottom;" title="Peter Handke" /></a><span class="caption" style="background: no-repeat transparent; border: 0px; color: #666666; display: block; font-size: 0.923em; line-height: 1.1; margin: 0px; outline: 0px; padding: 2px 0px 0px; vertical-align: baseline;">Peter Handke</span><span class="copyright" style="background: no-repeat transparent; border: 0px; color: #666666; display: block; font-size: 0.923em; line-height: 1.1; margin: 0px; outline: 0px; padding: 2px 0px 0px; vertical-align: baseline;">© Bjørn Kjetil Undem</span></div>
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<span class="date" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: no-repeat; background-size: initial; border: 0px; color: #505354; font-size: 16px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">27.10.2014</span><span class="subtitle" style="background-attachment: initial; background-clip: initial; background-image: url(http://www.boersenblatt.net/layout_bb/css/ln_v_gr_001_011.gif); background-origin: initial; background-position: 0px 1px; background-repeat: no-repeat; background-size: initial; border: 0px; font-size: 16px; font-weight: bold; margin: 0px 0px 0px 4px; outline: 0px; padding: 0px 0px 0px 6px; vertical-align: baseline;">Else-Lasker-Schüler-Dramatikerpreis 2014 an Peter Handke</span></h2>
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Streitbarer Innovator</h3>
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Peter Handke erhält für sein Gesamtwerk den mit 10.000 Euro dotierten Else-Lasker-Schüler-Dramatikerpreis 2014, der von der Stiftung Rheinland-Pfalz für Kultur vergeben wird. Ministerpräsidentin Malu Dreyer übergibt die Auszeichnung am 1. Februar 2015 im Pfalztheater Kaiserlautern.</div>
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Handke habe mit seinen innovativen Stücken über Jahrzehnte hinweg die Bühnensprache in Deutschland und Österreich bereichert und verändert, urteilte die Jury der Mitteilung zufolge. Die Jury sei sich sehr wohl bewusst, "dass Peter Handke ein durchaus umstrittener und streitbarer Autor ist, dessen Engagement für Serbien und dessen Kritik an der Medienberichterstattung vehemente Debatten ausgelöst haben." Die Auseinandersetzung mit den politischen Ansichten Handkes schmälere aber seine Verdienste "um die Weiterentwicklung einer zeitgenössischen sprachkritischen Dramatik in keiner Weise", so die Jury.</div>
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Ministerpräsidentin Malu Dreyer, Vorsitzende der Stiftung Rheinland-Pfalz für Kultur, ergänzte: "Mit dieser Wahl wird das Gesamtwerk eines der bekanntesten deutschsprachigen Dramatiker mit einer der höchstdotierten Auszeichnungen für Theaterautoren in Deutschland gewürdigt. Die Wahl steht damit auch sinnbildlich für das Ziel der Kulturstiftung des Landes, die das kulturelle Erbe ebenso in den Blick nimmt wie das aktuelle Kulturschaffen."</div>
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Der <b style="background: transparent; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Jury </b>gehörten unter dem Vorsitz von Pfalztheater-Intendant Urs Häberli an: Franziska Schößler, Jürgen Berger, Wolfgang Bergmann, Gerhard Jörder und Ulrich Khuon.</div>
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Die mit 10.000 Euro dotierte Auszeichnung wird seit 1993 von der Stiftung Rheinland-Pfalz für Kultur vergeben und fördert die deutschsprachige Dramatik. Der alle zwei Jahre verliehene Preis zählt zu den höchstdotierten Dramatikerpreisen Deutschlands.</div>
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<b style="background: transparent; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Weitere Preise</b></div>
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Der Stückepreis zur Nachwuchsförderung wird in diesem Jahr erstmals in drei Stufen vergeben:</div>
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<li style="background: url(http://www.boersenblatt.net/layout_bb/css/ic_list.gif) 0px 3px no-repeat transparent; border: 0px; margin: 0px; outline: 0px; padding: 0px 0px 0px 18px; vertical-align: baseline;">Der erste Preis geht an <b style="background: transparent; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Thomas Köck </b>für sein Theaterstück "Isabelle Huppert" (5.000 Euro)</li>
<li style="background: url(http://www.boersenblatt.net/layout_bb/css/ic_list.gif) 0px 3px no-repeat transparent; border: 0px; margin: 0px; outline: 0px; padding: 0px 0px 0px 18px; vertical-align: baseline;"><b style="background: transparent; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Bonn Park </b>erhält den zweiten Preis für sein Stück "Traurigkeit & Melancholie oder der aller einsamste George aller Zeit" (3.000 Euro oder ein dreimonatiges Aufenthaltsstipendium am Pfalztheater Kaiserslautern)</li>
<li style="background: url(http://www.boersenblatt.net/layout_bb/css/ic_list.gif) 0px 3px no-repeat transparent; border: 0px; margin: 0px; outline: 0px; padding: 0px 0px 0px 18px; vertical-align: baseline;">Einen mit 2.000 Euro dotierten Stückepreis bekommt <b style="background: transparent; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Sophie Nikolitsch </b>für ihre Kunstbetriebskomödie "Gurlitt". </li>
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KULTURNACHRICHTEN</h2>
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<span style="display: block; font-size: 17.7142848968506px; margin: -0.25em 0px 0.8333em; padding: 0px;"><span class="drk-sendungdatum drk-tborder" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #333333; display: block; font-family: 'Source Sans Pro', Arial, Helvetica, sans-serif; font-size: 15px; letter-spacing: normal; margin: 0px 10px; padding: 10px 0px 6px;">Freitag, 24. Oktober 2014</span></span></h1>
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Else-Lasker-Schüler-Dramatikerpreis 2014: Peter Handke ausgezeichnet</h3>
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<span style="display: block; margin: -0.25em 0px 0.8333em; padding: 0px;"><article class="drk-kulturnachrichten drk-tborder" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; margin: 15px 10px 0px; padding: 0px 0px 20px;"><span class="drk-subline" style="color: #333333; display: block; font-family: 'Source Sans Pro', Arial, Helvetica, sans-serif; font-size: 15px; font-style: italic; font-weight: normal; letter-spacing: normal; margin: 0px 0px 15px; padding: 0px;">Der österreichische Schriftsteller wird von der Stiftung Rheinland-Pfalz mit einem der wichtigsten und mit 10.000 Euro höchstdotierten Preise für Theaterautoren in Deutschland gewürdigt.</span><div style="color: #333333; font-family: 'Source Sans Pro', Arial, Helvetica, sans-serif; font-size: 15px; font-weight: normal; letter-spacing: normal; line-height: 1.4em; padding: 0px;">
Handke habe mit seinen innovativen Stücken über Jahrzehnte die Bühnensprache in Deutschland und Österreich maßgeblich bereichert und verändert, begründete die Jury ihre Entscheidung. Dabei sei es ihm gelungen, Konventionen aufzubrechen und Machtkonstellationen sowie die «Sprachverhexung des Denkens» aufzuzeigen.<br />
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Mit Blick auf Handkes umstrittene Unterstützung Serbiens betonte die Jury, die vehemente Kritik an Handkes politischen Ansichten schmälerten in keiner Weise seine Verdienste um die Weiterentwicklung einer zeitgenössischen sprachkritischen Dramatik.<br />
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Als bestes Theaterstück würdigte die Jury «Isabelle Huppert». Darin verknüpft Autor Thomas Köck die Lage von Flüchtlingen in Deutschland mit den Problemen von Bundeswehrsoldaten nach ihrer Rückkehr von Auslandseinsätzen. Das Stück sei ein «raffiniertes Spiel mit Klischees», das die öffentlichen Diskussionen zur Flüchtlingskatastrophe im Mittelmeer und zu bewaffneten Bundeswehreinsätzen angehe.<br />
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Die rheinland-pfälzische Ministerpräsidentin Malu Dreyer (SPD) will als Stiftungsvorsitzende am 1. Februar im Pfalztheater Kaiserslautern die Auszeichnungen übergeben. Der Lasker-Schüler-Preis wird seit mehr als 20 Jahren im Zweijahresrhythmus vergeben. Unter den bislang ausgezeichneten Autoren sind beispielsweise Elfriede Jelinek, Roland Schimmelpfennig und Rene Pollesch.</div>
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<span style="color: #333333; font-family: Source Sans Pro, Arial, Helvetica, sans-serif;"><span style="font-size: 15.3333330154419px; font-weight: normal; line-height: 21px;">http://www.deutschlandradiokultur.de/else-lasker-schueler-dramatikerpreis-2014-peter-handke.265.de.html?drn:news_id=414145</span></span></div>
</article></span><span style="color: #065195; display: block; font-family: Verdana, sans-serif; font-size: 17.7142848968506px; letter-spacing: 1px; margin: -0.25em 0px 0.8333em; padding: 0px;">============================</span><span style="color: #065195; display: block; font-family: Verdana, sans-serif; font-size: 17.7142848968506px; letter-spacing: 1px; margin: -0.25em 0px 0.8333em; padding: 0px;">Else-Lasker-Schüler-Dramatikerpreis an Peter Handke<span class="hidden" style="border: 0px none; display: block; font-size: 17.7142848968506px; height: 0px; left: -1000em; line-height: 0; margin: -0.25em 0px 0.8333em; padding: 0px; position: absolute; top: -1000em;">:</span></span><span class="hidden" style="border: 0px none; color: transparent; display: block; font-family: Verdana, sans-serif; font-size: 0px; height: 0px; left: -1000em; letter-spacing: 1px; line-height: 0; position: absolute; top: -1000em;">(12.07 Uhr)</span></h1>
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Der Else-Lasker-Schüler-Dramatikerpreis 2014 geht an den Schriftsteller Peter Handke. Zur Begründung hieß es, der 71-Jährige habe mit seinen innovativen Stücken über Jahrzehnte hinweg die Bühnensprache bereichert und verändert. Der österreichische Autor schrieb unter anderem die Stücke "Publikumsbeschimpfung", "Immer noch Sturm" und "Die Stunde, da wir nichts voneinander wussten". Der Else-Lasker-Schüler-Preis wird von der Stiftung "Rheinland-Pfalz für Kultur" verliehen. Er ist mit 10.000 Euro dotiert und wird im Februar 2015 im Pfalztheater Kaiserslautern überreicht.</div>
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<span style="color: #102364; font-family: Verdana, sans-serif;"><span style="font-size: 14px; font-weight: normal; line-height: 15.5428581237793px;">http://www1.wdr.de/themen/infokompakt/nachrichten/kulturnachrichten/kulturnachrichten9786.html</span></span></div>
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lse-Lasker-Schüler-Dramatikerpreis für Peter Handke</h1>
<b style="background-color: #f1f6fc; color: #2f2f2f; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 16px;">Peter Handke </b><span style="background-color: #f1f6fc; color: #2f2f2f; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 16px;">erhält den </span><b style="background-color: #f1f6fc; color: #2f2f2f; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 16px;">Else-Lasker-Schüler-Dramatikerpreis 2014</b><span style="background-color: #f1f6fc; color: #2f2f2f; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 16px;">, den die Stiftung Rheinland-Pfalz für Kultur für ein vorliegendes dramatisches Gesamtwerk verleiht. Die Preisjury, bestehend aus Franziska Schößler, Jürgen Berger, Wolfgang Bergmann, Gerhard Jörder und Ulrich Khuon, hat sich unter Vorsitz von Pfalztheater-Intendant Urs Häberli einhellig für diese Preisvergabe entschieden. Mit seinen innovativen Stücken habe Handke über Jahrzehnte hinweg die Bühnensprache in Deutschland und Österreich bereichert und verändert, heißt es in der Jury-Begründung.</span><br />
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<span style="background-color: #f1f6fc; color: #2f2f2f; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 16px;">Die Überreichung der Auszeichnung findet am 1. Februar 2015 im Pfalztheater Kaiserslautern statt. Der Preis wird seit 1993 alle zwei Jahre verliehen und ist mit 10.000 Euro dotiert. Preisträgerinnen und Preisträgern des Else-Lasker-Schüler-Preises waren u.a. Elfriede Jelinek, Roland Schimmelpfennig und zuletzt René Pollesch.</span><br />
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<span style="background-color: white; font-weight: 700;">K</span><b style="background-color: yellow;">NA Mainz. Peter Handke (71) erhält den Else-Lasker-Schüler-Dramatikerpreis 2014 der Stiftung Rheinland-Pfalz, eine der wichtigsten und mit 10000 Euro höchstdotierten Auszeichnungen für Theaterautoren in Deutschland.</b></div>
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<b style="background-color: yellow;">Handke habe mit seinen innovativen Stücken über Jahrzehnte die Bühnensprache in Deutschland und Österreich maßgeblich bereichert und verändert, begründete die Jury am Freitag in Mainz ihre Entscheidung. Dabei sei es ihm gelungen, Konventionen aufzubrechen und Machtkonstellationen sowie die „Sprachverhexung des Denkens“ aufzuzeigen.</b></div>
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<b style="background-color: yellow;">Als bestes Theaterstück würdigte die Jury „Isabelle Huppert“. Darin verknüpft Autor Thomas Köck die Lage von Flüchtlingen in Deutschland mit den Problemen von Bundeswehrsoldaten nach ihrer Rückkehr von Auslandseinsätzen. Das Stück sei ein „raffiniertes Spiel mit Klischees“, das die öffentlichen Diskussionen zur Flüchtlingskatastrophe im Mittelmeer und zu bewaffneten Bundeswehreinsätzen angehe.</b></div>
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<b style="background-color: yellow;">Mit Blick auf Handkes umstrittene Unterstützung Serbiens betonte die Jury, die vehemente Kritik an Handkes politischen Ansichten schmälere in keiner Weise seine Verdienste um die Weiterentwicklung einer zeitgenössischen sprachkritischen Dramatik.</b></div>
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<b style="background-color: yellow;">Die rheinland-pfälzische Ministerpräsidentin Malu Dreyer (SPD) will als Stiftungsvorsitzende am 1. Februar im Pfalztheater Kaiserslautern die Auszeichnungen übergeben. Der Lasker-Schüler-Preis wird seit mehr als 20 Jahren im Zweijahresrhythmus vergeben. Bislang ausgezeichnet wurden beispielsweise die Autoren Elfriede Jelinek, Roland Schimmelpfennig und Rene Pollesch.</b></div>
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SUMMA POLITICOhttp://www.blogger.com/profile/11214697505465094305noreply@blogger.com0tag:blogger.com,1999:blog-264664972781705013.post-82622766875717839292014-01-17T08:52:00.001-08:002014-01-17T08:52:21.108-08:00Premiere "Griffen - Auf den Spuren von Peter Handke" <b style="background-color: yellow;"><a href="http://www.ots.at/presseaussendung/OTS_20140116_OTS0105/dokfilm-premiere-griffen-auf-den-spuren-von-peter-handke-am-19-jaenner-in-orf-2">http://www.ots.at/presseaussendung/OTS_20140116_OTS0105/dokfilm-premiere-griffen-auf-den-spuren-von-peter-handke-am-19-jaenner-in-orf-2</a></b><br />
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"dok.film"-Premiere "Griffen - Auf den Spuren von Peter Handke" am 19. Jänner in ORF 2</span></h1>
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Ein Film von Bernd Liepold-Mosser über Literatur, Politik Geschichte und das Leben in der Provinz</span></h2>
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<b style="background-color: yellow;"><span class="" itemprop="dateline" style="color: #333333; font-style: italic;">Wien (OTS) -</span><span itemprop="articleBody"> Mit der Dokumentation "Griffen - Auf den Spuren von<br />
Peter Handke", die am Sonntag, dem 19. Jänner 2014, im Rahmen von<br />"dok.film" um 23.05 Uhr in ORF 2 ihre TV-Premiere feiert, begibt sich<br />der Kärntner Theaterregisseur, Filmemacher und Autor Bernd<br />Liepold-Mosser an die Orte der Kindheit seines berühmten Landsmannes.<br />
Wiewohl der Dichter vor nahezu 50 Jahren aus Griffen weggezogen ist,<br />kehrt er in seinen Werken wie auch als zeitweiliger Besucher zurück.<br />Liepold-Mosser, selbst 1986 in Griffen geboren, zeichnet durch die<br />Begegnung mit den Menschen ein Bild des weltbekannten Schriftstellers<br />
Peter Handke sowie der kleinen Gemeinde am Rande des<br />slowenischsprachigen Gebiets. Die humorvolle und manchmal<br />demaskierend ehrliche Spurensuche führt zu den ungelösten<br />Widersprüchen und Ambivalenzen des Ortes, die mit dem Lebensraum<br />
einer kleinen Marktgemeinde und der verdrängten zweisprachigen<br />Geschichte zu tun haben. Auf den Spuren des "großen Sohnes" Peter<br />Handke wird "Griffen" zu einem Film über Literatur, Geschichte,<br />
Politik und das Leben in der Provinz. Der ORF hat die Produktion von<br />KGP Kranzelbinder Gabriele Production im Rahmen des<br />Film/Fernseh-Abkommens kofinanziert.</span></b></div>
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<b style="background-color: yellow;">In Griffen haben alle eine Meinung zu Peter Handke: bewundernd,<br />ablehnend, ambivalent. Viele verzeihen dem großen Sohn nicht, dass er<br />
das Dorf in seinem Roman "Wunschloses Unglück" als dumpfes,<br />weltfremdes Nest beschreibt. "Die Klischeebilder, Erinnerungen und<br />Mutmaßungen verschmelzen mit den eigenen Sehnsüchten, Träumen und<br />Sorgen. Bewunderung und Verehrung vermischen sich mit Skepsis und<br />
Verurteilung", so der Regisseur Bernd Liepold-Mosser.</b></div>
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<b style="background-color: yellow;">Handkes Halbbruder schildert im Film erfrischend gelassen die nur<br />
allzu menschlichen Seiten seines bekannten Bruders Peter, zeigt<br />dessen Postkarten aus Frankreich und erzählt von seinen Anrufen und<br />Besuchen, bei denen die Brüder miteinander schnapsen und plaudern.<br />Dorfbewohner erinnern sich, wie Handke als Kind und Jugendlicher ein<br />
Einzelgänger gewesen sei und "Die Angst des Tormanns beim Elfmeter"<br />sicher nicht kennen könne, habe er seine Zeit doch ausschließlich mit<br />Büchern verbracht. Auch die vermeintlichen Lügen im Werk "Wunschloses<br />
Unglück", das die Umstände des Selbstmordes der Mutter thematisiert,<br />duldet man nicht.<br />
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SUMMA POLITICOhttp://www.blogger.com/profile/11214697505465094305noreply@blogger.com0tag:blogger.com,1999:blog-264664972781705013.post-31268908382830920212013-01-23T15:34:00.001-08:002013-01-23T15:37:06.037-08:00Handke Translators in the Austrian Embassy in Paris<table border="0" cellpadding="0" cellspacing="0" style="border-bottom: 1px solid rgb(221, 221, 221); color: #0088cc; margin: 0px 0px 5px; padding: 0px; width: 100%;"><tbody>
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<span style="background-color: yellow;"><b><span style="font-size: small;">
New post on THE GOALIE'S ANXIETY</span></b></span> </h2>
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<td style="vertical-align: top; white-space: nowrap; width: 60px ! important;"><span style="background-color: yellow;"><b><span style="font-size: small;"><a href="http://thegoaliesanxiety.wordpress.com/author/abbottsc/" style="color: #2585b2; display: block; margin-right: 10px; text-decoration: underline;" target="_blank"><img alt="" border="0" height="50" src="http://1.gravatar.com/avatar/795b21bbe9638b9a6c7178bed3c7cf40?s=50&d=identicon&r=G" width="50" /></a></span></b></span>
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Handke Translators in the Austrian Embassy in Paris</span></span></h2>
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http://thegoaliesanxiety.wordpress.com/2013/01/21/handke-translators-in-the-austrian-embassy-in-paris/ </span></span></h2>
<span style="background-color: yellow;"><b><span style="color: #888888; font-size: small;">by <a href="http://thegoaliesanxiety.wordpress.com/author/abbottsc/" style="color: rgb(136, 136, 136) ! important; text-decoration: underline;" target="_blank">Scott Abbott</a></span></b></span>
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<span style="background-color: yellow;"><b><span style="font-size: small;">Yesterday, this email from Zarko Radakovic. He wrote it in German, his second language. It wasn’t perfect. It was perfect.</span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;"><br /></span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;">My Dear Friend,</span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;"><br /></span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;">We’re home again.</span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;">It was remarkable in Paris.</span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;">The evening in the Austrian Embassy: Incredible. Intimate.</span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;"><br /></span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;">The Ambassador wanted to organize a large reception for Peter [in honor of his recent 70<sup>th</sup>
birthday]. Peter declined. He agreed to an evening for his translators
and most intimate friends. There were about twenty of us.</span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;"><br /></span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;">Of
the translators, four of us were present: Eustaquio Barjan (Spanish),
Claudio Groff (Italian), Anne Weber (French, plays) and I (Serbian).
Olivier le Ley (Handke’s French prose translator, a bright young man I
met in the Sierra de Gredos [an earlier convocation of Handke
translators], was ill, and G. A. Goldschmidt [translator of earlier
novels into French and himself a novelist whose work Handke has
translated] didn’t come (who knows just why?).</span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;">It was, as I said, a remarkable evening. Peter greeted each of us personally. He was dear and tender and attentive.</span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;"><br /></span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;">Although he was dressed formally, I thought he seemed dressed for one of our trips. As if ready for a hike.</span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;">He was a splendid host.</span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;"><br /></span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;">As
was the Ambassador (a giant woman, blonde, courteous, eager and yet
laid-back, wearing a kind of mini-skirt that made me think, repeatedly:
now she’ll jump up and begin to dance).</span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;"><br /></span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;">Sophie [Peter’s wife] was dear and charming, now and then very funny.</span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;"><br /></span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;">Anne [Zarko’s wife], in her new dress, discreet as always, and yet always right there.</span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;"><br /></span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;">We
all sat at a large table, each at a place determined in advance. Peter
and Sophie together, like a double Jesus. I, to the right of Sophie.
Anne Weber to the left of Handke. Next to her Eustaquio. To my right a
congenial Italian woman (a friend from the theater). Left of Eustaquio,
Anne, and next to her Louis, Sophie’s son. And so on.</span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;"> </span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;">The evening meal proceeded slowly, ceremoniously, and yet dynamically.</span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;">The evening of translators.</span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;"><br /></span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;">First a word of greeting by the Ambassador, her original thoughts for the evening and then Peter’s own wishes.</span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;"><br /></span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;">Peter
spoke. His voice soft, beautiful. He laid out the course of the
evening. He asked that we translators read from our translations. And he
announced the order of readings.</span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;"><br /></span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;">We read between the courses.</span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;"><br /></span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;">And what we read seemed like additional courses of the meal.</span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;"><br /></span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;">Was the order of readings based on our ages? Or as the appropriate spices for courses? Or as pairings for the drinks?</span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;"><br /></span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;">As
appetizer: a kind of fish-gelée with vegetables and potato puffs and a
white wine. Eustaquio’s contribution to the course was a section of his
translation of <i>Don Juan</i>, a recent publication. I have never heard
the Spanish language so light and sweet and mild, and I immediately
asked the waiter for a second glass of the exquisite wine. And I needed
it, for I was the reader following Eustaquio.</span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;"><br /></span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;">I read from my recently published translation of <i>The Moravian Night</i>.
I read with a quiet voice, paradoxically loud, trembling and powerful.
And I sensed my language as another, never-yet-heard foreign language
and yet so near -- and my own. And it seemed like a good wine and like
the finest music from the Balkans, World-Music as well, and I felt like a
musician in tune with my beloved and reliable instrument. In the music I
heard Peter’s voice in the distant background and the two of us played
Peter Handke’s notes and played them and played them.</span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;"><br /></span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;">At some point we quit playing . . .</span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;"><br /></span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;">The main course followed: goulash with dumplings, paired with a good red wine. And we ate and ate and ate.</span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;"><br /></span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;">And then Claudio read his Italian translation of <i>The Moravian Night</i>.
He sang it so melodically that it had the effect of a canzone with
Peter’s and my voices in the background. It tasted spicy! And it made us
feel happy. It was funny and witty, sometimes thoughtful, then open for
discussion, ready for disputation.</span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;"><br /></span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;">The
cheese plate followed. Another new wine, a white -- full-bodied,
perfect. And, to go with the wine, Anne Weber read from the “Essay on
the Stillness of the Outhouse.” And now not a translation, but the
original, Peter’s native language that tasted so perfectly dry. We, all
the translators, immediately thought: “I’ll take this recipe home and
prepare this tasty dish as soon as possible.”</span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;"><br /></span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;">At the end there was apple strudel, coffee, and yellow-plum brandy.</span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;"><br /></span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;">Peter
took a piece of paper from his pocket that seemed like a leaf he had
found on his last hike. It was a letter from a young reader, a
sixteen-year-old girl named Dragana Nikolic from Vienna, obviously of
Serbian descent. Peter read from the reader’s letter, he read the moving
words of someone who had read <i>The Moravian Night</i> intently and intimately and we all, moved by Peter’s magnetic voice and his emphatic commentary, wanted to read that book, <i>The Moravian Night</i>, again and again and again.</span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-size: small;"><br /></span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;">We sat quietly at the end. We sat there tired and satisfied. Then we laughed. Then we spoke quietly. Then we fell silent. Etc.</span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;"><br /></span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;">That’s
how is was, my dear friend, in the Austrian Embassy in Paris, in the
building in which at one time someone worked whom Peter visited often
and then described as a press-attaché in his book <i>The Hour of True Feeling</i>.</span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;"><br /></span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;">The following days in Paris were wonderful.</span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;">Another lunch with Sophie and Peter.</span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;">A fine exhibition of paintings by Edward Hopper.</span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;">The film <i>Django</i>.</span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;">A Salvador Dali retrospective.</span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;">Good food and drink.</span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;"><br /></span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;">And again and again a glass of wine for you, dearest friend.</span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;"><br /></span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;">All the best,</span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;">Your,</span></b></span></div>
<div style="color: #444444; font-family: "Helvetica Neue",Helvetica,Arial,sans-serif; line-height: 1.4em; margin: 0px 0px 1em;">
<span style="background-color: yellow;"><b><span style="font-size: small;">Zarko</span></b></span></div>
</div>
<div style="border-bottom: 1px solid rgb(238, 238, 238); border-top: 1px solid rgb(238, 238, 238); color: #999999; line-height: 160%; margin-top: 4px; overflow: hidden; padding: 15px 0px;">
<span style="background-color: yellow;"><b><span style="font-size: small;"><a href="http://thegoaliesanxiety.wordpress.com/author/abbottsc/" style="color: #2585b2; text-decoration: underline;" target="_blank">Scott Abbott</a> | January 21, 2013 at 8:37 pm | Tags: <a href="http://thegoaliesanxiety.wordpress.com/?tag=anne-weber" style="color: #2585b2; text-decoration: underline;" target="_blank">Anne Weber</a>, <a href="http://thegoaliesanxiety.wordpress.com/?tag=claudio-groff" style="color: #2585b2; text-decoration: underline;" target="_blank">Claudio Groff</a>, <a href="http://thegoaliesanxiety.wordpress.com/?tag=dragana-nikolic" style="color: #2585b2; text-decoration: underline;" target="_blank">Dragana Nikolic</a>, <a href="http://thegoaliesanxiety.wordpress.com/?tag=eustaquio-barjan" style="color: #2585b2; text-decoration: underline;" target="_blank">Eustaquio Barjan</a>, <a href="http://thegoaliesanxiety.wordpress.com/?tag=g-a-goldschmidt" style="color: #2585b2; text-decoration: underline;" target="_blank">G. A. Goldschmidt</a>, <a href="http://thegoaliesanxiety.wordpress.com/?tag=olivier-le-ley" style="color: #2585b2; text-decoration: underline;" target="_blank">Olivier le Ley</a>, <a href="http://thegoaliesanxiety.wordpress.com/?tag=peter-handke" style="color: #2585b2; text-decoration: underline;" target="_blank">Peter Handke</a>, <a href="http://thegoaliesanxiety.wordpress.com/?tag=the-hour-of-true-feeling" style="color: #2585b2; text-decoration: underline;" target="_blank">The Hour of True Feeling</a>, <a href="http://thegoaliesanxiety.wordpress.com/?tag=the-moravian-night" style="color: #2585b2; text-decoration: underline;" target="_blank">The Moravian Night</a>, <a href="http://thegoaliesanxiety.wordpress.com/?tag=zarko-radakovic" style="color: #2585b2; text-decoration: underline;" target="_blank">Zarko Radakovic</a>
| Categories: <a href="http://thegoaliesanxiety.wordpress.com/?cat=1" style="color: #2585b2; text-decoration: underline;" target="_blank">Uncategorized</a>
| URL: <a href="http://wp.me/p2VlSS-8d" style="color: #2585b2; text-decoration: underline;" target="_blank">http://wp.me/p2VlSS-8d</a></span></b></span> </div>
SUMMA POLITICOhttp://www.blogger.com/profile/11214697505465094305noreply@blogger.com0tag:blogger.com,1999:blog-264664972781705013.post-28125519954963882332012-12-28T19:13:00.002-08:002012-12-28T20:03:13.263-08:00END OF 2012 HANDKE TRIVIA COLLECTION<span style="background-color: yellow;"><span style="font-family: "Courier New",Courier,monospace;"> </span></span>
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<h1 style="color: #00468e; line-height: 1.2em; margin: 0px; padding: 0px;">
<span style="background-color: yellow;"><span style="font-family: "Courier New",Courier,monospace;">Handke:
„Hätte gern ein Maschinengewehr bedienen gelernt“</span></span></h1>
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<span style="background-color: yellow;"><span style="font-family: "Courier New",Courier,monospace;">21.12.2012
| 18:40 | (Die Presse)</span></span></div>
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<span style="background-color: yellow;"><span style="font-family: "Courier New",Courier,monospace;"><b>Die
„Kleine Zeitung“ hat Gespräche zweier Redakteure mit Peter
Handke als Buch veröffentlicht – kostbar für Handke-Fans.</b></span></span></div>
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<span style="background-color: yellow;"><span style="font-family: "Courier New",Courier,monospace;"><a alt="GROSSER KUNSTPREIS DES LANDES SALZBURG FUeR LITERATUR
AN PETER HANDKE" class="articleimg" href="http://diepresse.com/images/uploads/e/9/6/1326742/ed381b67-a185-47fd-b449-19ad71285f5120121221215456_v0_l.jpg" moz-do-not-send="true" rel="lightbox" style="background-image: url(http://diepresse.com/images/uploads_200/e/9/6/1326742/ed381b67-a185-47fd-b449-19ad71285f5120121221215456_v0_l.jpg); background-repeat: initial initial; border: 1px solid rgb(218,218,218); color: #00468e; display: block; float: left; font-weight: 700; height: 10px; margin: 0px 10px 15px 0px; padding: 109px 1px 1px; text-decoration: initial; width: 198px;" title="GROSSER KUNSTPREIS DES LANDES SALZBURG FUeR
LITERATUR AN PETER HANDKE / Bild: APA/FRANZ NEUMAYR"><img class="piczoomicon" moz-do-not-send="true" src="http://diepresse.com/images/icons/piczoom.gif" style="border: none; bottom: -18px; position: absolute;" /></a></span></span>
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<span style="background-color: yellow;"><span style="font-family: "Courier New",Courier,monospace;"><big><big><b>Für</b><b> Überraschungen
ist dieser Autor immer gut. Auf die Frage „Hätten Sie gern
anders gelebt?“ antwortet Peter Handke nur: „Ein
Maschinengewehr hätte ich gern bedienen gelernt.“ Gegen
was oder wen verrät er nicht. Es sei nur „zur
Verteidigung“.</b></big></big></span></span></div>
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<span style="background-color: yellow;"><span style="font-family: "Courier New",Courier,monospace;"><big><big><b><img alt="" height="1" moz-do-not-send="true" src="imap://michael%2Eroloff%40gmail%2Ecom@imap.googlemail.com:993/fetch%3EUID%3E/%5BGmail%5D/Drafts%3E4406?_RM_EMPTY_&1326742&width=910&thema=" style="border: none;" width="1" /></b></big></big></span></span></div>
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<span style="background-color: yellow;"><span style="font-family: "Courier New",Courier,monospace;"><big><big><b>Sonst ist das Buch
„Handke im Gespräch“ eine sehr friedliche Angelegenheit.
Mit ihrer kritischen Berichterstattung über Handkes
Haltung zum Jugoslawien-Krieg hat sich die „Kleine
Zeitung“ beim Schriftsteller zwar nicht beliebt gemacht.
Trotzdem haben zwei der besten Männer dieser Zeitung
(Chefredakteur Hubert Patterer und
Außenpolitik-Ressortleiter Stefan Winkler) es geschafft,
Handke zu insgesamt fünf Gesprächen zu verlocken, die
offenbar zu beiderseitiger Zufriedenheit verliefen.</b></big></big></span></span></div>
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<span style="background-color: yellow;"><span style="font-family: "Courier New",Courier,monospace;"><big><big><b>Was sich auch auf
den Leser übertragen kann: „Handke im Gespräch“ klammert
die Jugoslawien-Frage (da weder Einigung noch neue
Erkenntnisse zu erwarten sind) aus, die Fragesteller üben
sich in „radikaler Schlichtheit“ – „unschuldig und naiv
sollten die Fragen tönen, beinahe kindlich“. Kein Wunder,
dass der Schriftsteller in seinen Antworten entspannt
klingt wie selten.</b></big></big></span></span></div>
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<span style="background-color: yellow;"><span style="font-family: "Courier New",Courier,monospace;"><big><big><b>Heute könne er zu
Österreich „mein Land“ sagen, sagt Handke. Bundespräsident
Fischer hat ihn eingeladen, nach Österreich
zurückzukehren. „Ein typischer Bundespräsidentenspruch“,
meint Handke. „Ich habe sogar ein Forsthaus besichtigt.
Aber eigentlich wollte ich nur höflich sein.“ Beim Reden
über den Tod zitiert er Ferdinand Raimunds „Zärtlich muss
geschieden sein“. Auch „vom Gras und vom Wind“, meint
Handke. „Aber wie soll das gehen? Ich weiß es nicht.“ red.</b></big></big></span></span></div>
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<span style="background-color: yellow;"><span style="font-family: "Courier New",Courier,monospace;"><big><big><b>„Peter Handke im
Gespräch – mit Hubert Patterer und Stefan Winkler“:
Edition Kleine Zeitung, 19,80 Euro.</b></big></big></span></span></div>
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<span style="background-color: yellow;"><span style="font-family: "Courier New",Courier,monospace;"><big><big><b> ("Die Presse",
Print-Ausgabe, 22.12.2012)</b></big></big></span></span>
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<span style="background-color: yellow;"><span style="font-family: "Courier New",Courier,monospace;"><big><b><big> Ja
,wenn man so viele Frauen verdrescht wie Herr Handke
(e.g. Marie Colbin u.a.)<br />
dann wünscht man sich als ex-Autor der MORAWISCHEN
NACHT<br />
vielleicht ein Maschinengewehr zu Verteidigung. In
der LEHRE<br />
DER ST. VICTOIRE erzählt Handke, dass der einzige
Stolz<br />
des einstigen Stiefvater auf ihn war, dass<br />
er das Exam zur Wehrpflicht bestanden habe - was
mich, der von Handke's<br />
Augenproblemen, dass er zeitweilig farbenblind ist,
erstaunte.<br />
Aber sowie ich weiss ist Handke ja dann nie
eingezogen geworden.</big></b></big></span></span><br />
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<span style="background-color: yellow;"><span style="font-family: "Courier New",Courier,monospace;"><big><b><big><span style="color: black;">http://www.youtube.com/watch?v=hGxDlg206gQ&list=UUS3lcih4m98vNAV20LG99xw</span> </big></b></big></span></span><br />
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<h3 style="-webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: #fc3e08; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 16px; font-style: normal; font-variant: normal; letter-spacing: normal; line-height: 16.990739822387695px; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0.6944444179534912px;">
Peter Handke in America: Fatima Naqvi, Christoph Bartmann, Klaus Kastberger, Heike Polster, Krishna Winston and Thorsten Carstensen Discussing Handke’s Life-long Fascination with America</h3>
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<span style="background-color: lime;">Friday, December 7th,<span class="Apple-converted-space"> </span>6:30 p.m.</span></div>
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<span style="background-color: lime;">Please join us for a discussion with Fatima Naqvi (Rutgers University), Christoph Bartmann (Goethe Institut NYC), Klaus Kastberger (University of Vienna), Heike Polster (University of Memphis),<span class="Apple-converted-space"> </span>Krishna Winston (Wesleyan University),<span class="Apple-converted-space"> </span>and Thorsten Carstensen (The Indiana University School of Liberal Arts).<br /><br />Peter Handke in America is an important theme for understanding the writer’s work. Because of his life-long fascination with America, Handke was among the first German-speaking writers of his generation to present a positive image of the United States against the anti-imperialist aversions of the European 1968-movement. Particularly in his early work, scholars have traced his fascination with writers such as John Ford, Walker Percy (whom he also translated), as well as the blues, New York City, the image of the “Native American” and with the beauty of the American landscape. His 1971 novel Short Letter, Long Farewell makes his fascination with the United States the central motif. Handke also lived in New York (after lengthy travels through Alaska), where in 1979 he wrote his important novel The Long Way Round. In his film Three American LPs, he co-produced with Wim Wenders, many of these themes can also be clearly identified.<br /><br />Fatima Naqvi is an associate professor in the department of Germanic, Russian, and East European Languages and Literatures at Rutgers University. She teaches courses on Vienna 1900, Robert Musil, the German novel after 1945, and film (From Haunted Screen to Hyperreality; Violence in Film: Bresson, Antonioni, Haneke; Screening German Histories). Her research interests include Austrian authors and filmmakers of the post-1945 period, the intersection of fine art and literature, dilettantism and the theorization of interdisciplinarity.<br /><br />Christoph Bartmann is the director of the Goethe-Institut New York and North America since July 2011. Before he was working for several Goethe-Instituts worldwide, amongst others Prague, Copenhagen and Munich.<br /><br />Klaus Kastberger is a literary scholar and critic (among others he is working for Die Presse and ORF), scientific researcher at the Literary Archives of the Austrian National Library and associate professor at the University of Vienna. He has published widely on Austrian literature and managed several projects of the Austrian Science Fund, among them “Forschungsplattform Peter Handke (www.handkeonline.onb.ac.at)“, exhibitions, and event concepts (among others Grundbücher der österreichischen Literatur seit 1945). Publisher of the historic-critic edition of Ödön von Horváth (since 2009 at de Gruyter) and other works.<span class="Apple-converted-space"> </span><span lang="DE">Recently published: Vom Eigensinn des Schreibens. Produktionsweisen moderner österreichischer Literatur (2007), Peter Handke: Freiheit des Schreibens - Ordnung der Schrift (2009), and Die Arbeit des Zuschauers.<span class="Apple-converted-space"> </span></span>Peter Handke und das Theater (2012, published together with Katharina Pektor).</span></div>
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<span style="background-color: lime;">Heike Polster received her doctorate from Washington University in St. Louis after studying German, American Literature, Philosophy, and History in Bamberg, Germany, and Athens, GA. She teaches German and Austrian literature and culture at the University of Memphis. Her first book, "The Aesthetics of Passage: The Imag(in)ed Experience of Time in Thomas Lehr, W.G. Sebald, and Peter Handke" was published in 2009 with Königshausen & Neumann in Germany. Her monograph on Christa Wolf's notion of contemporaneity is forthcoming in 2012. Broadly, Dr. Polster's research concerns 20th - 21st Century German Literature and Culture, Intellectual History, and Cultural Studies. She current book project is entitled<span class="Apple-converted-space"> </span><i>Heterochronic Visions,</i><span class="Apple-converted-space"> </span>a project<i> </i>exploring the relationship between 20th Century philosophical and literary notions of temporality.</span></div>
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<span style="background-color: lime;">Krishna Winston is professor of German Studies, director of service-learning, and coordinator of the Mellon Mays Undergraduate Fellowship at Wesleyan University. Since her graduate school days, Winston has been a professional translator. To date, she has translated 30 books from German to English. She is currently working on Peter Handke’s novel<span class="Apple-converted-space"> </span><span style="font-style: italic;">Moravian Night</span>. She has also translated Günter Grass’s<span class="Apple-converted-space"> </span><span style="font-style: italic;">Two States, One Nation</span>,<span class="Apple-converted-space"> </span><span style="font-style: italic;">Too Far Afield</span>,<span class="Apple-converted-space"> </span><span style="font-style: italic;">Crabwalk</span>,<span class="Apple-converted-space"> </span><span style="font-style: italic;">The Box</span>, and, most recently,<span class="Apple-converted-space"> </span><span style="font-style: italic;">From Germany to Germany: Journal of the Year 1990</span>, forthcoming in November.</span></div>
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<span style="background-color: lime;">Thorsten Carstensen is Assistant Professor in the Department of World Languages and Cultures at Indiana University Purdue University in Indianapolis. He graduated from New York University in May 2012 with a thesis on Peter Handke's epic mode of storytelling. In his research, Dr. Carstensen focuses on 20th century German and Austrian literature and questions of narratology. He is the co-editor of the first unabridged English translation of Hans Fallada's novel "Wolf Among Wolves". Other publications include articles on Peter Handke, Hermann Broch, J.M. Coetzee and the films of Wes Anderson. His first book, "Romanisches Erzählen: Peter Handke und die epische Tradition," will be published with Wallstein Verlag in 2013.<br /></span></div>
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<span style="background-color: lime;">In collaboration with the Goethe-Institut New York and the Austrian Cultural Forum New York. With the generous support of the Dietrich Botstiber Foundation, and the DAAD.<br />Event coordination: Julia Kitta.<br /><br />Events at Deutsches Haus are free of charge. Please let us know which event you would like to attend by sending us an email to deutscheshaus.rsvp@nyu.edu. Space at Deutsches Haus is limited, please arrive ten minutes prior to the event. Thank you!</span></div>
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<span style="background-color: lime;">http://deutscheshaus.as.nyu.edu/object/dh.event.PeterHandkeinAmerica12072012</span></div>
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</span></span>SUMMA POLITICOhttp://www.blogger.com/profile/11214697505465094305noreply@blogger.com0tag:blogger.com,1999:blog-264664972781705013.post-29883451394874496062012-12-28T09:03:00.000-08:002012-12-28T09:45:30.489-08:00HANDKE VERTEUFELT HANS BARLACH<b> </b><br />
<span style="font-family: courier new,monospace;"><b><span style="background-color: #00cccc;"> http://<span class="J-JK9eJ-PJVNOc" style="background: none repeat scroll 0% 0% yellow;">handke</span>-<span class="J-JK9eJ-PJVNOc" style="background: none repeat scroll 0% 0% yellow;">trivia</span>.<span class="J-JK9eJ-PJVNOc" style="background: none repeat scroll 0% 0% yellow;">blogspot</span>.com/2012/12/<span class="J-JK9eJ-PJVNOc" style="background: none repeat scroll 0% 0% yellow;">handke</span>-verteufelt-<span class="J-JK9eJ-PJVNOc" style="background: none repeat scroll 0% 0% yellow;">hans</span>-barlach.html</span></b><span style="background-color: yellow;"><b><span class="J-JK9eJ-PJVNOc" style="background: none repeat scroll 0% 0% yellow;">Wäre</span> ich Hans Barlach,</b></span></span><br />
<br />
<span style="font-family: courier new,monospace;"><span style="background-color: yellow;"><b> http://de.wikipedia.org/wiki/Hans_Barlach</b></span></span><br />
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<span style="font-family: courier new,monospace;"><span style="background-color: yellow;"><b> <span class="J-JK9eJ-PJVNOc" style="background: none repeat scroll 0% 0% yellow;">würde</span> ich das Angebot von <span class="J-JK9eJ-PJVNOc">Handke</span> annehmen,<br />und dem <span class="J-JK9eJ-PJVNOc">Handke</span> <span class="J-JK9eJ-PJVNOc" style="background: none repeat scroll 0% 0% yellow;">Topmoney</span> <span class="J-JK9eJ-PJVNOc" style="background: none repeat scroll 0% 0% yellow;">für</span> die <span class="J-JK9eJ-PJVNOc" style="background: none repeat scroll 0% 0% yellow;">Übersetzungen</span> bieten,<br /><span class="J-JK9eJ-PJVNOc" style="background: none repeat scroll 0% 0% yellow;">Topmoney</span> verdreifacht da es sich um einen so <span class="J-JK9eJ-PJVNOc" style="background: none repeat scroll 0% 0% yellow;">großer</span> <span class="J-JK9eJ-PJVNOc" style="background: none repeat scroll 0% 0% yellow;">Übersetzer</span> wie<br /><span class="J-JK9eJ-PJVNOc">Handke</span> handelt. Der Versuch mich zu verteufeln? - <span class="J-JK9eJ-PJVNOc" style="background: none repeat scroll 0% 0% yellow;">lächerlich</span>, Schwamm <span class="J-JK9eJ-PJVNOc" style="background: none repeat scroll 0% 0% yellow;">drüber</span>. <br /><br />Dann <span class="J-JK9eJ-PJVNOc" style="background: none repeat scroll 0% 0% yellow;">würde</span> ich den Wunsch haben den Kerl zu treffen,<br />z.b. im <span class="J-JK9eJ-PJVNOc" style="background: none repeat scroll 0% 0% yellow;">Cafe</span> Lippe in Paris und ihm anbieten doch in das <span class="J-JK9eJ-PJVNOc" style="background: none repeat scroll 0% 0% yellow;">al</span><span class="J-JK9eJ-PJVNOc" style="background: none repeat scroll 0% 0% yellow;">te</span><br />Siegfried <span class="J-JK9eJ-PJVNOc" style="background: none repeat scroll 0% 0% yellow;">Unseld</span> Gremium mit <span class="J-JK9eJ-PJVNOc" style="background: none repeat scroll 0% 0% yellow;">Enzensberger</span> und <span class="J-JK9eJ-PJVNOc" style="background: none repeat scroll 0% 0% yellow;">Habermas</span> einzusteigen.<br />Komischerweise hat <span class="J-JK9eJ-PJVNOc" style="background: none repeat scroll 0% 0% yellow;">Unseld</span> ihn, "mein wichtigster Autor", dort ausgelassen - <span class="J-JK9eJ-PJVNOc" style="background: none repeat scroll 0% 0% yellow;">warum</span>, <br />wohl? Ich <span class="J-JK9eJ-PJVNOc" style="background: none repeat scroll 0% 0% yellow;">hör</span>, dass bis jetzt <span class="J-JK9eJ-PJVNOc">Handke</span> Schwierigkeiten hat mit Leuten<br />zusammen zu arbeiten. Deswegen wohl auch schnell aus dem Verlag der <br />Autoren ausgestiegen. </b></span></span><span style="font-family: courier new,monospace;"><span style="background-color: yellow;"><b><span style="font-family: courier new,monospace;"><span style="background-color: yellow;"><b>Soll <span class="J-JK9eJ-PJVNOc">Handke</span> auch seinen <span class="J-JK9eJ-PJVNOc" style="background: none repeat scroll 0% 0% yellow;">Geschäftsmann</span> Freund den Verleger Burda mitbringen, dann kriegen wir das schon hin. </b></span></span>
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<span class="supertitle" style="display: block; font-size: 10px; line-height: 24px; margin-bottom: 0px; text-transform: uppercase;">SUHRKAMP</span><span class="title" style="display: block; font-size: 30px; line-height: 32px; margin-bottom: 0px;">»Unerzählbarer
Alptraum«</span></big></big></span></h1>
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<span style="color: #330033;"><big><big><b>Wird dem
Suhrkamp Verlag und seiner Verlegerin durch den
Minderheitsgesellschafter Hans Barlach schlimmes Unrecht
getan? Aber ja!, sagt der Schriftsteller Peter Handke
und skizziert hinter dem Rechtsstreit die
Medienmechanismen einer Hexenjagd</b></big></big></span></div>
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<b><img alt="Peter Handke" moz-do-not-send="true" src="http://images.zeit.de/kultur/literatur/2012-12/handke-suhrkamp/handke-suhrkamp-180x240.jpg" style="border: none; margin: 0px; max-width: 180px; padding: 0px;" title="Peter Handke" /></b>
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<span style="color: #330033;"><big><big><b>©
dpa</b></big></big></span></div>
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<span style="color: #330033;"><big><big><b>Peter
Handke</b></big></big></span></div>
<span style="color: #330033;"><big><big>
</big></big></span></div>
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<span style="color: #330033;"><big><big><b>
Eigentlich sollte einem, vielleicht nicht allein meinem,
Zorn Luft verschafft und im Niederschreiben Form, oder
wenigstens der Anschein davon, verliehen werden. Aber
ich schreibe, wieder einmal, mit dem Bleistift, noch
dazu einem der mir zum Geburtstag bescherten, nicht bloß
durchweg schönen, sondern auch gar weichgrau
schreibenden. Und das Bleistiftgeräusch auf dem Papier
hörte sich in meinen Ohren, gleich nach dem »Eigentlich
sollte« oben, gar freundlich, dazu träumerisch an. Es
war eine Art von Klang, ähnlich dem Besen eines
Schlagzeugers, und dieser Schlagzeuger sollte, ohne
Schlagstöcke usw., beim sachten Streichen und Streifen
des Besens über die Unterlage bleiben.</b></big></big></span></div>
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<span style="color: #330033;"><big><big><b>Der Bleistift
ist, über Geräusch und Klang hinaus, Sprache. Er
spricht. Er sagt ein. Er sagt vor. Und was sagt er? Er
sagt mir ungefähr folgendes: »Ich wünsche, du mögest
selbst von den mutwillig Unverständigen und
zerstörungslustig Verstockten wenn nicht verstanden, so
wenigstens gelesen oder wenigstens, wie heißt es,
überflogen werden. Deswegen, alter Freund, schreib,
ausnahmsweise, tunlichst in Hauptsätzen.« (Der Stift
gebrauchte tatsächlich »tunlichst«; hatte er vor meiner
Zeit Umgang mit einem Juristen gepflogen? Und weiter
höre ich aus seinem grauen Rauschen auf dem weißen
Papier jetzt noch heraus:) »Erinnere dich: Einmal, lang
ist’s her, hast du ein Gedicht geschrieben, auch du, und
das hieß </b><b><i>Der Rand der Trauer,</i></b><b> und eine Zeile da
lautete: ›Am Rand der Trauer‹ – oder hieß es: ›Am Rand
der Müdigkeit‹? – ›reden wir alle in Hauptsätzen.‹«</b></big></big></span></div>
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<span style="color: #330033;"><big><big><b>Und noch
einmal jetzt der Bleistift: »Hör auf, ständig von mir
wegzuschielen hin zur Maschine dort im Maschinenwinkel:
Auf oder in die Tasten hauen mit rotem Kopf und
womöglich gesträubten Haaren, das Farbband oder sonstwas
entsprechend auf Rot geschaltet: Nichts da – ich bin es
–, da bin ich, und meine Initialen HB – zuck davor nicht
zurück, noch brich mir die Mine – bedeuten
ausschließlich HB. HB ist HB ist HB auf uns Bleistiften
von Dänemark bis Mali, von Polen bis Indien. Wir sind da
nicht für den Weltkrieg, sondern um des lieben Friedens
willen, für den Stoff, aus dem die Träume und die
Märchen sind, nicht die Alpträume und nicht die bösen
Märchen – die zukunftsweisenden. Also: Weiter im Stoff.
Auf in den Stoff mit dir, samt mir!«</b></big></big></span></div>
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<span style="color: #330033;"><big><big><b>Nur: Wo
steckt in dem aktuellen Stoff der belebende oder
erweckende Traum? Wo verbirgt es sich, das
Zukunftsmärchen, frei nach dem Vers des Juan de la Cruz
im 16. spanischen Jahrhundert: »O Wort, mein Bräutigam,
zeig mir den Ort, wo du verborgen bist!«? (Nebensatz
nicht von mir.)</b></big></big></span></div>
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<span style="color: #330033;"><big><big><b>Und der
Stoff? Der Stoff ist ein schier nichtendenwollender,
auch nichtkönnender Streit, der Streit um das Haus
Suhrkamp, das Haus der dem Einen, dem ungeschriebenen,
dem mehr oder weniger ewig vorschwebenden Buch, in
Gestalt einer Wolke oder von sonstwas, nachgeschriebenen
Bücher, auf es zugeschriebenen Bücher. Das
Suhrkamp-Haus, das Haus Siegfried Unseld ist für mich,
immer noch und heute grundfester denn je, das
deutschsprachige Haus des Geistes (neben anderen, etwas
kleineren), eines Geistes, den Johann Wolfgang von
Goethe gliedert, will sagen: mit Wortflügeln versehen
hat als »das Vorwaltende des oberen Leitenden« (oder so
ähnlich).</b></big></big></span></div>
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<span style="color: #330033;"><big><big><b>Streit kann
etwas Schönes sein. Streit kann beleben, einen für den
andern öffnen, gegenseitig belehren. Doch auch ein
Streit vor Gerichten? Ein juristischer? Ach, wie selten.
Und ganz und gar nichtsnutzig, zu nichts und ins Nichts
führend der aktuelle und zugleich schon ewige,
andersewige Rechtsstreit um meinen, in der Idee unser
aller Suhrkamp Verlag.</b></big></big></span></div>
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<span style="color: #330033;"><big><big><b><a href="http://www.zeit.de/kultur/literatur/2012-12/Suhrkamp-Verlagsbranche-Literatur" moz-do-not-send="true" target="_blank">»Rechtsstreit«:</a></b><b> Fast
immer ein Euphemismus, und in diesem Fall oder Casus ein
spezieller, zutiefst schmerzend wie im übrigen die ganze
nicht bloß leidige, nein, leidvolle Angelegenheit, ein
Leidwesen, doch nicht aus der Welt zu schaffen mit dem
Standardspruch des die Anklageschriften wohl von Anfang
an als Initiationsriten und inzwischen als
Lebensersatz-Elixier mißbrauchenden Prozeßhammels HB,
des Leibhaftigen, nicht meines Bleistifts hier: »Wir
leben schließlich in einem Rechtsstaat, oder nicht?!«
»Rechtsstaat«, das hieße nach dem anderen HB also: »Ich
benütze ihn nicht bloß, ich nütze ihn aus. Ich schöpfe
ihn nicht nur aus« – recht so! –, »ich erschöpfe ihn,
und zuguterletzt ist nichts mehr von ihm übrig, weder
Rechtsstaat noch Recht überhaupt oder vom Recht nichts
als der Buchstabe und mein Rechtbekommenhaben!« Ist
freilich nicht Grund und Sinn überhaupt von Recht der
Geist des Rechts? Ist das alte Wort vom »Geist der
Gesetze« demnach so grund- wie sinnlos geworden? Und
jeder den Rechtsstreit als Lebensspiel spielen Wollende
und Geld genug dazu Habende darf diesen Geist flöten
gehen oder Bleistifte spitzen lassen, solange bis sowohl
Bleistifte wie Geist unauffindbar geworden sind?
(Nebensatz von mir.)</b></big></big></span></div>
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<span style="color: #330033;"><big><big><b><span class="title" style="display: block; font-size: 30px; line-height: 32px; margin-bottom: 0px;">»Unerzählbarer
Alptraum«</span></b>
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<big><big>Die
nackte böse Wirklichkeit</big></big></h1>
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<span style="color: #330033;"><big><big><b>
Statt Traumerzählung also unerzählbarer Alptraum (oder
»Albtraum«, wie es Siegfried Unseld geschrieben zu sehen
wünschte). Und das Märchen, das böse, mit dem sattsam
bekannten, Phantasie oder Zukunftsvorstellung – sind
beides nicht und dasselbe? – ausschließenden Personal:
der Patriarch oder König. Seine Frau, böse Stiefmutter,
dann Witwe. Der einzige Sohn (als jugendlicher Dino
Martini lang vor dem edel-ramponierten Dean Martin in </b><b><i>Rio
Bravo).</i></b><b> Der Erbstreit. Die »Witwe« (möglichst oft
zu wiederholen im bösen Märchen, das Wort), noch dazu
oft schwarz gekleidet, manchmal in schwarzes Leder,
ehemalige »Schauspielerin« (auch dieses Wort ständig
aufblinken lassen), zur »Schriftstellerin« mutiert, samt
Namenswechsel, oftmaligem, gerade noch »Ursula Schmidt«,
jetzt als Autorin »Ulla Berkéwicz« – aber war das nicht
schon ihr Bühnenname? –, dann als Witwe »Ulla
Unseld-Berkéwicz«, auf ihren Büchern, bis zum im
Frühjahr 2013 erscheinenden »Bändchen« </b><b><i>(FAZ-</i></b><b> Leitschmähschrift)
namens </b><b><i>Reine Erfindung</i></b><b> (laut Weltblatt
vielsagender Titel) doch wieder »Ulla Berkéwicz«: reiner
Horror, diese Frau!</b></big></big></span></div>
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<span style="color: #330033;"><big><big><b>Und frei, oder
unfrei, nach den Gesetzen (?) des bösen Märchens die
»Witwe«, »Verlegerin«, »Autorin«, die aber – nachdem sie
»von der Schauspielerei [sic] zum Schreiben [sic]
gefunden hatte, ohne sich dadurch Aktionen hinter der
Bühne und im theatralischen Fach zu entfremden«. Horror
über Horror! (Dazu Diktat meines HB: »Die Leser sollen
das Zitat sich zweimal zu Gemüt führen!«) (Autor:
»Jürgen Kaube«, mit Schauspielernamen »Frank
Schirrmacher-Steltzner«, Geburtsname »Ignaz Oberursel«,
Schriftstellerpseudonym – Wirtschaftskrimi im Taunus –
»Raymond von Gunten«.)</b></big></big></span></div>
<span style="color: #330033;"><big><big>
</big></big></span><br />
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<span style="color: #330033;"><big><big><b>Nein, dieses Märchen
ist nicht »zukunftsfähig« (Wort des lebendigen HB, womit
er die Zukunftsfähigkeit des Suhrkamp Verlags meint, in
dem Sinn, »dass man auch in Zukunft ins Programm
investieren kann«). Es ist, in all seinen Standards,
aber auch nichts für die Gegenwart. Es ist nicht nur
unwirklich: Es ist unwahr. Wirklich und wahr ist
vielmehr: Der leibhaftige HB hat, als Neueinsteiger in
unseren Verlag, in unser Haus, von Anfang an keinen
guten Willen gezeigt, und nicht nur war er bar jeden
guten Willens, oder meinetwegen jeder bona fide,
vielmehr voll, prall, aufgeblasen prall des bösen
Willens, oder der mala fide, und das ist, Moment für
Moment, bis zum heutigen Tag so geblieben, womöglich
noch verstärkt: weit weit ärger als ein böses Märchen
samt dessen wirklichkeitsverschleiernden Stereotypen
(siehe oben) – die nackte böse Wirklichkeit.</b></big></big></span></div>
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<span style="color: #330033;"><big><big><b>Diese Böswilligkeit,
diese mala fides (ist sie nicht ein Rechtsbegriff,
Terminus für das innerste Unrecht gegen den Geist des
Rechts? Macht ein Geschäft ungültig), hat der Leitung
des Hauses Suhrkamp/Unseld von Anbeginn, auch bei bona
fide, ein nicht bloß im Märchen wünschenswertes
Miteinandergehen mit dem Neuen unmöglich gemacht. Der
leibhaftige HB sprang ins Feld ohne Mitspielwillen. Sein
Spiel wollte allein sein, ohne andere, und wurde darum
besonders böse. Auf das Spielfeld stürzte, ins Haus
brach ein der Feind, der Erzfeind des Spiels, das
zugleich den Geist freisetzt. Und der böseste seiner
Spielzüge: das Warten auf die Fehler derer vor und mit
ihm auf dem Spielfeld. Die konnten nämlich nicht
ausbleiben. (Wie erfrischend kann doch manchmal ein
Springinsfeld sein – so einer nicht.)</b></big></big></span></div>
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<div style="border: none; line-height: 24px; margin: 0px 0px 19px; padding: 0px;">
<span style="color: #330033;"><big><big><b>UB, alias US, alias
UUB, alias UBU hatte ja nicht bloß, besonders
schmieriger Vorwurf des HB, alias </b><b><i>FAZ,</i></b><b> »geerbt«,
sondern bearbeitete, beackerte, bespielte das weite Feld
der Bücher weiter und weiter – arbeitete und
erarbeitete, und der sich mir nichts, dir nichts
eingekauft Habende, was tat er dazu? Blockieren,
paralysieren, obstruieren, ohne je auch nur ein
einziges, den Vorarbeitern geltendes Einsprung-,
Mitmach- oder Mitspielzeichen. Er machte sich breit und
immer breiter und wußte sich, schlau in seinem bösen
Willen, seiner mala fide, im Recht. Die Fehler,
Ungeschicklichkeiten, meinetwegen auch Anrempeleien
gegen den bösen Sichbreitmacher: unvermeidlich und ihm
wohl diebisch recht (kein Paradox!). Er schöpft das
Recht so satanisch unermüdlich aus – nimmermüde wie eben
nur ein Satan oder Schaitan, den gibt’s modern – bis es,
das Recht, erschöpft ist – wie eine Erzader, und aus
summum ius wird summa iniuria, das höchste Unrecht.</b></big></big></span></div>
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<span style="color: #330033;"><big><big><b>Und nun hat HB, wie
geplant, gewonnenes Spiel, fast. Nur: Wo spielt nun das
wahre Spiel, das große, das unsere, das der Literatur?
»…welche Autoren ich sehen möchte? Da sage ich Ihnen,
dann müßte ich einen neuen Verlag machen« (HB, </b><b><i>FAZ-</i></b><b> Gespräch,
13.12.2012). Ah, bei mir als Spielleiter oder -macher,
ja das bin ich vielleicht doch?, wäre es nicht bei
bloßen Anrempeleien geblieben. Dazu jetzt mein Schielen,
zeitweise, weg vom Papier hin zu einer länglichen, sehr
harten Haselnuß auf dem Schreibtisch, in Form einer
Patrone, nur, wie die Nuß in den Browning oder Derringer
bekommen? – Böse sind, nein werden »wir« alle, von Zeit
zu Zeit, wenn’s der Fall ist! Recht so. Aber da, da ist,
nein handelt ein von Grund auf Böser, ein Abgrundböser.
Ein Unhold. Und der steht auf dem Boden des Rechts? Er
wühlt darin, läßt darin wühlen die Horde der
schwerbezahlten Mit-Unholde. Nicht recht so. Summum ius,
summa iniuria – wobei »mein« HB mir freilich zuflüstert:
»Diese Bemerkung weglassen!«</b></big></big></span></div>
<span style="color: #330033;"><big><big>
</big></big></span><br />
<div style="border: none; line-height: 24px; margin: 0px 0px 19px; padding: 0px;">
<span style="color: #330033;"><big><big><b>Diese Situation auf
dem Spielfeld, oder im Haus des Geistes, ist nicht
ausweglos geworden im Lauf der letzten sieben, acht
Jahre, sie war es von Anfang an, mit dem Moment, da sich
der auch innerlich nackte Tarzan auf seiner
Geldscheinliane ins Feld und Gefilde schwang;
»Ribisel-Tarzan« ist der österreichische Ausdruck für
derartige Großnichtstuer. Das Haus, und nicht nur das
Haus Suhrkamp, ist in Gefahr. Oder, juristisch
ausgedrückt, im Sinne von: Eine Rechtshandlung tut not!:
»Gefahr ist im Verzug«. »Das Böse ist immer und
überall«: Das war zu der Zeit, da Falco, oder wer, das
sang, wohl noch nicht so, heutzutage aber umzingelt es
samt Rechtstitel, samt Rechtsstaat »das obere Leitende«
mehr und mehr – oder scheint es bloß so? Bloß mir? Bloß
»unsereinem«? Im Recht, bei aller mala fides, haben die
heutigen Bösen, anders als vielleicht zu Shakespeares
Zeiten, auch gar keinen Grund mehr, extra böse zu
spielen: Sie brauchen nur, erst einmal eingefiltert,
sich auszubreiten und den Raum (nicht bloß den
»geistigen«) zu verdrängen; gegen derlei, wie von Tag zu
Tag und über Nacht sich vermehrende Mars-Leute, ist,
scheint’s, kein Kraut gewachsen, kein Zauberring zu
drehen hin zur Savanne der Freiheit.</b></big></big></span></div>
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<div class="articleheader" style="border: medium none; line-height: 11.1111px; margin: 0px 0px 12px; padding: 0px;">
<span style="color: #330033;"><big><big><b><span class="supertitle" style="display: block; font-size: 10px; line-height: 24px; margin-bottom: 0px; text-transform: uppercase;">SUHRKAMP</span></b><big><b><span class="title" style="display: block; font-size: 30px; line-height: 32px; margin-bottom: 0px;">»Unerzählbarer
Alptraum«</span></b>
</big></big></big></span><br />
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<big><big>Und
was spricht der Bleistift?</big></big></h1>
<big><big>
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<span style="color: #330033;"><big><big><b>
Aber nicht bloß Martin Luther King hatte einen Traum,
einen Traum gegen den Alp der Tageswirklichkeiten: Auch
ich, sogar ich, et ego, oder der HB-Bleistift in meiner
Hand. Und in diesem Tagtraum sehe ich »uns« – welche
»uns«? Welche »wir«? Weiß nicht recht, jedenfalls andere
»wir« als die vom anderen HB (»Wir sehen Untreue«, »wir
sind daran interessiert, daß Suhrkamp zukunftsfähig
ist«, etc.) –, in diesem Traum also sehe ich uns durch
die Gefahr, ja, Gefahr, die wie außer-planetarische, das
Innerste unseres (sic) Planeten bedrohende, rechtens
(sic) geeint, auch wenn wir über die langen Jahre uns
auseinandergelebt haben, einander fremd oder gar feind
geworden sind – als Freunde oder Feinde »fast die
Sprache verloren« haben. Und wenn nicht geeint, so
wenigstens wieder sprachbereit untereinander, und, wie
anders, sehe ich in solch einem Traum zum Beispiel, den
Rainer Weiss, dem für seinen nach dem Weggang
gegründeten Weissbooks Verlag weiter das erdenklich und
vor allem unerdenklich Gute gewünscht sei, und, als eine
der Hauptgestalten in der Kette, die eine spezielle
Kette ist, den aufmerksamen Verleger und
entdeckerischen, guten Übersetzer Joachim Unseld alias
Dean Martin; last, not least Günter Berg, inzwischen bei
Hoffmann und Campe, anderes und doch gleiches,
vergleichbares Spielfeld. Die Gefahr offen da: Endlich!
Und insofern ist das Furchtbare fruchtbar. (Ein
Wortspiel pro Text ist erlaubt.)</b></big></big></span></div>
<span style="color: #330033;"><big><big>
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<span style="color: #330033;"><big><big><b>Und noch einmal fährt
und rauscht mir mein HB-Bleistift dazwischen. Erst
einmal: »Nun bist du doch wieder, statt purer
Hauptsätze, in dein Nebensatzschreiben geraten!« Und
dann übernimmt sozusagen er das Kommando und spricht an
meiner statt, von HB zum anderen HB, dem »Hans Barlach«
(Künstlername?). Und was spricht mein Bleistift?
Ungefähr folgendes:</b></big></big></span></div>
<div class="block mr ad" id="place_4" style="border: medium none; line-height: 11.1111px; margin: 0px 0px 20px; overflow: hidden; padding: 0px;">
<span style="color: #330033;"><big><big><b><span class="anzeige" style="display: block; font-size: 10px; line-height: 24px; margin: 0px; text-align: right; text-transform: uppercase;"></span></b>
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<span style="color: #330033;"><big><big><b>»Lieber Hans – nein,
kein ›Hänschen‹ oder höchstens ›Hansl‹ im Sinn von
Prozeßhansl –, mein Benutzer, der mit den vielen
Nebensätzen, hat einst in seiner Jugend nicht nur Freude
an den Skulpturen, originalen oder nicht, deines
Großvaters Ernst gehabt. Er hat auch die Theaterstücke
von Ernst Barlach gelesen und eine, wie sagte man
seinerzeit, ›Seelenverwandtschaft‹ empfunden, eine
bleibende, gebliebene (denkt er jedenfalls, und ich
geb’s weiter). Und er hat das Stück </b><b><i>Der blaue Boll</i></b><b> sogar
im Theater gesehen, vor fast einem halben Jahrhundert,
er meint, in einer Inszenierung von Hans Bauer, in
Darmstadt oder Düsseldorf oder wo. Und nie mehr seitdem
hat er so stille, träumerische und, gerade im Abstand
voneinander, so aufeinander bezogene, nein, eingestimmte
Menschen erlebt, obwohl sie dargestellt wurden von
Schauspielern, nein, gerade deswegen. Wie hoch ist der
Absatz der Werke Ernst Barlachs im ehrwürdigen Piper
Verlag während des letzten Jahres? Weit unter dem der
Bücher von UB im ebenso ehrwürdigen Suhrkamp Verlag,
oder? Und so macht mein Benutzer, Inhaber, Nutznießer,
Miteigentümer (das heißt, ich, HB, dränge ihn sanft
dazu) dir nun ein Angebot: die Übersetzung des </b><b><i>Blauen
Bolls</i></b><b> von ihm ins Französische, </b><b><i>Le Boll Bleu,</i></b><b> auch
in eine der slawischen Sprachen, </b><b><i>Modri Boll,</i></b><b> und,
warum nicht, zuletzt ins Idiom der Navajo-Indianer: Bei
denen, selbst in den Reservaten, hätte das Traumstück
vielleicht seinen natürlichsten Platz. Du möchtest,
sagst du, einen ›neuen Verlag machen‹: Wären die
tiefsinnigen Mysterienspiele Deines Großvaters, zum
Unglück fast vergessen, in so einem Verlag, simultan in
vielen Sprachen, wie denen des Pfingstwunders, nicht der
rechte, der rechtmäßige, der sogar dich einmal
begeisternde Anfang? Bedenk das in den letzten Tagen des
Advents, Bedenkzeit – anders als jene der
Erstinstanzverurteilten – par excellence (frz.) Give
fairy tale a chance!«</b></big></big></span></div>
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<span style="color: #330033;"><big><big><b>Während mein HB das
wie von alleine niederschrieb, von HB zu HB, war ich mit
den Gedanken, wie üblich, schon woanders, voraus oder
hinterdrein. Und was dachte ich? Wieder an mein
Jugendgedicht, das eingangs zitierte, und zwar an dessen
erste Zeile. Und die ging etwa so: »Der Trauerrand – der
Rand der Trauer«.</b></big></big></span></div>
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</b></big></big></span>SUMMA POLITICOhttp://www.blogger.com/profile/11214697505465094305noreply@blogger.com0tag:blogger.com,1999:blog-264664972781705013.post-50594742467615075562012-11-26T15:38:00.002-08:002012-11-26T15:38:37.574-08:00Handke, Peter / Wieser, Lojze: Die Sprachen-Auseinander-Driftung<h1 style="-webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 25px; font-style: normal; font-variant: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;">
<big>Sprachbilder wie
Wasserläufe im Karst</big></h1>
<h2 style="-webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 20px; font-style: normal; font-variant: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;">
<big>Peter Handke und
Lojze Wieser im Gespräch mit Frederick Baker</big></h2>
<h3 style="-webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 15px; font-style: normal; font-variant: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;">
<big>Von<span class="Apple-converted-space"> </span><a href="http://www.literaturkritik.de/public/mitarbeiterinfo.php?rez_id=3810" style="color: #666699;">Andreas Hudelist</a><a href="http://literaturkritik.de/rss/ma/3810" style="color: #666699;"><img alt="RSS-Newsfeed neuer Artikel
von Andreas Hudelist" border="0" height="16" src="cid:part2.02070302.07030507@gmail.com" style="margin-left: 5px; vertical-align: bottom;" /></a></big></h3>
<big><b><img alt="" height="1" src="cid:part9.05050408.05080600@gmail.com" style="-webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 13.194443702697754px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;" width="1" /></b><b><span style="-webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: #333333; display: inline !important; float: none; font-family: Arial, Helvetica, sans-serif; font-size: 13.194443702697754px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"><span class="Apple-converted-space"> </span></span></b><b><a class="icon" href="http://www.literaturkritik.de/public/rezension.php?rez_id=17322#biblio" style="background-color: white; color: #666699; font-family: Verdana,Geneva,Arial,Helvetica,sans-serif; font-size: 10px; font-style: normal; font-variant: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;">Besprochene Bücher / Literaturhinweise</a></b><b><span style="-webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: #333333; display: inline !important; float: none; font-family: Arial, Helvetica, sans-serif; font-size: 13.194443702697754px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"></span></b></big>
<div class="rez" style="-webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;">
<big><b>„Die Sprachen-Auseinander-Driftung“ ist der
sechste Teil der Reihe „gehört gelesen“ aus dem Wieser
Verlag. Dabei handelt es sich um ein Gespräch, ein
Doppelinterview zwischen Peter Handke, Lojze Wieser und dem
Filmemacher Frederick Baker. Im Vorwort schreibt Wieser,
dass sie mit Peter Handke dem großen Moment auf der Spur
sind, „wo die vielen verschiedenen Sprachen entstanden sind
und auf diese Weise die Bilderwelt immer fruchtbarer
geworden ist“.</b></big></div>
<div class="rez" style="-webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;">
<big><b>Ausgangspunkt dieser Spurensuche ist Handkes Text
„die Wiederholung“ aus dem Jahr 1986. Darin macht sich der
um die 20 Jahre alte Filip Kobal nach Beendigung der Schule
nach Slowenien auf, um seinen im Krieg verschollenen Bruder
zu suchen. Im Gepäck hat er ein slowenisch-deutsches
Wörterbuch, in dem der Suchende Einwortgeschichten findet,
die ihn von seinem ursprünglichen Ziel abbringen und seine
Wahrnehmung mehr und mehr auf die Umwelt lenken. So gelangt
er bis zum Karstgebiet in der Nähe von Triest und Koper. Der
Weg dorthin fasziniert ihn nicht nur auf Grund der Natur,
sondern auch wegen der slowenischen Sprache, die sich ihm
Wort für Wort öffnet.</b></big></div>
<div class="rez" style="-webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;">
<big><b>Dieses Gebiet ist auch der Treffpunkt für Handke,
Wieser und Baker, die sich bei einer Ruine im Karst
niederlassen, um über Sprache zu reflektieren. In ihrem
Gepäck befindet sich nicht nur eine Filmkamera inklusive
Ausrüstung, sondern auch die Bücher „Die Wiederholung“ und
die Wörterbücher Anton Alojzij Wolfs, die bis heute die
umfangreichste Wörterbuchsammlung in den Sprachen Deutsch
und Slowenisch sind. Wolf, der Bischof von Ljubljana war,
finanzierte das Projekt, das seine Verfasser über 30 Jahre
beschäftigte, da sie Ausdrücke aus allen Regionen Sloweniens
zusammen trugen.</b></big></div>
<div class="rez" style="-webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;">
<big><b>Im Wieser Verlag gibt es davon eine Sonderausgabe
in fünf Bänden. Die ersten vier Bände sind die Wörterbücher,
wobei Band drei und vier eine Neuausgabe des
deutsch-slowenischen Wörterbuchs ist, das Filip Kobal auf
seiner Reise zum slowenischen Karst mitgenommen hatte. Den
fünften Band dieser Ausgabe nimmt, passend zum Wörterbuch,
eine zweisprachige Ausgabe von Handkes „Die
Wiederholung/Ponovitev“ ein.</b></big></div>
<div class="rez" style="-webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;">
<big><b>Im Gespräch erzählt Handke, wie er über das
Nachschlagen im Wörterbuch Einwortgeschichten fand und sich
davon inspirieren ließ. Die Bilder der Sprache, also die
Metaphern, Redewendungen und Phraseologismen des
Slowenischen sind eine ungeheure Bereicherung für die
deutsche Sprache. Diese Übertragungen können natürlich auch
aus anderen Sprachen kommen, jedoch möge er, die aus dem
Slowenischen besonders gerne. Solche Wörterbücher, sind nach
Handke eine wunderbare Sache, da sie die eigene Sprache in
ihrer Verwendung „reinigen“. Wörterbücher schlägt man auf
und gleichzeitig gehen die Augen auf. Der Turmbau von Babel
ist eine segensreiche Geschichte gewesen, da die
babylonische Sprachverwirrung die Menschheit beglückt hat.</b></big></div>
<div class="rez" style="-webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;">
<big><b>„Die Sprachenauseinanderdriftung“ ist ein
kurzweiliges Büchlein, das für ein mannigfaltiges
Verständnis für die Sprache(n) plädiert. Die Bereicherung
kann man nur im Fremden, im nicht Eigenen finden. Deshalb
wurde das Gespräch auch im Karst, dessen Wasserläufe meist
unterirdisch verlaufen und nur manchmal an die Oberfläche
dringen, im Grenzland Sloweniens zu Italien und Österreich
gefilmt. Das Potential der Sprache scheint, wie die
Wasserläufe im Karst, durch den alltäglichen Sprachgebrauch
verborgen zu sein. „Die Sprache ist ein offenbares
Geheimnis“, zitiert Handke Goethe.</b></big></div>
<div class="rez" style="-webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;">
<big><b>Die beiliegende DVD, aus dem doppelten Umschlag
herausragend, vermittelt die Stimmung des Gesprächs durch
Ton, Bild und Stimmen. So sieht man zu Beginn zwei
Fahrzeuge, die sich auf den Weg zur bereits erwähnten Ruine
machen. Die Aufnahme erinnert kurz an Wim Wenders „Lisbon
Story“, nur ohne Musik. Danach folgt das Doppelinterview
ohne Schnitt. Dies wird besonders dann deutlich, wenn am
Ende scheinbar noch wahllose Szenen aneinandergereiht
werden. Dabei filmte das Team Schnittbilder, die nicht
gebraucht wurden, da während dem Interview keine
Schnittbilder verwendet werden. Im Text wird dieser
Abschnitt vom sonstigen Gespräch als „Nachspann“ getrennt.
Dazu wird noch eine Seite aus dem Wörterbuch und Erklärungen
zu wissenschaftlichen Sprachbegriffen abgedruckt. Das Ende
der DVD scheint eher als ungebrauchtes Rohmaterial gedacht
zu sein. Vielleicht ist damit auch eine audiovisuelle Art
der Sprachenauseinanderdriftung angedacht; eine
Bildauseinanderdriftung.</b></big></div>
<big><b><a href="http://draft.blogger.com/blogger.g?blogID=264664972781705013" name="biblio" style="-webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 13.194443702697754px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"></a></b><b><span style="-webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: white; color: #333333; display: inline !important; float: none; font-family: Arial, Helvetica, sans-serif; font-size: 13.194443702697754px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"></span></b></big>
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<td class="reference" style="background-color: #fff4e5; border: 0px; color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: 13px;" valign="top" width="100%">
<div class="reference" style="background-color: #fff4e5; color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: 13px;">
<big><b><a href="http://www.literaturkritik.de/public/online_abo/online_lexikon.php?option=item&task=show&id=1272" style="color: #666699;" title="Informationen über den Autor">Handke,
Peter</a></b><b><span class="Apple-converted-space"> </span></b><b>/
Wieser, Lojze: Die
Sprachen-Auseinander-Driftung. Peter Handke
und Lojze Wieser im Gespräch mit Frederik
Baker.</b><b><span class="Apple-converted-space"> </span></b><b><br />
</b><b>Inklusive CD.</b><b><br />
</b><b>Wieser Verlag, Klagenfurt 2010.</b><b><span class="Apple-converted-space"> </span></b><b><br />
</b><b>71 Seiten, 19,90 EUR.</b><b><br />
</b><b>ISBN-13: 97838512986</b></big></div>
</td></tr>
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SUMMA POLITICOhttp://www.blogger.com/profile/11214697505465094305noreply@blogger.com0tag:blogger.com,1999:blog-264664972781705013.post-78584133117841108292012-10-22T18:30:00.001-07:002012-10-23T09:09:19.741-07:00SZ INTERVIEW OF OCT 2012<h1 class="ha">
<span class="hP" id=":wj">http://sz-<wbr></wbr>magazin.su<wbr></wbr>eddeutsche<wbr></wbr>.de/texte/<wbr></wbr>anzeigen/3<wbr></wbr>8671/Ich-w<wbr></wbr>aere-liebe<wbr></wbr>nd-gern-ei<wbr></wbr>n-Boeser</span></h1>
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<big><b><b>SZ-Magazin: Herr Handke, Sie waren
22, als Sie den Suhrkamp-Verleger Siegfried Unseld
kennenlernten. In den folgenden 35 Jahren führten Sie einen
Briefwechsel mit ihm, der jetzt als Buch erscheint. Welche
Erinnerungen haben Sie an Ihr erstes Treffen im September
1965?<br />
</b>Peter Handke: Ich
bin ein Mensch, der furchtbar auf Einzelheiten abfährt. Ich
weiß ganz genau, dass er einen Furunkel auf der Nase hatte.<br />
<br />
Unseld fuhr eine Jaguar-Limousine mit dem Nummernschild F-SU 1
und trank Weißwein aus silbernen Bechern.<br />
Entsetzlich. Das schmeckt überhaupt nicht. Ich habe es nicht
erreicht, dass das nach seinem Tod geändert wurde. Das war
dann Pietät oder was auch immer. Diese Becher stehen für Gäste
immer noch bedrohlich bereit.<br />
<br />
Unseld entstammte dem Kleinbürgermilieu. Kam Ihnen sein
Nummernschild neureich vor?<br />
Ungeschickt eher. Siegfried, inzwischen darf ich ihn beim
Vornamen nennen, war ein innerlich sehr scheuer Mensch, der
eine eiserne Energie zeigen musste. Es war ein großer
Zwiespalt in ihm, den ich würdigen konnte, als ich ihm näher
kam.<br />
<br />
In der Villa Ihres Verlegers in der Frankfurter
Klettenbergstraße hing ein Porträt Unselds von Andy Warhol.
Besuchern las er gern vor, was Warhol im November 1980 in sein
Tagebuch notiert hatte: »Traf Dr. Siegfried Unseld. Er ist der
Verleger von Hermann Hesse und Goethe. Er sieht wirklich gut
aus.«<br />
Er hat zeigen wollen, dass er angekommen ist, von einem
Fluchtpunkt, der ganz weit weg war. Und jetzt steht er als
Riese da. Alles um ihn musste das Format des Riesigen haben.
Das Warhol-Porträt finde ich unerträglich. Ich sage immer zu
Ulla, seiner Witwe und heutigen Verlags-Chefin, ich gehe nicht
in die Klettenbergstraße, wenn ich diesen Warhol anschauen
muss. Da braucht man ein Stillleben. Das wäre gut für einen
Verlag.<br />
</b></big>
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<big><b><span style="font-family: Helvetica,Arial,sans-serif; font-size: 10px; line-height: 14px; text-transform: uppercase;">ANZEIGE</span></b><b> </b></big></div>
<big><b><br />
Wird der Warhol abgehängt, wenn Sie zu Besuch kommen?<br />
Nein. Ich schau da nicht hin und sage, wir gehen in einen
anderen Raum.<br />
<br />
1981 kam es zum ersten großen Krach mit Unseld, weil Sie ihm
vorwarfen, mit Marcel Reich-Ranicki zu fraternisieren. Als Sie
bei Ihrem Verleger einen Band mit Aufsätzen des Kritikers
entdeckten, schrieben Sie: »Die Zeit der Lügen muss ein Ende
haben. Schon an jenem Tag, als ich am Frühstückstisch in
Frankfurt in dem Sammelwerk des übelsten Monstrums, das die
deutsche Literaturbetriebsgeschichte je durchkrochen hat, die
Widmung an Dich, meinen Verleger, gelesen habe: ›In alter
Verbundenheit‹, da hätte ich die Pflicht vor mir und dem, was
mir noch vorschwebt, gehabt, für immer meine Arbeiten aus
Deiner sogenannten Obhut zu nehmen. Unsere Wege trennen sich
hiermit, unwiderruflich.«<br />
Das war ein völlig sinnloser Amoklauf, aber er hat mich, so
blöd dialektisch das klingt, auch befreit. Was Reich-Ranicki
zu Langsame Heimkehr geschrieben hat, war nackter
Vernichtungswille. Er wollte mich weghaben. Und am nächsten
Tag hat Siegfried Unseld ihn empfangen, ihn bewirtet. Ich
fühlte mich verraten und musste einen Auslauf suchen aus mir.
Da habe ich eben losgelegt. Ich bedaure das nicht.<br />
<br />
Warum haben Sie Ihre Ankündigung, Suhrkamp zu verlassen, nie
wahrgemacht?<br />
Ich habe ein paar Mal im Leben so Ewigkeitserklärungen
gemacht, aber ich bin schändlich versöhnlich. Ich wäre liebend
gern ein Böser, aber es ist nicht der Fall.<br />
<br />
Nach einem Krisengespräch mit Ihnen notierte Unseld: »Er
›hasste‹ meine ›verbrüdernde, zersetzende, krebserregende‹
Umarmung mit den Medienpäpsten.« War das so?<br />
Ich habe damals nicht begriffen, dass er auch ein Händler und
Kaufmann ist, eine Art Drehmännchen. Wie eine Karussellfigur
musste er zu allem, was im Umkreis passierte, ein gutes
Gesicht machen, oder zumindest ein kommunikatives.<br />
<br />
Sie sollen Unseld gezwungen haben, das von Reich-Ranicki
signierte Buch vor Ihren Augen in den Papierkorb zu werfen.<br />
Jetzt wollen Sie auf dem Thema Reich-Ranicki drei Stunden
herumgaloppieren, oder?<br />
<br />
1994 sagten Sie: »Nie werde ich Reich-Ranicki auch nur das
Kleinste verzeihen können.« Sind Sie heute milder gestimmt?<br />
Wollen wir den jetzt seinen Lebensabend ruhig verbringen
lassen? 15 Jahre meines Lebens hat mich das wirklich
beschäftigt. Auch Martin Walser war ja fast krank, besessen.
Da bin ich noch ein harmloser Fall.<br />
<br />
Reich-Ranicki hat in letzter Zeit versucht sich mit einigen
Autoren zu versöhnen.<br />
Ich habe es gehört. Sogar mit Ulla Berkéwicz. Die hat mir
erzählt, er kam eines Tages in ihr Vorzimmer angekeucht, mit
letzter Kraft, unangemeldet. Und dann saßen die einander
gegenüber. Der eine hat gekeucht, die andere wahrscheinlich
milde gelächelt. Ich habe keine Lust, mir das vorzustellen. Es
ist eine allgemeine Weltbewegung in dem armen alten Mann, was
auch immer Versöhnen ist. Aber haben wir nicht andere
Probleme? Er ist überhaupt kein Problem mehr für mich. Es ist
nichts zu versöhnen. Es ist vorbei. Ich bin der, der dies
gemacht hat, und er ist der, der das zusammengeschustert hat.
Ich glaube, das ist unsterblich, wie ich es in der Lehre der
Sainte-Victoire geschrieben habe: Ein paar getrocknete Haufen
liegen herum von dem Hund. Das wurde mir übel genommen als
Antisemitismus, aber da konnte ich auch nur staunen drüber. Er
lebe in Frieden. Ich sage das ganz ernsthaft.<br />
<br />
Nach einem Ihrer Wutbriefe schrieb Ihnen Unseld 1993: »Lieber
Peter, ab und an hätte ich nicht übel Lust, dem einen oder
anderen Autor einen Brief zu schreiben, derart, wie Du ihn mir
geschrieben hast. Aber im Autor/Verleger-Stück braucht es ja
wohl unbedingt das umgekehrte Rollenspiel, in dem es
fettgedrucktes Gesetz ist, ausschließlich nach Verletzung und
Wahrheit des einen Protagonisten zu fragen.«<br />
Dieses lateinische Periodensystem klingt so, als ob ein
Ghostwriter ihm das geschrieben hätte, vielleicht ein Lektor.
Wenn er wusste, dass das nicht publiziert wird, konnte er auch
unendlich verletzend sein. Das Manuskript von <i>Mein Jahr in der
Niemandsbucht</i> habe
ich mit äußerster Sorgfalt mit Bleistift geschrieben. Da hat
er mir eines Abends im Schlosshotel in Kronberg wirklich
gesagt, das ist kein ablieferungsfähiges Manuskript, wenn es
mit der Hand geschrieben ist. Da bin ich durchgedreht. Gehen
Sie nach Kronberg ins Schlosshotel. Vielleicht ist das noch in
der Luft, wie ich da gebrüllt habe. Viele meiner Wutausbrüche,
es waren 63 im Laufe meiner Jahre, wenn nicht mehr, bedaure
ich, aber dass ich da losraketisiert habe, bedaure ich nicht.</b></big></div>
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<b style="font-weight: bold;">In seiner …</b>Sagen Sie mal was Nettes zu mir. Sie blättern da wie Untersuchungsrichter in Ihren Aufzeichnungen.<span class="Apple-converted-space"> </span><br />
<br />
<b style="font-weight: bold;">In seiner Verlags-Chronik bezeichnet Unseld Sie einmal als »zärtlichen Terroristen«.<span class="Apple-converted-space"> </span></b>Das ist ein Oxymoron, ein seltsames. Ich bin auf keinen Fall ein Terrorist, und zärtlich bin ich höchstens zu Kindern. Zart ist was Schönes, aber mit diesem zärtlich können Sie mich jagen.<span class="Apple-converted-space"> </span><br />
<br />
<b style="font-weight: bold;">Einmal machten Unseld, Martin Walser, Rudolf Augstein und der Kritiker Reinhard Baumgart gemeinsam Urlaub auf Sylt. Der Walser-Biograf Jörg Magenau schreibt über diese Zusammenkunft: »Als Unseld, auf Wasserskiern hinter Augsteins Boot geseilt, versuchte, sich auf die Wasseroberfläche hochzuarbeiten, das nicht schaffte, aber auch nicht aufgeben wollte und angestrengt weiterkämpfte, sagte Walser, der diesen Kampf vom Strand aus beobachtete, zu Baumgart: ›Da schau, deswegen ist er mein Verleger.‹«</b><br />
Das ist auf Fabel getrimmt. Ich bin auf Siegfried Unseld angesprungen, als ich mit meiner kleinen Tochter in Kronberg gelebt habe. Er kam am Abend oft vorbei und hat mich nur schweigend angeschaut. Da habe ich gesehen, was er für warme, leuchtend schöne Augen hat. Da habe ich Vertrauen gehabt. Ich bin ja kein kommunikativer Mensch. Das ist ja absurd für einen Schreiber, dass er offen sein muss.<span class="Apple-converted-space"> </span><br />
<br />
<b style="font-weight: bold;">Unseld schrieb Ihnen, Sie seien »der wichtigste Autor« seines Verlags. Glaubten Sie ihm das?</b>Nein. Mir selber hätte ich es schon geglaubt, aber ihm nicht. Ich wusste, das ist Programmmusik. Ich bin schon eitel, aber meine Eitelkeit ist so verborgen, dass die nur zu unheiligen Zeiten herauskommt. Das ist die schlimmste Eitelkeit. Die wirklich eitlen Menschen wissen nicht, dass sie eitel sind. Deswegen sind sie so angenehm, so harmlos.<span class="Apple-converted-space"> </span><br />
<br />
<b style="font-weight: bold;">Leiden Sie unter Ihrer Eitelkeit?</b><br />
Ja. Ich bin natürlich dagegen.<span class="Apple-converted-space"> </span><br />
<br />
<b style="font-weight: bold;">Wie äußert sich das?</b>Dass ich zu mir selber sage, mit Recht, ich bin ein Arschloch. Ich habe kein Recht, das und das von mir zu denken, also mich selber zu erhöhen.<br />
<b style="font-weight: bold;"><br />Sie sagten mal: »In mir ist von Kind an eine seltsame Bereitschaft zur Entzweiung. Es gibt keinen, den ich nicht in zehn Minuten bis an sein Lebensende gedemütigt hätte.«</b><br />
Das wird mir jetzt dauernd um die Ohren gehauen, aber ja, das war schon so. Dass ich manchmal so schroff werde, kommt aus einem inneren Stolz, den ich normal im Leben nicht zeige. Aber wenn ich aufs Spiel gesetzt werde, dann werde ich etwas anderes, als ich alltäglich bin. Dann verkörpere ich die Rolle, die ich bin: der Schriftsteller. Und ihr habt euch gefälligst daran zu halten. Da kriege ich fast biblische Zustände.<span class="Apple-converted-space"> </span><br />
<br />
<b style="font-weight: bold;">Dem FAZ-Journalisten Jochen Hieber sollen Sie einen Faustschlag versetzt haben.</b>Eine Ohrfeige war das. Ich wollte ihn mir vom Leibe halten. Es war ein Festabend, und er hat sich extra hinter mich gesetzt und mir dauernd Sticheleien ins Ohr gezischelt. Irgendwann habe ich mich umgedreht und ihm eine runtergehauen. Und dann hat er geweint und gesagt, er würde mich doch so lieben. Der Richter würde sagen, das war höhere Gewalt.<span class="Apple-converted-space"> </span><br />
<br />
<b style="font-weight: bold;">Ist Hieber der einzige Kollege von uns, den Sie geohrfeigt haben?</b>Ja. Das genügt doch. Pars pro totis.<span class="Apple-converted-space"> </span><br />
<br />
<b style="font-weight: bold;">Nach einem Treffen mit Thomas Bernhard und Ihnen notierte Unseld: »Das Überraschendste: Thomas Bernhard und Peter Handke, die ja nicht nur von der österreichischen Umwelt immer mehr polarisiert werden, fanden Gefallen aneinander.« Richtig?</b>Als ich jung war, habe ich Thomas Bernhard wirklich verehrt. Als ich Frost gelesen habe, dachte ich: Wenn ein Österreicher so wüst und kräftig und zugleich mit genauen Umrissen schreiben kann, kann man sich einfach freuen, in dem Land zu sein. Ich wollte ihn aber nicht besuchen. Unseld hat mich mitgeschleppt, und aus meiner schwächlichen Höflichkeit bin ich mitgegangen. Ich bin nicht einmal neugierig, und ich besuche auch gar nicht gern Schriftsteller, außer es geht um Fußball oder man schaut in die Landschaft. Bernhard war ein reizbarer Mensch. Man hat unter dieser doch fast umgänglichen Oberfläche gespürt, er könnte denken: Was tue ich mit denen? Mir geht es genauso.<span class="Apple-converted-space"> </span><br />
<br />
<b style="font-weight: bold;">Wann begann die Entfremdung zwischen Ihnen?</b>Es geht nicht, wenn das, was der andere macht, nicht mehr dem eigenen Fernziel entspricht. Irgendwann haben wir gespürt, dass wir nichts mehr miteinander zu schaffen haben, im Wortsinn. Ich habe mir gewünscht, so etwas lesen zu können wie die Auslöschung. Ich bin sogar mit diesem dicken Buch fast demonstrativ durch Salzburg gegangen und habe das im Gehen gelesen, damit die Leute sehen, dass ich Thomas Bernhard lese. Aber dann kam ich an eine Stelle, wo Ingeborg Bachmann verwandelt vorkam in einem Traum, fast 30 Seiten lang. Das war ein derartiger Kitsch. Da war mein Demonstrationswille nicht mehr vorhanden. Es tut mir leid, nicht für mich, sondern für das Werk von Thomas Bernhard.<span class="Apple-converted-space"> </span><br />
<br />
<b style="font-weight: bold;">Unseld starb nach langer Krankheit im Oktober 2002. Wie verlief Ihre letzte Begegnung?</b>Als er krank war, kam ich in die Klettenbergstraße zu Besuch. Er hat sehr langsam gesprochen, aber die Wörter wurden schon noch Worte. Er machte sich auf eine sanfte Weise über sich und alles lustig. Ich fand das vorbildlich. Es gab Pflegerinnen, die ihn betreut haben. Eine war aus Bosnien. Er hat mich ihr vorgestellt: Das ist der Peter Handke. Sie müssen wissen, der hat viel Erfolg bei Frauen. Dabei hat er mir zugezwinkert. Das war das Letzte, was ich in Erinnerung habe.<span class="Apple-converted-space"> </span><br />
<br />
<b style="font-weight: bold;">Denken Sie oft an ihn?</b>Siegfried Unseld, meine Mutter und Nicolas Born sind die drei Menschen, die mir nach ihrem Tod erschienen sind. Das ist etwas mystisch, aber das waren keine Träume. Ich habe gedacht, die sind jetzt da und schauen mich an, ein Durch- und Durchgehen, wie wenn einer mit einem Schneidbrenner einem durch die Seele fährt. Alle drei hatten was Ermahnendes an sich, als ob man sich in einer gewaltigen Kathedrale befände, und ich würde von ihnen stumm mit den Augen zurechtgewiesen.<span class="Apple-converted-space"> </span><br />
<br />
<b style="font-weight: bold;">Wenn Sie bei Veranstaltungen auftreten, fühlen sich die Menschen von Ihnen eingeschüchtert.</b>Hoffentlich!<span class="Apple-converted-space"> </span><br />
<br />
<b style="font-weight: bold;">Und werden linkisch.</b>Dabei bin ich der Linkischste von allen. Wenn ich genug Selbstironie habe, kann ich öffentlich sein, aber das passt dann nicht zur Öffentlichkeit. Es ist ein Widerspruch, wenn die öffentliche Person sich selber über ihre Öffentlichkeit lustig macht. Morgen zum Beispiel bin ich eingeladen beim österreichischen Bundespräsidenten. Da werden Kameras sein, und ein Schauspieler und ein Kind werden was von mir vorlesen. Ich bin jetzt schon bedrückt, weil ich nicht weiß, wie ich das spielen soll. Ich bin ein ganz guter Spieler, wenn ich mit mir allein bin, sonst kommt man ja nicht durch den Tag. Aber mit anderen in der Öffentlichkeit bin ich ein Falschspieler.<span class="Apple-converted-space"> </span><br />
<br />
<b style="font-weight: bold;">Was werden Sie Ihrem Bundespräsidenten sagen, wenn er Sie fragt, wann Sie endlich nach Österreich heimkommen?</b>Das hat er schön öfter gefragt. Wenn er mir das Jagdschloss schenkt, das ihm als Sommerresidenz zusteht, würde ich schon hingehen.<span class="Apple-converted-space"> </span><br />
<br />
<b style="font-weight: bold;">Geht’s auch drunter?</b>Das Jagdschloss liegt ziemlich hoch in den Bergen. Da ginge auch noch was drunter.<span class="Apple-converted-space"> </span></div>
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<b style="font-weight: bold;">Sie leben seit 22 Jahren in Chaville bei Paris …</b>… seit 22 Jahren, sechs Monaten und 13 Tagen.<span class="Apple-converted-space"> </span><br />
<br />
<b style="font-weight: bold;">Kriegt Sie noch jemand hier weg?</b>Ich möchte nicht, dass irgend so ein Steuerberater oder Journalist in meinem Haus wohnt. Sonst würde ich vielleicht weggehen. <span class="Apple-converted-space"> </span><br />
<br />
<b style="font-weight: bold;">Sie haben zwei erwachsene Töchter, die Ihnen vermutlich nahelegen, endlich das Schreiben von E-Mails zu erlernen. Wann knicken Sie ein?</b>Wenn Sie das Wort einknicken noch mal verwenden, stelle ich Sie hinaus in den Regen. Einknicken, sich hinauslehnen, verschnarcht: Die scheußlichsten Wörter der Bundesrepublik kommen von Journalisten.<br />
<b style="font-weight: bold;"><br />Sie sind seit vielen Jahren mit dem Verleger Hubert Burda befreundet. Will er Ihnen E-Mails schreiben?</b>Hubert Burda kann selber keine E-Mails schreiben. Der kann nicht einmal SMS schreiben. Das darf man ihm nicht übel nehmen. Das machen ja die anderen für ihn.<span class="Apple-converted-space"> </span><br />
<br />
<b style="font-weight: bold;">Hubert Burda ist Leiter einer alljährlichen Konferenz über digitales Leben.</b>Diesen Widerspruch können Sie ruhig durchgehen lassen. Das gibt Vertrauen, für mich jedenfalls. Ich habe SMS erst dadurch gelernt, dass meine Tochter Leocadie ein Jahr in Berlin war. Das ist eine ganz andere Art sich auszudrücken. Ich meine nicht die Floskeln und die Kürzel. Man muss anders denken. Es tut mir gut, diese SMS zu schreiben und mich zur Lakonie zu verjüngen. Ich fange sachlich an, aber ohne dass ich es will, kommt ein Bild dazu und ein Gefühl, was man halt Poesie nennt.<span class="Apple-converted-space"> </span><br />
<br />
<b style="font-weight: bold;">Haben Sie ein iPhone?</b>Was ist denn das? Ich weiß nicht, was ich habe, so ein ganz zerkratztes. 264 Nachrichten habe ich geschickt im letzten Jahr, gut, nicht? Ich bin nicht sehr geübt und kann nur staunen, wie die Leute in der Metro tupfen können mit den Buchstaben. Wie die Derwische sind die mit den Fingern. Ich haue nach drei Buchstaben immer daneben.<span class="Apple-converted-space"> </span><br />
<br />
<b style="font-weight: bold;">Was macht ein Peter Handke aus 160 Zeichen?</b>(holt ein altes Nokia-Handy) Das habe ich zuletzt – wie sagt man da?<span class="Apple-converted-space"> </span><br />
<br />
<b style="font-weight: bold;">Gesimst.</b>Also gesimst: »Seit Langem kein Wort von Dir. Sogar im Hause nehme ich jetzt zwei Stufen auf einmal und denke an Dich.«<br />
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<b style="font-weight: bold;">Liest Leocadie Ihre Bücher?</b>Das weiß ich nicht. Ich würde es schon wissen wollen, aber nur, wenn sie es erzählt. Ich scheue mich, sie zu fragen, und sie scheut sich auch. Das ist doch das Schönste, die menschliche Scheu.<span class="Apple-converted-space"> </span><br />
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<b style="font-weight: bold;">Nach einem Treffen mit Samuel Beckett sagten Sie: »Da waren so richtige Bücklingsmenschen um ihn herum, und ich dachte: Um Gottes willen, nur nicht so enden, dass mit 70 jeden Tag drei Universitätsassistenten mich umlungern!« Geht es Ihnen heute ähnlich?</b>Dieses Problem habe ich mir größer vorgestellt. Leider umlungert mich niemand mehr. Manchmal kriege ich Abschlussarbeiten zugeschickt von Studenten. So was lese ich auch immer gerne. Das sind schöne Lebensrufzeichen.<span class="Apple-converted-space"> </span><br />
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<b style="font-weight: bold;">Sie werden am 6. Dezember 70. Wird man sich selber im Alter mehr und mehr zur Farce?</b>Manchmal habe ich eine Zuversicht, es könnten mir noch die Augen und Ohren nicht nur im Katastrophensinn aufgehen. Aber heute sind alle Filme, alle Zeitungen, alle dritten Seiten, alle siebten Seiten voll mit Geschichten über das Siechtum des Alters. Das Wort dement kann ich schon nicht mehr hören. Das sollte man einfach streichen. Oder inkontinent. Statt Kontinent liest man viel öfter inkontinent. Statt Grenzen liest man nur von grenzenlosem Scheißen. Der Sog ist schon stark. Sie entkommen dem Grauenmachen nicht.<span class="Apple-converted-space"> </span><br />
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<b style="font-weight: bold;">Beckett ist am Ende seines Lebens ins Altersheim gegangen.</b>Ich weiß. Ich denke oft an ihn. Es kommt aufs Heim an.<span class="Apple-converted-space"> </span><br />
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<b style="font-weight: bold;">Sie haben Österreich mal als großes Altersheim bezeichnet.</b>Nein, nein, nein. Das war ein anderer Dichter. Ich bin Patriot.<span class="Apple-converted-space"> </span><br />
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<b style="font-weight: bold;">Gibt es, außer Seniorenermäßigungen, Vorteile des Altseins?</b>Ich hoffe, nein, ich bestehe drauf! Ich habe beschlossen, dass es mit mir nicht so wird wie auf Seite drei. Max Beckmann, der ja sehr herzkrank war und wusste, dass er relativ früh sterben wird, hat mal gesagt: Ich beschließe, mit höchster Energie mein Leben zu Ende zu leben. Energie heißt ja nicht, dass man das mit Geschrei oder mit Muskeln macht. Das kann auch eine sehr sanfte, sehr weitherzige Arbeitsenergie sein. Was man nicht schafft: dass das Herz immer weiter wird.<br />
<b style="font-weight: bold;"><br />Wie alt sind Sie auf Ihrem inneren Passfoto?</b>Ist das ein neuer Ausdruck im Feuilleton? Früher habe ich noch Automatenfotos gemacht, aber schon lange bin ich nicht mehr im Stand der Gnade, dass ich<span class="Apple-converted-space"> </span><br />
ein Automatenfoto von mir anschauen will. Ich wäre gern schwerer, nicht körperlich. Ich wünsche mir, die Schwere meiner Jahre zu verkörpern. Irgendwie bewege ich mich noch zu jung, finde ich.<span class="Apple-converted-space"> </span><br />
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<b style="font-weight: bold;">Max Frisch sagte mit 70: »Man ist im Alter ungeheuer bedroht von Langeweile, Langeweile vor sich selbst.«</b>Es langweilt mich schon, dass man sich immer dieselben Sprüche macht. Langeweile ist etwas Furchtbares, eine Krankheit. Man trifft einen Menschen, den man nicht kennt, und nach zwei Sätzen denkt man: Das kenne ich doch schon, diese Figur habe ich schon tausendmal erlebt.<span class="Apple-converted-space"> </span><br />
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<b style="font-weight: bold;">Helfen Frauen gegen Langeweile?</b>Auch kein entscheidender Unterschied. Sie sind in der Regel ein bisschen weniger langweilig als Männer, weil sie gefährlicher sind.<span class="Apple-converted-space"> </span><br />
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<b style="font-weight: bold;">Und einen auf Trab halten?</b><br />
Trab ist nicht das Wort. Wir sind nicht auf der Trabrennbahn.<span class="Apple-converted-space"> </span><br />
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<b style="font-weight: bold;">Ihre Frau Sophie Semin lebt in Paris, Sie in Chaville. Wie ist Ihr Verhältnis?</b>Worum geht es denn jetzt plötzlich? Jetzt ist es aber genug!<span class="Apple-converted-space"> </span><br />
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<b style="font-weight: bold;">Sie haben sich ein Fahrrad gekauft.</b><br />
Yes, Sir. Nach dem Tun habe ich ein Bedürfnis, aus der Beengung herauszukommen und an Theken herumzustehen. Fernsehen mag ich dann nicht, aber an der Bar zu stehen ist wirklich im Wortsinn eine Lösung.<span class="Apple-converted-space"> </span><br />
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<b style="font-weight: bold;">Einen Führerschein haben Sie immer noch nicht?</b>Haben Sie keine anderen Probleme mir nahezubringen? Mit Gottes Gnaden gehe ich immer noch mit Freuden zu Fuß. Vor zwei Tagen bin ich 30 Kilometer quer durchs Land gegangen. Das ist manchmal ein bisschen langweilig, aber es ist eine Existenzform, mit Betonung auf Form.<span class="Apple-converted-space"> </span><br />
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<b style="font-weight: bold;">Wie länge hält bei Ihnen ein Paar Stiefel?</b>Das sind keine Stiefel. Es sind hohe Schnürschuhe. Die habe ich über 20 Jahre. John Lobb. Sie kennen die Marke, oder?<span class="Apple-converted-space"> </span><br />
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<b style="font-weight: bold;">Können Sie sich vorstellen, dass Menschen in hundert Jahren Peter Handke lesen?</b>An dieser Stelle müssen Sie im Interview in Klammern einfügen: zieht belämmert die Augenbrauen hoch.<span class="Apple-converted-space"> </span><br />
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<b style="font-weight: bold;">Ist das Leben eines Schriftstellers wie ein umgekehrter faustischer Pakt: Man will Unsterblichkeit erlangen und zahlt dafür den Preis eines miesen Lebens?</b>Nachwelt gibt mir nichts. Manchmal denke ich, das und das von mir kann nicht vergehen, aber das ist Vanitas vanitatum. Dieses Barockgefühl habe ich zunehmend im Alter. Das ist alles nicht sinnlos, aber alles ist eitel Tand. Und trotzdem, in dem Moment, wo man ein Gefühl episch schweben lässt, denkt man, jetzt bin ich ein bisschen geschützt vor der Vergänglichkeit. Das ist dann nicht gerade wie beim Film fünf Minuten danach wieder vorbei, aber tags darauf ist es wieder flöten gegangen. Kinder führen weiter, immer noch.<span class="Apple-converted-space"> </span><br />
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<b style="font-weight: bold;">Was soll auf Ihrem Grabstein stehen?</b>Mein Grabspruch ist: Bin hinten.<span class="Apple-converted-space"> </span><br />
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<b style="font-weight: bold;">Muss es nicht heißen: Bin unten?</b>Nein. So wie man bei jemandem an die Haustür kommt, der im Garten arbeitet und ein Schild an die Tür gehängt hat: Bin hinten. Sie sind Materialisten, und ich bin ein Träumer. Die Träumer sind hinten, die Materialisten unten.<span class="Apple-converted-space"> </span></div>
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22.10.2012<br />
19 Uhr 09</div>
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<span class="commentautor pc" style="color: #4b4b4b; display: inline; font-size: 13px; font-weight: bold; padding-right: 2px;">Fanny Ae</span></div>
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Kommentare</h2>
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<li style="line-height: 22.22222137451172px;"><big><b><span style="color: #4b4b4b;">Seite 1:
»Ich wäre liebend gern ein Böser«</span></b></big></li>
<li style="line-height: 22.22222137451172px; margin-left: 5px;"><big><b><a href="http://sz-magazin.sueddeutsche.de/texte/anzeigen/38671/2/1" style="color: rgb(101,100,102)!important; font-family: 'Times New Roman',Times,serif; outline: none; text-decoration: none;" target="_blank" title="»Ich bin auf keinen Fall ein Terrorist«">Seite 2: »Ich bin auf keinen Fall ein
Terrorist«</a></b></big></li>
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SUMMA POLITICOhttp://www.blogger.com/profile/11214697505465094305noreply@blogger.com1tag:blogger.com,1999:blog-264664972781705013.post-88466782726685030942012-10-05T09:05:00.004-07:002012-12-14T18:24:27.544-08:00Bundespräsident Fischer am Donnerstag zu einem "Abend mit Peter Handke"<span style="background-color: cyan;"><a href="http://derstandard.at/1348285218011/Handke-Hochamt-in-der-Josephskapelle#forumstart">http://derstandard.at/1348285218011/Handke-Hochamt-in-der-Josephskapelle#forumstart</a></span>
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Handke-Hochamt in der Josephskapelle</h1>
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<span class="date" style="margin: 0px; padding: 0px; white-space: nowrap;">5. Oktober 2012, 22:07</span></h6>
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<li id="m1_1348285218049" style="border-color: rgb(224, 224, 224); margin: 0em 0px 1.2em; max-width: 302px; padding: 0px;"><img alt="Schriftsteller Peter Handke und Bundespräsident Heinz Fischer vor der Lesung&nbsp; in der Wiener Hofburg." src="http://images.derstandard.at/t/12/2012/10/05/1348337798869.jpg" style="border: 1px solid rgb(224, 224, 224); height: 200px; margin: 0px; max-width: 302px; padding: 0px; width: 300px;" title="Schriftsteller Peter Handke und Bundespräsident Heinz Fischer vor der Lesung&nbsp; in der Wiener Hofburg." /><div class="credits context" style="border-color: rgb(224, 224, 224); color: rgb(68, 68, 68) !important; font-size: 11px; line-height: 11.11111068725586px; margin: 2px 0px; max-width: 302px; padding: 0px;">
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Schriftsteller Peter Handke und Bundespräsident Heinz Fischer vor der Lesung in der Wiener Hofburg.</div>
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Der im Dezember fällige 70. Geburtstag des Schriftstellers wirft seine Schatten voraus</h2>
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Der 70. Geburtstag von Peter Handke (geboren am 6. Dezember 1942 in Griffen) wirft seine Schatten voraus: Bundespräsident Heinz Fischer, seit Jahrzehnten ein glühender Verehrer, lud den Schriftsteller am Donnerstag in die Hofburg ein - und eine Hundertschaft zu einem "Abend mit Peter Handke".</div>
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Zunächst brachte Peter Matic in der nahezu unbekannten Josephskapelle eine Passage aus dem Roman <i style="margin: 0px; padding: 0px;">Die Wiederholung</i> zu Gehör. Weil Handke eigentlich keine Profis wollte, lasen auch Katharina Karlhofer, eine 16-jährige Schülerin, der Präsident und sein Mitarbeiter Meinhard Rauchensteiner.</div>
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Dass Handke überhaupt erschien, war dem Freund und Verleger Lojze Wieser zu verdanken: Der Autor saß am Ring auf einer Parkbank - und überlegte, die Feier sausen zu lassen. Wieser geleitete ihn zur Hofburg.</div>
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Im Endeffekt war Handke dann doch angetan. Denn es waren neben Politikern, Literaten und Tochter Amina Handke u. a. auch Weggefährten wie Werner Herzog, Alfred Kolleritsch und Jochen Jung gekommen. (trenk, DER STANDARD, 6./7.10.2012)</div>
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05.10.2012 | <span class="newsdetail-category" style="margin: 0px; padding: 0px; text-transform: uppercase;">PRESSEAUSSENDUNGEN</span></div>
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Bundespräsident Heinz Fischer lud anlässlich des bevorstehenden 70. Geburtstages von Peter Handke zur Lesung in die Präsidentschaftskanzlei ein</div>
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<b style="margin: 0px; padding: 0px;">Wien</b> - Zu Peter Handkes 65er hatte Bundespräsident Heinz Fischer noch zum Frühstück geladen. Wenige Wochen vor dem 70. Geburtstag des Dichters (6. Dezember) wurde es eine Einladung zu einem "Abend mit Peter Handke" in der Präsidentschaftskanzlei, der heute, Donnerstag, Abend zahlreiche Vertreter des literarischen Lebens Österreichs gefolgt sind. Im Rahmen der Veranstaltung betätigte sich auch der Bundespräsident als Vorleser und überreichte eine Geburtstagstorte. Handke revanchierte sich mit dem ersten Exemplar ("mit einigen Druckfehlern") seines neuen Buches "Versuch über den Stillen Ort", das sich Fischer im Anschluss gleich auch signieren ließ.</div>
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Er habe Handke, den er seit langem kenne und schätze, zum Geburtstag eine Freude machen wollen, erzählte Fischer zu Beginn der Lese-Stunde in der Josefskapelle. "Aber Peter Handke eine Freude zu machen ist nicht das einfachste Unterfangen." So habe man sich auf eine Veranstaltung geeinigt, die "nichts Pompöses, Gekünsteltes, Formalistisches" haben sollte, in der "Amateure reinsten Wassers" aus Werken Handkes lesen sollten.</div>
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Ehe aber die 16-jährige Schülerin Katharina Karlhofer, Fischer-Berater Meinhard Rauchensteiner und der Bundespräsident selbst mit Auszügen aus "Die Innenwelt der Außenwelt der Innenwelt", von Handke übersetzten Rene-Char-Gedichten sowie dem "Versuch über den geglückten Tag" einen kursorischen Streifzug durch Handkes Oeuvre gaben, war ein Profi an der Reihe: Kammerschauspieler Peter Matic las eindrucksvoll aus "Die Wiederholung" - und enteilte flugs Richtung Burgtheater, wo er kurz darauf in Elfriede Jelineks Nachdichtung von Oscar Wildes "Der ideale Mann" auf der Bühne zu stehen hatte.</div>
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Für musikalische Höhepunkte sorgte Albin Paulus an der Maultrommel. Der Bundespräsident fand nicht nur mit seiner Lesung aus dem "Geglückten Tag" die Zustimmung des Autors, sondern wurde von diesem mit überaus warmen Worten bedankt. Nicht nur, dass Fischer lange Passagen aus der "Odyssee" auswendig zu rezitieren verstehe, "werde ich nie vergessen", auch an eine vor 16 Jahren ausgesprochene Einladung zu einer Lesung aus seiner umstrittenen "Winterlichen Reise" im Parlament könne er sich bestens erinnern: "Sie haben damals ziemlich leiden müssen - das ist nicht nur meine Schuld."</div>
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Auch zu seinem "Versuch über den Stillen Ort" fiel Handke ein direkter Bezug zur Örtlichkeit ein. Bei einem seiner letzten Besuche "habe ich Sie gebeten, mir die Toilette in der Hofburg zu zeigen" - eine Aufgabe, die schließlich Fischer-Sprecher Bruno Aigner übernommen habe. Wie sehr sich diese Inspiration auch im Text niedergeschlagen hat, wird man in wenigen Tagen nachlesen können, wenn das Buch in den Handel kommt.</div>
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Ehe sich die Gesellschaft - darunter Kulturministerin Claudia Schmied, Staatssekretär Josef Ostermayer, Kulturstadtrat Andreas Mailath-Pokorny (alle S), Robert Menasse, Konrad Paul Liessmann, Markus Hinterhäuser, Helga Rabl-Stadler, Wim Wenders, Rudolf Scholten, Nationalbibliotheks-Chefin Johanna Rachinger, Theater an der Wien-Intendant Roland Geyer und viele andere - zum anschließenden Empfang in den Spiegelsaal begab, gab ihr Peter Handke noch ein paar Buchtipps mit auf den Weg. Nehmen sich die Gäste die Empfehlungen zu Herzen, sollten "Bostjans Flug" von Florian Lipus, "Mein Bruder schiebt sein Ende auf" von Joseph Zoderer, der von Handke übertragene Gedichtband "Präludium zur neuen Kälte der Welt" von Dimitri T. Analis sowie "Das Wechselbälgchen" von Christina Lavant in nächster Zeit in den Buchhandlungen stärker nachgefragt werden. (Schluss) whl/bei</div>
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<a href="http://derstandard.at/1348285218011/Handke-Hochamt-in-der-Josephskapelle#forumstart">http://derstandard.at/1348285218011/Handke-Hochamt-in-der-Josephskapelle#forumstart</a></div>
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"Abend mit Peter Handke" in der Präsidentschaftskanzlei</h1>
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<span style="background-color: cyan;">Bundespräsident
lud zum "Abend mit Peter Handke"</span></h3>
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<a href="http://www.osttirol-online.at/images/_news/4317001149697082_BLD_Online.jpg" moz-do-not-send="true" style="color: #333333; display: inline-block; text-decoration: none;" title="Bundespräsident lud zum "><img alt="Bundespräsident lud zum 'Abend mit Peter
Handke'" moz-do-not-send="true" src="http://cache.osttirol-online.at/image_cache/46992ad42b5fa070e6b72c3f675e2b47.jpg" style="border: 5px solid rgb(238, 238, 238); display: block;" /></a></div>
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<b><span style="background-color: yellow; font-family: Courier New, Courier, monospace; font-size: large;">Wenige Wochen
vor dem 70. Geburtstag des Schriftstellers am 6.
Dezember hat Bundespräsident Fischer am Donnerstag zu
einem "Abend mit Peter Handke" in
Präsidentschaftskanzlei geladen. Fischer betätigte sich
auch als Vorleser und überreichte eine Geburtstagstorte.
Handke revanchierte sich mit dem ersten Exemplarseines
neuen Buches "Versuch über den Stillen Ort", das sich
Fischer signieren ließ.</span></b></div>
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<b><span style="background-color: yellow; font-family: Courier New, Courier, monospace; font-size: large;">Er habe
Handke, den er seit langem kenne und schätze, zum
Geburtstag eine Freude machen wollen, erzählte Fischer
zu Beginn der Lese-Stunde in der Josefskapelle. "Aber
Peter Handke eine Freude zu machen, ist nicht das
einfachste Unterfangen." So habe man sich auf eine
Veranstaltung geeinigt, die "nichts Pompöses,
Gekünsteltes, Formalistisches" haben sollte, in der
"Amateure reinsten Wassers" aus Werken Handkes lesen
sollten.</span></b></div>
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<b><span style="background-color: yellow; font-family: Courier New, Courier, monospace; font-size: large;">Ehe aber die
16-jährige Schülerin Katharina Karlhofer,
Fischer-Berater Meinhard Rauchensteiner und der
Bundespräsident selbst mit Auszügen aus "Die Innenwelt
der Außenwelt der Innenwelt", von Handke übersetzten
Rene-Char-Gedichten sowie dem "Versuch über den
geglückten Tag" einen kursorischen Streifzug durch
Handkes Oeuvre gaben, war ein Profi an der Reihe:
Kammerschauspieler Peter Matic las aus "Die
Wiederholung".</span></b></div>
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<b><span style="background-color: yellow; font-family: Courier New, Courier, monospace; font-size: large;">Für
musikalische Höhepunkte sorgte Albin Paulus an der
Maultrommel. Der Bundespräsident fand nicht nur mit
seiner Lesung aus dem "Geglückten Tag" die Zustimmung
des Autors, sondern wurde von diesem mit überaus warmen
Worten bedankt. Nicht nur, dass Fischer lange Passagen
aus der "Odyssee" auswendig zu rezitieren verstehe,
"werde ich nie vergessen", auch an eine vor 16 Jahren
ausgesprochene Einladung zu einer Lesung aus seiner
umstrittenen "Winterlichen Reise" im Parlament könne er
sich bestens erinnern: "Sie haben damals ziemlich leiden
müssen - das ist nicht nur meine Schuld."</span></b></div>
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SUMMA POLITICOhttp://www.blogger.com/profile/11214697505465094305noreply@blogger.com0tag:blogger.com,1999:blog-264664972781705013.post-47844835355250944142012-09-13T08:40:00.000-07:002012-12-14T18:18:58.577-08:00AUF DEN SPUREN VON...PETER HANDKE [THE FILM]<span style="background-color: orange;"><table border="0" cellpadding="5" cellspacing="0" style="color: black; font-family: 'Lucida Grande', Lucida, Verdana, Arial, Helvetica, sans-serif; font-size: 15.277776718139648px; line-height: 13.194443702697754px; text-align: start; width: 100%px;"><tbody>
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<small>für satt.org</small></div>
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<tr align="left" valign="top"><td bgcolor="#0066cc" height="100%" style="background-image: url(http://www.satt.org/grafiken/fihi.gif);" valign="top" width="150"><img alt="" height="100" src="http://www.satt.org/grafiken/trans.gif" width="150" /></td><td align="left" valign="top"><a href="http://draft.blogger.com/blogger.g?blogID=264664972781705013" name="top" style="color: #0d5563; font-size: 14.583333015441895px; font-weight: bold;"></a><br />
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<tr align="right" valign="top"><td width="50"></td><td class="small" style="font-size: 11.11111068725586px;"><img alt="„Griffen – Auf den Spuren von Peter Handke“. Ein Film von Bernd Liepold-Mosser." class="rahmen" height="424" src="http://www.satt.org/grafiken8/griffen-plakat.jpg" style="border: 1px solid rgb(74, 71, 73); box-shadow: rgb(157, 152, 155) 2px 2px 5px;" vspace="15" width="300" /><br />
<img alt="„Griffen – Auf den Spuren von Peter Handke“. Ein Film von Bernd Liepold-Mosser." class="rahmen" height="169" src="http://www.satt.org/grafiken8/griffen-1.jpg" style="border: 1px solid rgb(74, 71, 73); box-shadow: rgb(157, 152, 155) 2px 2px 5px;" vspace="15" width="300" /><br />
<img alt="„Griffen – Auf den Spuren von Peter Handke“. Ein Film von Bernd Liepold-Mosser." class="rahmen" height="169" src="http://www.satt.org/grafiken8/griffen-2.jpg" style="border: 1px solid rgb(74, 71, 73); box-shadow: rgb(157, 152, 155) 2px 2px 5px;" vspace="15" width="300" /><br />
<img alt="„Griffen – Auf den Spuren von Peter Handke“. Ein Film von Bernd Liepold-Mosser." class="rahmen" height="169" src="http://www.satt.org/grafiken8/griffen-3.jpg" style="border: 1px solid rgb(74, 71, 73); box-shadow: rgb(157, 152, 155) 2px 2px 5px;" vspace="15" width="300" /><br />
<span style="background-color: lime;"><img alt="„Griffen – Auf den Spuren von Peter Handke“. Ein Film von Bernd Liepold-Mosser." class="rahmen" height="169" src="http://www.satt.org/grafiken8/griffen-4.jpg" style="border: 1px solid rgb(74, 71, 73); box-shadow: rgb(157, 152, 155) 2px 2px 5px;" vspace="15" width="300" /></span></td></tr>
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<h1 class="bio" style="border-bottom-left-radius: 8px; border-bottom-right-radius: 8px; border-top-left-radius: 8px; border-top-right-radius: 8px; border: 1px solid rgb(160, 160, 160); color: #707070; font-weight: normal; padding: 10px; text-align: center; text-shadow: rgb(214, 214, 214) 2px 2px 2px;">
<span style="background-color: #e6e6e6;">„Griffen – Auf den Spuren von Peter Handke“. Ein Film von Bernd Liepold-Mos</span><span style="background-color: lime;">ser.</span></h1>
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<span style="background-color: lime;">“<a href="http://www.griffen-derfilm.at/inhalt.htm" style="color: #55573f; font-size: 14.583333015441895px; font-weight: bold; text-decoration: none;">Griffen – Auf den Spuren von Peter Handke</a>“ nennt Bernd Liepold-Mosser seinen Film, und hier beginnt schon das Übel, denn der Titel erweckt den Anspruch einer vorurteilsfreien, suchenden Bewegung. Das trifft jedoch nicht zu. Das Spurensuchen ist eine reine Behauptung. Es geht dem Regisseur nicht um eine objektive Darstellung der Griffener und ihrem „Verhältnis“ zum bekanntesten Sohn der Stadt, der selbst übrigens kein einziges Mal auftaucht. Das Urteil war längst gesprochen – der Kärntner Provinzialismus soll aus- und bloßgestellt werden. Und so werden Leute befragt, die sichtlich keine Ahnung von oder über Handke haben (bzw. haben können), aber die Gelegenheit nutzen, endlich einmal ihre Meinung zu sagen. Dabei nimmt Liepold-Mosser – übrigens selbst geborener Griffener – in Kauf, dass mit der Auswahl der Befragten eine Art Repräsentativität suggeriert wird. Dabei geht es in Wirklichkeit nur um die Bebilderung (und Vertonung) des Ressentiments.</span><br />
<span style="background-color: lime;">Das beginnt schon mit der durchgängigen Untertitelung des Films, die nicht zwingend erscheint, aber natürlich blendend in die Inszenierung des Exotischen passt. Im Nachspann ist neben der „Schnittassistenz“ dann auch protzig ein Übersetzer angegeben. Wie ein Ethnologe des 19. Jahrhunderts, der die „Guten Wilden“ fotografiert, stellt der Regisseur die Befragten nicht nur aus, sondern – in mindestens einem Fall (einer sichtbar geistig behinderten Frau) – bloß.<br />Praktiziert wird hier ein widerliches Draufhalten ohne jeden Erkenntniswert in der Tradition eines Sudeljournalismus, der sich an (situativen) Unzulänglichkeiten von Protagonisten ergötzt und eine Kritik an diesen Methoden mit unschuldiger Miene als „Authentizität“ rechtfertigt.</span><br />
<span style="background-color: lime;">So kommt Handkes Bruder Hans Gregor (1949 geboren und damit sieben Jahre jünger als dieser) ausführlich zu Wort.<br />Nein, Slowenisch sei in der Familie nie gesprochen worden. Bücher seines Bruders habe er noch keines gelesen.<br />Dennoch merkt man diesem Mann seinen Stolz an. Er zeigt einen der kurzen Postkartengrüße, die er von Peter Handke immer wieder erhält und verteidigt <i>Wunschloses Unglück</i> gegen die Vorwürfe mangelnden Realitätsbezugs als Roman.<br />In diesen kurzen Momenten ist auch Liepold-Mosser nicht in der Lage, die Würde Hans Gregor Handkes zu beschädigen. Doch erschrickt der Zuschauer über dessen gesundheitlichen Zustand; er spricht kaum verständlich und erwähnt mindestens zweimal, dass er nicht mehr reisen könne. Vom Regisseur kein erklärendes Wort hierzu, nicht einmal eine kurze Einblendung, dass Hans Gregor an Speicheldrüsenkrebs erkrankt war und die schwierige Artikulation operations- und krankheitsbedingt ist. So wird er ausgestellt wie ein seltenes Tier.</span><br />
<span style="background-color: lime;">In einer anderen Szene sucht die <a href="http://www.hs-griffen.ksn.at/index.php?option=com_content&view=article&id=17&Itemid=42" style="color: #55573f; font-size: 14.583333015441895px; font-weight: bold; text-decoration: none;">Direktorin der Hauptschule in Griffen</a> die Handke-Bücher der Schulbibliothek. Die Kamera folgt ihr, aber die Bücher bleiben bis auf eines unauffindbar. Der Eindruck, der sich einstellt: Hier verschlampt man die Werke des berühmten Griffeners.<br />Am Ende liest Frau Pleschiutschnig einen Brief Handkes vor, den er nach einem Besuch in seiner alten Schule geschrieben hatte. Dieses Briefvorlesen ist die schönste Szene des Films, weil er Handkes Respekt und Ehrfurcht vor den Menschen seines Ortes zeigt – einen Respekt, den der Regisseur nicht hat.</span><br />
<span style="background-color: lime;">Liepold-Mossers ethnologisch-folkloristischer Blick (neben den genannten Beispielen gibt es auch noch eine längere Sequenz über ein Fest nebst Parade des Kärntner <a href="http://www.kab.or.at/" style="color: #55573f; font-size: 14.583333015441895px; font-weight: bold; text-decoration: none;">Abwehrkämpferbundes</a>) ist vorsätzlich pejorativ. Da will sich einer erhöhen, indem er die „Ureinwohner“ vorführt (oder bestenfalls als tumbe Auskunftgeber benutzt). Der Lacher zu Beginn schämt sich der Zuschauer bald (und man ist froh, die Perfidie des Tricksers früh zu bemerken).<br />Der Film ist ein Beispiel für die Gefahren der Manipulation von Dokumentarfilmen, die ausschließlich „passende“ Aussagen aneinanderreihen und suggestiv bebildern. „Griffen“ beschmutzt das ehrenwerte Genre des Dokumentarfilms durch sein tendenziöses Vorgehen bis in die kleinste Kameraeinstellung hinein. Man spürt es und bekommt es bestätigt von Leuten, die sich ein bisschen besser auskennen in Kärnten (und sogar Griffen).</span><br />
<span style="background-color: lime;">Seltsam, wie man in Wien für den Film mit Handkes <a href="http://www.stadtkinowien.at/media/uploads/filme/648/Griffen_Presseheft.pdf" style="color: #55573f; font-size: 14.583333015441895px; font-weight: bold; text-decoration: none;">Brief an Liepold-Mosser</a> wirbt. Liest man ihn genau (s. Seite 10 des Presseheftes) und ist auch nur ein bisschen mit der Sprache des Schriftstellers vertraut, dann erweist sich der HYPERLINK "" „<a href="http://oe1.at/artikel/317134" style="color: #55573f; font-size: 14.583333015441895px; font-weight: bold; text-decoration: none;">freundliche Brief</a>“ (wie Liepold-Mosser wähnt) als geradezu vernichtende Kritik.</span><br />
<div class="aaa smaller" style="font-size: 13.194443702697754px; padding-left: 60px; padding-right: 60px;">
<span style="background-color: lime;">Bernd Liepold-Mosser, „Griffen – Auf den Spuren von Peter Handke“. Dokumentarfilm. Österreich 2012. 79 Minuten</span></div>
<div class="aaa smaller" style="font-size: 13.194443702697754px; padding-left: 60px; padding-right: 60px;">
<span style="background-color: lime;">Lothar Struck, <i>„<a href="http://www.ilri.de/ilri-bibliothek-wissenschaft/lothar-struck-handke/" style="color: #55573f; font-size: 12.499999046325684px; font-weight: bold; text-decoration: none;">Der mit seinem Jugoslawien</a>“</i>. Peter Handke im Spannungsfeld zwischen Literatur, Medien und Politik. 324 Seiten, Paperback. Verlag Ille & Riemer, Leipzig und Weißenfels 2012. 24,80 Euro</span></div>
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<big><b><big><span style="font-size: small;"><span style="color: blue;"> ORF-Literaturexpertin Katja Gasser traf Schriftsteller
Peter Handke,zu einem Gespräch anlässlich seines bevorstehenden 70.
Geburtstags im,Wiener "Gasthaus zum Friedhof der Namenlosen". Er ist
ohne Zweifel,einer der bedeutendsten europäischen Autoren der Gegenwart,
zugleich,einer der umstrittensten: Peter Handke. Anfang Dezember wird
der,Provokateur wider Willen 70 Jahre alt. Dieser Tage erscheint
sein,neues Buch "Versuch über den stillen Ort", das, wie alle
seine,"Versuche", autobiografisch gefärbt ist.,Auch darin streift er
wieder seine kärntnerisch-slowenischen Wurzeln,und macht deutlich: Der,
der hier erzählt, ist überzeugt, dass,Allgemeingültiges nur
hervorbringen kann, wer im Schreiben ganz tief,in sich hineindringt.
Dass Schreiben gegen die Schnelligkeit und Gier,nach leicht Verdaubarem
der Welt gerichtet sein muss, um von Dauer zu,sein: Unter anderem
darüber spricht Peter Handke mit Katja Gasser,,der er eines seiner raren
ausführlichen TV-Interviews gegeben hat. ,Darüber hinaus spricht Peter
Handke über die "Pflicht zur Freude"',,die eigenen Schwächen, über den
Rand als Zentrum, über die,Verbundenheit zu Österreich, über Europa als
ehemalige Hoffnung, über,die Notwendigkeit von Verwandlung, über die
"slawische Seele" und die,unerschütterliche Liebe zum Balkan, über den
Unterschied zwischen,Politik in der Literatur und Politisieren im
Gespräch und vieles,andere mehr.,Peter Handke zeigt sich in diesem
Gespräch versöhnlicher gestimmt als,ehemals, zugleich widerständig und
widerspenstig wie immer. Es zeigt,sich darin unmissverständlich: Hier
spricht jemand, der sich der,Literatur verschrieben hat und damit der
Erforschung von und Suche,nach Wahrheit, die kein Ankommen kennt:
Literatur, die den Namen,verdient, geht immer ins Offene, geht nie auf
einen Endpunkt zu und,braucht keine Propagandisten</span><span style="color: #60615f;">.</span></span></big></b></big><br />
This is the live link to the interview<br />
<a href="http://tvthek.orf.at/topics/Kultur/4763927-Kulturmontag/segments/4769175-70-Jahre-Peter-Handke" target="_blank">http://tvthek.orf.at/topics/Kultur/4763927-Kulturmontag/segments/4769175-70-Jahre-Peter-Handke</a><span class="HOEnZb"><span style="color: #888888;"><span style="font-family: courier new,monospace;"><b><br clear="all" />
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<big><a href="http://www.ots.at/presseaussendung/OTS_20121012_OTS0191/kulturmontag-am-15-oktober-exklusivinterview-mit-schriftsteller-peter-handke"><span style="font-size: small;">http://www.ots.at/presseaussendung/OTS_20121012_OTS0191/kulturmontag-am-15-oktober-exklusivinterview-mit-schriftsteller-peter-handke</span></a></big><br />
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GESPRÄCH: 70 JAHRE PETER HANDKE</h2>
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<b style="font-weight: bold;">Katja Gasser im Dialog mit dem Schriftsteller</b><br />
Er ist ohne Zweifel einer der größten europäischen Autoren der Gegenwart, zugleich einer der umstrittensten.</div>
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<div class="imagebox" style="clear: left; font-size: 0.9em; line-height: 1.3em; margin-bottom: 25px;">
<img alt="(c) Beate Thalberg" height="238" src="http://tv.orf.at/storyimg/201210/Storypart_t255171.jpg" style="border: 0px; margin: 5px 0px;" title="(c) Beate Thalberg" width="425" /><br />
<div class="caption" style="font-size: 0.8em; line-height: 1.23em; margin: -7px 0px 0px; padding: 0px;">
<i style="font-style: italic;">Katja Gasser traf Peter Handke im Wiener "Gasthaus zum Friedhof der Namenlosen"</i></div>
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Anfang Dezember wird der Provokateur wider Willen 70 Jahre alt. Dieser Tage erscheint sein neues Buch<b style="font-weight: bold;">"Versuch über den stillen Ort"</b>, das, wie alle seine "Versuche", autobiographisch gefärbt ist.<span class="Apple-converted-space"> </span><br />
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Auch darin streift<span class="Apple-converted-space"> </span><b style="font-weight: bold;">Peter Handke</b><span class="Apple-converted-space"> </span>wieder seine kärntner-slowenischen Wurzeln und macht deutlich: der, der hier erzählt, ist überzeugt, dass Allgemeingültiges nur hervorbringen kann, wer im Schreiben ganz tief in sich hineindringt. Dass Schreiben gegen die Schnelligkeit und Gier nach leicht Verdaubarem der Welt gerichtet sein muss, um von Dauer zu sein: unter anderem darüber spricht Peter Handke mit Katja Gasser, der er eines seiner raren ausführlichen TV-Interviews gegeben hat.</div>
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<img alt="(c) Beate Thalberg" height="238" src="http://tv.orf.at/storyimg/201210/Storypart_t255173.jpg" style="border: 0px; margin: 5px 0px;" title="(c) Beate Thalberg" width="425" /><br />
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<i style="font-style: italic;">Peter Handke und Gasthaus-Koch Henry Schnitzer</i></div>
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Darüber hinaus redet Peter Handke darin über die "Pflicht zur Freude", die eigenen Schwächen, über den Rand als Zentrum, über die Verbundenheit zu Österreich, über Europa als ehemalige Hoffnung, über die Notwendigkeit von Verwandlung, über die "slawische Seele" und die unerschütterliche Liebe zum Balkan, über den Unterschied zwischen Politik in der Literatur und Politisieren im Gespräch und vieles andere mehr.<span class="Apple-converted-space"> </span><br />
<br />
Peter Handke zeigt sich in diesem Gespräch versöhnlicher gestimmt als ehemals, zugleich widerständig und widerspenstig wie immer. Es zeigt sich darin unmissverständlich. Hier spricht jemand, der sich der Literatur verschrieben hat und damit der Erforschung von und Suche nach Wahrheit, die kein Ankommen kennt: Literatur, die den Namen verdient, geht immer ins Offene, geht nie auf einen Endpunkt zu und brauch keine Propagandisten</div>
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<img alt="(c) Beate Thalberg" height="238" src="http://tv.orf.at/storyimg/201210/Storypart_t255184.jpg" style="border: 0px; margin: 5px 0px;" title="(c) Beate Thalberg" width="425" /><br />
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<i style="font-style: italic;">Peter Handke und Tochter Amina verbrachten nach dem Gespräch noch eine Stunde gut gelaunt im Garten des Lokals</i></div>
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TV-Beitrag: Katja Gasser</div>
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Weiterführendes zum Thema:</h4>
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<a href="http://de.wikipedia.org/wiki/Peter_Handke" style="color: white; text-decoration: none;">Peter Handke</a></div>
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<a href="http://www.suhrkamp.de/buecher/versuch_ueber_den_stillen_ort-peter_handke_42317.html" style="color: white; text-decoration: none;">"Versuch über den Stillen Ort" - Peter Handke</a></div>
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<a href="http://jungundjung.at/content.php?id=2&b_id=169" style="color: white; text-decoration: none;">"Präludium zur neuen Kälte der Welt" - Dimitri T. Analis</a></div>
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<a href="http://www.wieser-verlag.com/buch/se-vedno-vihar" style="color: white; text-decoration: none;">"Še vedno vihar" - Peter Handke</a></div>
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<a href="http://jungundjung.at/content.php?id=19&b_id=171" style="color: white; text-decoration: none;">"Die Apfelbäume von Chaville. Annäherung an Peter Handke" - Leopold Federmair</a></div>
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<a href="http://jungundjung.at/content.php?id=2&b_id=175" style="color: white; text-decoration: none;">"Die Arbeiten des Zuschauers. Peter Handke und das Theater" herausgegeben von Klaus Kastberger und Katharina Pektor</a></div>
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<a href="http://tv.orf.at/program/orf2/20121015/575938501/346892" style="color: white; text-decoration: none;">zum<span class="Apple-converted-space"> </span><i style="font-style: italic;">kultur.montag</i></a></div>
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LITERATUR | VORTRAG/DISKUSSION</div>
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Peter Handke</h1>
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<span style="background-color: orange;">"Lebensgeschichten / Werkgeschichten". Symposium und Literaturfest zum Werk des Kärntner Schriftstellers. Do ab 20 Uhr, Fr bis So ab 9.30 Uhr. Lesungen u. a. mit Maja Haderlap und Josef Winkler.</span></div>
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<span style="background-color: orange;"><i><b>Konzept: </b>Thomas Eder, Klaus Kastberger<br /><b>Veranstalter: </b>kunsthaus muerz und Gesellschaft zur Erforschung von Grundlagen der Literatur<br />In Kooperation mit dem Literaturarchiv der Österreichischen Nationalbibliothek und dem Projekt «Forschungsplattform Peter Handke» (FWF P23144-G20)</i><br /><b><br />Peter Handke</b>, der im Dezember 2012 seinen 70. Geburtstag feiert, ist ein österreichischer Schriftsteller von europäischem Rang. Vor allem aber ist er als Dichter autonom und in seinem Schreiben stets risikobereit geblieben. Sein legendärer Auftritt vor der Gruppe 47 machte Handke Mitte der 1960er Jahre über Nacht zum Jungstar der deutschsprachigen Literatur. Ein Beatnik, der den Rhythmus der Zeit auf seiner Seite hatte und der Literatur und dem Theater neue Ausdrucksformen gab.</span><br />
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<span style="background-color: orange;">Auf seinen frühen Erfolgen ruhte sich Handke nicht aus. Stattdessen formulierte er seinen Anspruch auf </span><b style="background-color: orange;">poetische Wahrhaftigkeit </b><span style="background-color: orange;">immer wieder neu. Dabei legte er Werke vor, die sich planvoll gegen äußere Vorgaben zur Wehr setzen. Gerade dort, wo der Autor den radikal subjektiven Zugang sucht, berührt er gesellschaftliche und politische Fragen nicht nur, sondern löst bei professionellen Meinungsmachern oft die heftigsten Reaktionen aus.</span><br />
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<span style="background-color: orange;">Immer wieder (und so auch im Fall seiner Auseinandersetzung mit dem Zerfall Jugoslawiens) ist es die </span><b style="background-color: orange;">eigene</b><span style="background-color: orange;"> </span><b style="background-color: orange;">Lebensgeschichte</b><span style="background-color: orange;">, aus der sich Handkes Schreiben nährt. Nichts ist erfunden in dieser Literatur. Alles ist vorgefunden, und sehr viel in Quellen belegt, über die der Autor auch bereitwillig Auskunft gibt. Geleitet von literarischen Einflüssen, die von antiker Geschichtsschreibung bis zu Goethe, von Homer bis Heidegger und von Parzival bis Kafka reichen, gewinnt eigenes Leben hier ästhetische Autonomie - vermittelt in dem breiten Spektrum literarischer Formen, das Handke entwickelt hat und das er bis heute beständig erweitert.</span><br />
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<span style="background-color: orange;">Nach der Person Handkes richtet sich mittlerweile auch ein ganz direktes</span><b style="background-color: orange;">biographisches Interesse. </b><span style="background-color: orange;">Das gegenständliche Symposium reflektiert die Relation von Leben und Schreiben in einem größeren Rahmen, indem es (erstens) der Frage nach der Rolle des Erzählens für die Ausbildung von Selbst-Konzepten nachgeht und (zweitens) die Lebensgeschichte des Autors ganz bewusst neben die Entstehungsgeschichte seiner Werke stellt. Die materiellen Spuren des Schreibens, die in Handkes Poetologie immer ein Thema sind, werden heute in Vorlassbeständen in österreichischen und deutschen Archiven unmittelbar sichtbar. Gerade auch anhand jener Werkmaterialien zeigt sich, von welchen Kräften Handkes Schreiben getragen ist und wie einzigartig sein Werk inmitten der deutschsprachigen Literatur steht.</span><br />
<br />
<b style="background-color: orange;">donnerstag </b><span style="background-color: orange;">/ 20. september / kunsthaus muerz / clix</span><br />
<span style="background-color: orange;">20.00 uhr</span><br />
<span style="background-color: orange;">Hans Höller: Familienkonstellationen bei Peter Handke. Eine Einführung</span><br />
<span style="background-color: orange;">Libgart Schwarz: Lesung aus Wunschloses Unglück</span><br />
<br />
<b style="background-color: orange;">freitag </b><span style="background-color: orange;">/ 21. september / kunsthaus muerz / clix</span><br />
<span style="background-color: orange;">Materialität des Schreibens</span><br />
<span style="background-color: orange;">9.30 uhr</span><br />
<span style="background-color: orange;">Almuth Grésillon: Literarische Handschriften aus der Perspektive der «critique génétique»</span><br />
<span style="background-color: orange;">Sandro Zanetti: Notizen, Tagebucheinträge, Werke.</span><br />
<span style="background-color: orange;">Perspektiven der Schreibprozessforschung auf Handkes Schriften</span><br />
<span style="background-color: orange;">11.30 uhr</span><br />
<span style="background-color: orange;">Ulrich von Bülow: The Philosopher’s Stone?</span><br />
<span style="background-color: orange;">Peter Handkes Spinoza-Lektüren</span><br />
<span style="background-color: orange;">Klaus Kastberger: Inventing Peace: Peter Handke und die Geschichte</span><br />
<span style="background-color: orange;">15.30 uhr</span><br />
<span style="background-color: orange;">Karl Wagner: Krieg und Widerstand in der Literatur: Peter Handkes Immer noch Sturm und Maja Haderlaps Engel des Vergessens</span><br />
<span style="background-color: orange;">Juliane Vogel: Apfelgarten und Geschichtslandschaft. Fallszenarien bei Bernhard und Handke</span><br />
<span style="background-color: orange;">18.00 uhr</span><br />
<span style="background-color: orange;">Aus eigenen Werken lesen korrespondierende Stellen zu Peter Handke:</span><br />
<span style="background-color: orange;">Reinhard Kaiser-Mühlecker</span><br />
<span style="background-color: orange;">Maja Haderlap</span><br />
<span style="background-color: orange;">mit anschließender Diskussion</span><br />
<span style="background-color: orange;">Moderation: Thomas Eder</span><br />
<br />
<b style="background-color: orange;">samstag</b><span style="background-color: orange;">, 22. september / kunsthaus muerz / clix</span><br />
<span style="background-color: orange;">Konstruktionen Leben / Werk</span><br />
<span style="background-color: orange;">9.30 uhr</span><br />
<span style="background-color: orange;">Thomas Eder: «Mein Leben. 2. Teil» - Literarische Erfindung von Selbst</span><br />
<span style="background-color: orange;">Nicole Rossmanith: Ich, Du und Welt er-zählend er-handeln. Cognitive Science meets Literature</span><br />
<span style="background-color: orange;">11.30 uhr</span><br />
<span style="background-color: orange;">Lothar Struck: Keuschnig statt Kobal - Das Wechselspiel von Sprachkritik und Erzählen im Werk Peter Handkes</span><br />
<span style="background-color: orange;">Martin Sexl: Poesie als Medienkritik - Die Jugoslawien-Kriege im Werk Peter Handkes</span><br />
<span style="background-color: orange;">15.30 uhr</span><br />
<span style="background-color: orange;">Anja Pompe: Autorschaft ohne Vaterschaft -</span><br />
<span style="background-color: orange;">Vaterschaft ohne Autorschaft. Peter Handke und Pop</span><br />
<span style="background-color: orange;">Malte Herwig: Peter und die Partisanen</span><br />
<span style="background-color: orange;">18.00 uhr</span><br />
<span style="background-color: orange;">Aus eigenen Werken lesen korrespondierende Stellen zu Peter Handke:</span><br />
<span style="background-color: orange;">Rosemarie Poiarkov</span><br />
<span style="background-color: orange;">Josef Winkler</span><br />
<span style="background-color: orange;">mit anschließender Diskussion</span><br />
<span style="background-color: orange;">Moderation: Klaus Kastberger</span><br />
<br />
<b style="background-color: orange;">sonntag</b><span style="background-color: orange;">, 23. september / kunsthaus muerz / clix</span><br />
<span style="background-color: orange;">Handkes Orte</span><br />
<span style="background-color: orange;">9.30 uhr</span><br />
<span style="background-color: orange;">Eine Einführung von Katharina Pektor</span><br />
<span style="background-color: orange;">anschließend Gesprächsrunde mit Kurzstatements</span><br />
<span style="background-color: orange;">von Jochen Jung (Salzburg), Alfred Kolleritsch (Graz) und Hans Widrich (Salzburg)</span><br />
<span style="background-color: orange;">Moderation: Thomas Eder</span><br />
<span style="background-color: orange;">11.00 uhr</span><br />
<span style="background-color: orange;">Gesprächsrunde mit Kurzstatements von Thomas Deichmann (Jugoslawien), Georg Schiffleithner (Aix), Dominik Srienc (Spanien) und Lojze Wieser (Slowenien)</span><br />
<span style="background-color: orange;">Moderation: Klaus Kastberger</span></div>
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<span style="background-color: yellow;">Verlassen, verlassen: Handkes Heimat</span></h1>
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<span style="background-color: yellow;">16.09.2012 | 18:24 | THOMAS KRAMAR (Die Presse)</span></div>
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<b style="background-color: yellow;">Bernd Liepold-Mosser auf den Spuren von Peter Handke: eine gelungene Doku über einen Ort, in dem Slowenisch noch immer peinlich scheint. Derzeit im Kino.</b></div>
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<span style="background-color: yellow;">AUS DEM ARCHIV:</span></h2>
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<li style="float: left; font-size: 11px; list-style: none; margin: 2px 0px; padding: 2px 0px; width: 200px;"><a href="http://diepresse.com/home/kultur/news/698390/index.do?from=simarchiv" style="background-color: yellow; color: #41547f; margin: 0px; padding: 0px; text-decoration: none;">Handke: Das Glück des Eigensinns<small style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: 10px;">(04.10.2011)</small></a></li>
<li style="float: left; font-size: 11px; list-style: none; margin: 2px 0px; padding: 2px 0px; width: 200px;"><a href="http://diepresse.com/home/kultur/literatur/694993/index.do?from=simarchiv" style="background-color: yellow; color: #41547f; margin: 0px; padding: 0px; text-decoration: none;">Preisvergabe an Handke geplatzt<small style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: 10px;">(21.09.2011)</small></a></li>
<li style="float: left; font-size: 11px; list-style: none; margin: 2px 0px; padding: 2px 0px; width: 200px;"><a href="http://diepresse.com/home/kultur/literatur/694932/index.do?from=simarchiv" style="background-color: yellow; color: #41547f; margin: 0px; padding: 0px; text-decoration: none;">"Schizopath": Kein Candide-Preisgeld für Peter Handke<small style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: 10px;">(21.09.2011)</small></a></li>
<li style="float: left; font-size: 11px; list-style: none; margin: 2px 0px; padding: 2px 0px; width: 200px;"><a href="http://diepresse.com/home/spectrum/literatur/685344/index.do?from=simarchiv" style="background-color: yellow; color: #41547f; margin: 0px; padding: 0px; text-decoration: none;">Einer, der zur Hand war <small style="color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: 10px;">(12.08.2011)</small></a></li>
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<span style="background-color: yellow;">„,Verlassen, verlassen, / wie ein Stein auf der Straßen / so verlassen bin ich‘, mit der narrensicher imitierten Melancholie dieses künstlichen Heimatliedes steuerte sie ihren Teil zur allgemeinen und auch eigenen Lustbarkeit bei...“ So beschrieb Peter Handke 1972 in „Wunschloses Unglück“ die Phase seiner Mutter, in der „sich alles Persönliche ins Typische verlor“.</span></div>
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<span style="background-color: yellow;">Bernd Liepold-Mosser setzt ebendieses Lied als Leitmotiv ein für seine Dokumentation über Griffen, den Geburtsort von Peter Handke, jenem Dichter, dem sein Biograf Malte Hedwig attestierte: „Arm von Geburt, wird er durch seinen Weltekel geadelt.“ Das sind starke Worte, doch Handke selbst nannte Österreich einmal „das Fette, an dem ich würge“. Ebenfalls im „Gewicht der Welt“ schrieb er: „Ich habe keine Heimat. Meine Heimat sind diese Bücher.“ Liepold-Mosser stellt das seinem Film als Motto voran; und ja, nach dieser 80-minütigen Reise durch Griffen und Umgebung versteht man wieder einmal, wie fremd man sich in der Heimat fühlen kann, wie fremd sich Handke dort fühlte, und wie fremd er seinen Landsleuten werden musste, um nicht seelisch zu ersticken.</span></div>
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<span style="background-color: yellow;">„Spinner“, „totaler Außenseiter“</span></h2>
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<span style="background-color: yellow;">Handke sei „eine Sehenswürdigkeit Griffens“, sagt ein Schulbub brav. Erwachsene nennen ihn „Spinner“, „eigenartig“, „totaler Außenseiter“, „zu radikal“; er habe „keine Freunde, nix“ gehabt, sei ein Einzelgänger gewesen. An das störende Klimpern der Schreibmaschine unterm Nussbaum erinnert man sich gerade. Es sei komisch, was dieser Handke „da so z'sammg'schrieben“ habe, was in „Wunschloses Unglück“ stehe, stimme nicht; und wie könne einer, der nie Fußball gespielt habe, denn einen Roman namens „Die Angst des Tormanns vor dem Elfmeter“ schreiben?</span></div>
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<span style="background-color: yellow;">Aber vor allem eines stört bis heute offenbar viele Griffener: dass Peter Handke „zuvü für die untere Seiten“ übriggehabt hätte, wie ein Interviewter sagt. Ein anderer drückt es klarer aus: Handke sei schon „sehr slowenisch geneigt“. Auch das macht diese ruhige, aber intensive Dokumentation bewusst: wie kräftig das Slowenische, das „Windische“ in Griffen (ehemals Windisch-Griffen) verdrängt wurde und wird; wie peinlich es vielen Kärntnern bis heute ist, dass Verwandte Slowenisch geredet haben oder gar reden. Handke selbst hat sich ja erst spät offensiv zu seinen slowenischen Wurzeln bekannt, zuletzt in „Immer noch Sturm“.</span></div>
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<span style="background-color: yellow;">Aber auch das hat kaum wer gelesen oder gesehen in Griffen. Sogar Handkes Bruder erklärt ja fast stolz, er habe „nit a Buach“ gelesen, des sei „vü zu schwer für mi“, er brauche „Tschin-Bumm“.</span></div>
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<span style="background-color: yellow;">Seltsam berührend sind die Passagen, in denen von Heimatbesuchen Peter Handkes die Rede ist, von Schnapsen, Schwammerln, Schule: Es muss eine seltsame Heimkehr sein, eine Heimkehr in eine Fremde.</span></div>
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<span style="background-color: yellow;">("Die Presse", Print-Ausgabe, 17.09.2012)</span></div>
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<big><b><big><span style="background-color: #ffefa4; font-family: verdana, arial, sans-serif; font-size: 11.80555534362793px; font-weight: normal; line-height: 15.995368957519531px;"><br /></span></big></b></big>
<big><b><big><span style="background-color: #ffefa4; font-family: verdana, arial, sans-serif; font-size: 11.80555534362793px; font-weight: normal; line-height: 15.995368957519531px;">"EIN SUPER MENSCH UND SPINNER" </span><span style="font-size: small;"><br />
<a href="http://www.film.at/griffen-auf-den-spuren-von-peter-handke/detail.html?cc_detailpage=review">http://www.film.at/griffen-auf-den-spuren-von-peter-handke/detail.html?cc_detailpage=review</a></span>
<br style="background-color: #ffefa4; font-family: verdana, arial, sans-serif; font-size: 11.80555534362793px; font-weight: normal; line-height: 15.995368957519531px;" />
<big><big><span style="background-color: #ffefa4; font-family: verdana, arial, sans-serif; font-size: 11.80555534362793px; font-weight: normal; line-height: 15.995368957519531px;">Peter
Handkes Bruder ärgert sich, dass "der Peter uns immer während des
Essens anruft". Ob er schon ein Buch von ihm gelesen hat? – "Naa, nicht
ein einziges. Das ist mir viel zu schwer." Es ist eine skurrile
Spurensuche, auf die sich Regisseur Liepold-Mosser in Griffen, dem
Kärntner Heimatort Handkes, gemacht hat. Alle sind irgendwie stolz auf
den "großen Sohn" ihrer Gemeinde, aber keiner kann sich dazu
durchringen, etwas Gutes über ihn zu sagen. Handke nervt, aber keiner
traut sich das vor der Kamera zuzugeben: Schon als Kind sei er ein
Einzelgänger gewesen, habe "unterm Nußbaum mit der Schreibmaschin’
geklempert", so der Nachbar, ein knorriger Mann mit Gamshut. Im Grunde
genommen sei er "ein super Mensch, aber hauptsächlich ein Spinner", sagt
ein anderer. Einig sind sich alle darüber, dass sie nicht verstehen,
warum Handke "so ins Slowenische neigt". Wo man doch die "Windischen"
gar nicht mag. Ein tiefer Blick in die Kärntner Seele. Übrigens: Griffen
hat auch eine schöne Burg. </span><br style="background-color: #ffefa4; font-family: verdana, arial, sans-serif; font-size: 11.80555534362793px; font-weight: normal; line-height: 15.995368957519531px;" />
<br style="background-color: #ffefa4; font-family: verdana, arial, sans-serif; font-size: 11.80555534362793px; font-weight: normal; line-height: 15.995368957519531px;" />
<i style="background-color: #ffefa4; font-family: verdana, arial, sans-serif; font-size: 11.80555534362793px; font-weight: normal; line-height: 15.995368957519531px;">Suanne Lintl/kurier.at</i></big></big><br />
<span style="font-size: small;"><br />
<a href="http://relevant.at/kultur/film/730998/griffen-wandert-den-spuren-peter-handke.story" moz-do-not-send="true">http://relevant.at/kultur/film/730998/griffen-wandert-den-spuren-peter-handke.story</a> </span><span style="font-family: courier new,monospace;"><br clear="all" />
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<span style="font-size: small;"><big><b><big>-</big></b></big>
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<big><b><big><span style="font-size: small;">"Griffen" wandert auf den Spuren von Peter Handke</span></big></b></big></h1>
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<big><b><big><span style="font-size: small;">12.09.2012 - 13:43</span></big></b></big></div>
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<big><b><big><span style="font-size: small;"><img alt="Der Regisseur besuchte Handkes Kärntner Heimatort" height="303" moz-do-not-send="true" src="http://relevant.at/system/galleries/upload/5/6/6/730998/2478001529426234_BLD_Online.jpg" style="border-collapse: collapse; display: block; margin: 0px; padding: 0px;" title="Der Regisseur besuchte Handkes Kärntner Heimatort" width="452" /><span class="quelle" style="border-collapse: collapse; color: #707173; float: right; margin: 0px; padding: 0px 8px 0px 0px;">© APA (Herbert Neubauer)</span><span class="titel" style="border-collapse: collapse; color: #707173; margin: 0px; padding: 0px 0px 0px 8px;">Der Regisseur besuchte Handkes Kärntner Heimatort</span></span></big></b></big></div>
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<big><b><big><span style="background-color: yellow; font-size: small;">
Am 6. Dezember feiert der österreichische Schriftsteller Peter Handke
seinen 70. Geburtstag. Aus diesem Anlass gibt es bereits von 20. bis 23.
September im Kunsthaus Mürz in Mürzzuschlag ein Symposium zu seinem
Leben und Werk. Ganz hervorragend passt dazu ein Film, der am kommenden
Freitag seinen österreichweiten Kino-Einsatz startet: "Griffen - Auf den
Spuren von Peter Handke".</span></big></b></big></div>
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<big><b><big><span style="background-color: yellow; font-size: small;">
</span></big></b></big></div>
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<big><b><big><span style="background-color: yellow; font-size: small;">Der
Autor und Filmemacher Bernd Liepold-Mosser, der im Vorjahr mit seiner
Bearbeitung und Inszenierung von Franz Kafkas "Amerika" den Nestroy für
die beste Bundesländer-Aufführung nach Klagenfurt geholt hatte, besuchte
für seine ungewöhnliche Doku Handkes Kärntner Heimatort und sprach mit
den Bewohnern über den großen Abwesenden. Denn der "große Sohn" Griffens
kommt in dem 80-minütigen Film, der bei der vergangenen Diagonale mit
dem Publikumspreis ausgezeichnet wurde, nie persönlich vor, immer nur in
Erinnerungen der Bewohner und Verwandten.</span></big></b></big></div>
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<big><b><big><span style="background-color: yellow; font-size: small;">Dabei
lernt man etwa Peter Handkes Bruder kennen, der stolz einige Postkarten
mit Grüßen seines Bruders vorzeigt, aber auch keinerlei Scheu hat, zu
bekennen, nie eine Zeile aus dessen literarischer Produktion gelesen zu
haben. Man erfährt von den Dorfbewohnern, dass Peter Handke schon als
Kind ein Einzelgänger gewesen sei und auch als Jugendlicher seine Nase
nur in Bücher gesteckt habe. "Die Angst des Tormanns beim Elfmeter" habe
Handke nie selbst erlebt, wundert sich ein Bewohner über einen
Buchtitel des scheuen Literaten. "Am Fußballplatz hab ich ihn nie
gesehen!" Man bekommt aber auch einen Besuch Handkes in der Griffener
Schule geschildert, bei dem der Autor wie ein Popstar gefeiert wurde.
Und natürlich ist Handkes Einstellung zu Slowenien, ja zu ganz
Ex-Jugoslawien immer wieder ein Thema. Damit hat sich Peter Handke in
Griffen nicht viele Freunde gemacht.</span></big></b></big></div>
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<big><b><big><span style="background-color: yellow; font-size: small;">
</span></big></b></big></div>
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<big><b><big><span style="background-color: yellow; font-size: small;">Liepold-Mosser
ist selbst in Griffen aufgewachsen und versteht es, anhand der
abwesenden Figur des Schriftstellers ein Porträt der kleinen
Unterkärntner Marktgemeinde zu gestalten, in der die Skurrilität mancher
Bewohner nicht ausgestellt, aber auch nicht versteckt wird, und die
verdrängte zweisprachige Geschichte ebenso zur Sprache kommt wie das
nicht unproblematische Verhältnis der "kleinen Leute" zur "großen
Literatur". Ein gelungener Porträtfilm, der weniger Peter Handke
porträtiert als den Ort Griffen. Auf eine Ausstrahlung im
mitfinanzierenden ORF darf man sich freuen.</span></big></b></big></div>
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<big>Filmische Spurensuche im Handkedorf</big></h1>
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<big>Von Sn-lena | Aktualisiert vor 1 Tagen</big></div>
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<big>Griffen ist eine kleine Kärntner Gemeinde - und der berühmteste Griffener heißt Peter Handke. Der Schriftsteller ist der Anlass für den Film "Griffen - Auf den Spuren von Peter Handke" des Villacher Regisseurs Bernd Liepold-Mosser.</big></div>
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<big>Als Kind sei er ein Einzelgänger gewesen, erinnern sich die Nachbarn an Handke. "Warum die ihn so hochjubeln? Ich kann mich nicht erinnern, dass der einmal einem Fußball nachgelaufen ist", sagt ein anderer, Handkes Expertise bei "Die Angst des Tormanns beim Elfmeter" in Zweifel ziehend. Unverständnis, Feindseligkeit, unreflektierte Bewunderung - die Reaktionen, die Liepold-Mosser einfängt, sind nicht die von Lesern oder Kritikern, sondern die von entfernten Bekannten, Fans, Intimfeinden. Die Zweisprachigkeit der Gemeinde und die Ressentiments der Deutschsprachigen gegen die Windischen werden zum wichtigen Thema.</big></div>
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<big>Streckenweise denunziert der Film aber seine Gesprächspartner, indem er sich lustig macht, wenig nachfragt, plakative Bilder von Heimatverbänden gegenschneidet mit den zerfurchten Gesichtern älterer Männer, die vor jedem Satz einen langen Schluck aus der Bierflasche nehmen. Letztlich bleibt der Film an der Oberfläche und bestätigt Klischees eines kulturfeindlichen Ortes, der seinen wichtigsten Sohn nicht versteht.</big></div>
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<big>Bei der Diagonale bekam "Griffen" den Publikumspreis, Handke selbst sieht den Film kritisch, wie er in einem Brief an den Regisseur schrieb: "Es ist ein vorgefasstes Griffen, das Sie exekutieren mehr als zeigen. Es fehlt die Forschung, wenn Sie erlauben: Das Mythische der Landschaft, der Formen, des Lichts der Gegend, was mich seit jeher stärker bestimmt hat als das ewig scheußlich Aktuelle."</big></div>
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<big><i style="margin: 0px; padding: 0px;"><b style="margin: 0px; padding: 0px;">Griffen - auf den Spuren von Peter Handke.</b> Doku, Ö 2012. Regie: Bernd Liepold-Mosser. Start: 14. 9.</i> </big></div>
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<span style="background-color: #999999;">Auf den Spuren Peter Handkes</span></h1>
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<b style="background-color: #999999;">Die Lebens- und Werkgeschichten des Literaten Peter Handke sind derzeit Thema eines Symposiums im Kunsthaus Mürzzuschlag. In einem dreitägigen Literaturfest wird aus seinen Werken gelesen, diskutiert und analysiert.</b></div>
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<span style="background-color: #999999;">In den 60er-Jahren avancierte Peter Handke mit seiner Schmährede vor dem renommierten Autoren-Kollegium 47 zum enfant terrible:<br />Vor literarischen Größen wie Henrich Böll, Günther Grass, Ilse Aichinger oder Ingeborg Bachmann beklagte der damals 24-Jährige die „Beschreibungsimpotenz“ seine Kollegen.</span></div>
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<img alt="P.H." height="153" src="http://steiermark.orf.at/static/images/site/oeka/20120938/handke.5091445.jpg" style="border: 0px; display: block;" title="© Kunsthaus Mürz" width="239" /><br />
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<span style="background-color: #999999;">Kunsthaus Mürz</span></div>
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<span style="background-color: #999999;">Peter Handke gilt als literarisches Ausnahmetalent</span></div>
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<span style="background-color: #999999;">„Freiheit für Serbien“</span></h2>
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<span style="background-color: #999999;">Doch damit nicht genug: Aufsehen erregte der Ausnahmeliterat auch Jahrzehnte später, als er nach dem Jugoslawienkrieg in einem Reisebericht Freiheit für Serbien forderte. Zwischen den großen Aufregern liegen aber Schaffensperioden, in denen Handke Literatur schrieb, die heute zur Allgemeinbildung zählt.</span></div>
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<span style="background-color: #999999;">Keine allzu große Ehrfurcht zeigen</span></h2>
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<span style="background-color: #999999;">So sind in den Jahren in und um Österreich die Werke „Publikumsbeschimpfungen“, „Die Angst des Tormanns vor dem Elfmeter“, „Wunschloses Unglück“, „Himmel über Berlin“ oder „Die Stunde, da wir nichts voneinander wussten“, entstanden - hochkarätige Werke, von denen man als Leser aber nicht allzu viel Ehrfurcht haben sollte.</span></div>
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<span style="background-color: #999999;">Thomas Eder, der Organisator des Symposiums, rät: „Es ist natürlich für die Literaturwissenschaft eine große Herausforderung, Handke zu lesen, andererseits ist Literatur aber eine Darstellungsform, die nicht einem Spezialistentum vorbehalten sein sollte. Es ist ein Lesen des empfindsamen und offenen Gemüts - man kann sich an diesen Texten von Handke auf jeden Fall abarbeiten und immer auch Aufschlüsse für das eigene Leben und die eigene Biografie, vielleicht für das eigene Umgehen in der Welt in den Texten erwarten.“</span></div>
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<span style="background-color: #999999;">Abstand vor gesellschaftlicher Zurichtung</span></h2>
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<span style="background-color: #999999;">Vor allem junge Menschen würden viel Freude mit Handkes Texten haben, ist sich Eder sicher: „Sich selbst offen und empfindsam halten und die Dinge auf einen zukommen zu lassen, ist eine Eigenschaft, die wahrscheinlich viele Menschen in ihrer Jugend teilen, im Laufe ihrer späteren Spezialisierung und Professionalisierung aber auch wieder verlieren. In Peter Handke kann wer gefunden werden, der sich in dieser Hinsicht immer freigehalten hat und immer auch Abstand bewahrt hat zu dieser Form der Zurichtung durch die alltäglichen Auseinandersetzungen, Gegebenheiten und Bedürfnisse.“</span></div>
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<span style="background-color: #999999;">Ob Peter Handke selbst zum Symposium erscheint, ist noch ungewiss - fix hingegen kommen seine erste Frau Libgart Schwarz, der Verleger Louise Wieser und Autorenkollegen wie Alfred Kolleritsch und die Bachmann-Preisträgerin des Vorjahres, Maja Hade</span><span style="background-color: white;">rlap.</span></div>
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<big><b><big><span style="font-size: small;">immer noch Sturm</span></big></b></big></h1>
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<big><b><big>
Ein poetisch dramatisches Meisterwerk von Peter Handke. Kärntner Erstaufführung.</big></b></big></div>
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<big><b><big>
<b>Immer noch Sturm</b> von Peter Handke. Ein poetisch dramatisches Meisterwerk. Nestroy-Preisträger <b>Bernd Liepold-Mosser</b> inszeniert dieses ebenso mit dem Nestroypreis ausgezeichnete Stück Kärntner Kulturgeschichte.<br />
Musik von Oliver Welter.<br />
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<b>Zum Stück:</b> Das Jaunfeld, im Süden Österreichs, in Kärnten. Um einen <b>Ich-Erzähler Peter Handke versammeln</b> sich die <b>Vorfahren</b>:
Großeltern, Geschwister und auch die eigene Mutter erscheinen ihm und
begleiten ihn bin in die Träume. Daraus erwächst ein meisterhaftes
Familienepos, das sich von der Zwischenkriegszeit bis in die 50er Jahre
erstreckt. Ein Stück Kärnten, die Geschichte eines Volkes, <b>eine Geschichte der Kärntner Slowenen.</b></big></b></big></div>
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<big><b><big>Im
neuen Text von Peter Handke durchdringen sich Prosa und Drama,
Theatralisches und Poetisches, Historisches und Persönliches. Das
wahrscheinlich wichtigste Theaterstück für Kärnten, von einem der
größten Kärntner Schriftsteller.</big></b></big></div>
<big><b><big>
</big></b></big><br />
<div style="clear: both; font-size: 1.3em; line-height: 1.4em; margin-top: 1.65em; padding: 0px;">
<big><b><big> <b>Mit:</b> Daniel Doujenis, Werner Halbedl, Katrin Ackerl Konstantin, Michael Kristof, Magda Kropiunig, Nadine Zeintl, u.a.</big></b></big></div>
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</big></b></big></div>
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<big><b><big>INFO: <a href="http://www.griffen-derfilm.at/" moz-do-not-send="true" style="border-collapse: collapse; color: #303132; margin: 0px; padding: 0px; text-decoration: none;">http://www.griffen-derfilm.at</a><br />
======================================================<br />
<a href="http://kurier.at/video/kino/1835342176001-im-kino-griffen-auf-den-spuren-von-peter-handke.php">http://kurier.at/video/kino/1835342176001-im-kino-griffen-auf-den-spuren-von-peter-handke.php</a><br />
</big></b></big></div>
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<big style="font-size: 13px;"><b><big>
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<span style="font-family: 'courier new', monospace;"><b><a href="http://www.facebook.com/mike.roloff1?ref=name" moz-do-not-send="true" target="_blank">http://www.facebook.com/mike.roloff1?ref=name</a></b></span></div>
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<br />SUMMA POLITICOhttp://www.blogger.com/profile/11214697505465094305noreply@blogger.com0tag:blogger.com,1999:blog-264664972781705013.post-51451572551100180582012-07-16T18:46:00.000-07:002012-07-16T18:46:14.122-07:00Man weiß ja von Handke, dass er die Eigenschaft hat, Menschen, die ihm gegenübertreten, befangen zu machen.<br />
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<span style="font-family: 'courier new', monospace;"><b>"</b></span><span style="font-family: arial, helvetica, sans-serif; font-size: 13.888888359069824px; line-height: 20px; margin-left: 20px; text-align: justify;"> </span><span style="font-family: arial, helvetica, sans-serif; font-size: 13.888888359069824px; line-height: 21.52777671813965px; text-align: justify;"> Einen überraschenden Fund konnte ich in </span><i style="font-family: arial, helvetica, sans-serif; font-size: 13.888888359069824px; line-height: 21.52777671813965px; text-align: justify;">kolik</i><span style="font-family: arial, helvetica, sans-serif; font-size: 13.888888359069824px; line-height: 21.52777671813965px; text-align: justify;"> Nr. 50 machen. Es ist ein sehr persönlicher Brief des </span><i style="font-family: arial, helvetica, sans-serif; font-size: 13.888888359069824px; line-height: 21.52777671813965px; text-align: justify;">manuskripte</i><span style="font-family: arial, helvetica, sans-serif; font-size: 13.888888359069824px; line-height: 21.52777671813965px; text-align: justify;">-Herausgebers und Dichters Alfred Kolleritsch an seinen berühmten Freund Peter Handke aus dem Jahr 1979. Von dem Brief heißt es, er sei bisher „verschollen“ gewesen und daher in den veröffentlichten Briefwechsel-Bänden Handkes nicht enthalten. Man weiß ja von Handke, dass er die Eigenschaft hat, Menschen, die ihm gegenübertreten, befangen zu machen. Bei den alljährlich stattfindenden Petrarca-Preis-Treffen herrscht allgemeine Unruhe, bevor der große Mann endlich verspätet eintrifft. Man glaubt sich vor Handke, seiner Ich-Stärke, seinen Ansprüchen und Leistungen, seiner Genauigkeit rechtfertigen zu müssen. Der 2005 im</span><i style="font-family: arial, helvetica, sans-serif; font-size: 13.888888359069824px; line-height: 21.52777671813965px; text-align: justify;">Schreibheft</i><span style="font-family: arial, helvetica, sans-serif; font-size: 13.888888359069824px; line-height: 21.52777671813965px; text-align: justify;"> publizierte Briefwechsel mit Nicolas Born zeigt, dass selbst dieser eigenwillige Autor sich vor Handke klein wähnte und bereit war, von ihm fast jede Kränkung hinzunehmen. </span></div>
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<span style="font-family: arial, helvetica, sans-serif; font-size: 13.888888359069824px; line-height: 20px; margin-left: 20px; text-align: justify;"> </span><span style="font-family: arial, helvetica, sans-serif; font-size: 13.888888359069824px; line-height: 21.52777671813965px; text-align: justify;"> Im Fall Kolleritschs offenbart sich eine ebenso große Unsicherheit. Dabei ist er elf Jahre älter als Handke und in Graz so etwas wie sein Mentor gewesen. Aber auch er artikuliert Scheu, Verwirrung, „Angst vor Dir“ bei fast jeder Begegnung, ja „schreckhafte Momente“. „Eingedunstet in den Betrieb“ – so lautete offenbar Handkes Vorwurf –, fühlt er sich dem „Freisein“ des Freundes nicht gewachsen und beklagt sich über zugefügte Verletzungen. Man kann sich fragen, weshalb derart private Briefe zur Veröffentlichung freigegeben werden.</span></div>
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<span style="font-family: arial, helvetica, sans-serif; font-size: 13.888888359069824px; line-height: 21.52777671813965px; text-align: justify;"><a href="http://draft.blogger.com/goog_2145503330"><br /></a></span></div>
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<a href="http://www.poetenladen.de/michael-buselmeier-zslese-juli2012.htm"><span style="color: #1155cc;">http://www.poetenladen.de/</span><wbr></wbr><span style="color: #1155cc;">michael-buselmeier-zslese-</span><wbr></wbr><span style="color: #1155cc;">juli2012.htm</span></a></div>
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<br class="Apple-interchange-newline" /></div>SUMMA POLITICOhttp://www.blogger.com/profile/11214697505465094305noreply@blogger.com0tag:blogger.com,1999:blog-264664972781705013.post-74103666585273707652012-06-03T14:40:00.002-07:002012-06-03T14:40:35.773-07:00Handke Note [from the Synopsis of the Grass Poem Controversy<br />
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<span style="font-family: 'courier new', monospace; font-size: medium;"><b><span style="background-color: lime;">Handke Note [from the Synopsis of the Grass Poem Controversy]</span></b></span><br />
<big><b><big><br />
http://artscritic.blogspot.com/2012/05/guenter-grasss-notorious-poem-poetics.html</big></b></big><span style="font-family: 'courier new', monospace; font-size: medium;"><b><span style="background-color: lime; background-repeat: initial initial;">
</span></b><span class="StyleBerlingAntiqua"><b><span style="background-color: lime; background-repeat: initial initial; color: #202020;"></span></b></span><b><span style="background-color: lime; background-repeat: initial initial;"></span></b></span><br />
<span style="font-family: 'courier new', monospace; font-size: medium;"><span class="StyleBerlingAntiqua"><b><span style="background-color: silver; background-repeat: initial initial;">However, SZ, the Suedeutsche is always
game for a controversy, they did Handke’s <u>Justice for
Serbia</u> back in
1993. </span></b></span><b><span style="background-color: silver; background-repeat: initial initial;"></span></b><span class="StyleBerlingAntiqua"><b><span style="background-color: silver; background-repeat: initial initial;">Handke, surprisingly, fails to enter
the fray [of the Grass controversy] in this instance. He did the time Grass revealed
in <u>Peeling the
Onion</u> in 2007 that he had been a member of the Waffen-SS, a
tank gunner, small
stature, good fit for cramped spaces, U-Boats. Handke strutted forth with the
worst kind of
self-righteousness, the newsfolk caught up with him in Spain [Handke had forgotten what he had
learned from Milovan
Djilas] </span></b></span><b><span style="background-color: yellow; background-repeat: initial initial;">¡<span class="apple-converted-space"> </span></span></b><b><span style="background-color: silver; background-repeat: initial initial;"><a href="http://dict.tu-chemnitz.de/espanol-aleman/esto.html" moz-do-not-send="true"><span style="background-color: yellow; background-repeat: initial initial;">esto</span></a></span></b><span class="apple-converted-space"><b><span style="background-color: yellow; background-repeat: initial initial;"> </span></b></span><b><span style="background-color: silver; background-repeat: initial initial;"><a href="http://dict.tu-chemnitz.de/espanol-aleman/es.html" moz-do-not-send="true"><span style="background-color: yellow; background-repeat: initial initial;">es</span></a></span></b><span class="apple-converted-space"><b><span style="background-color: yellow; background-repeat: initial initial;"> </span></b></span><b><span style="background-color: silver; background-repeat: initial initial;"><a href="http://dict.tu-chemnitz.de/espanol-aleman/una.html" moz-do-not-send="true"><span style="background-color: yellow; background-repeat: initial initial;">una</span></a></span></b><span class="apple-converted-space"><b><span style="background-color: yellow; background-repeat: initial initial;"> </span></b></span><b><span style="background-color: silver; background-repeat: initial initial;"><a href="http://dict.tu-chemnitz.de/espanol-aleman/verghtml" moz-do-not-send="true"><span style="background-color: yellow; background-repeat: initial initial; color: #589e92;">vergüenza</span></a></span></b><span class="apple-converted-space"><b><span style="background-color: yellow; background-repeat: initial initial;"> </span></b></span><b><span style="background-color: yellow; background-repeat: initial initial;">!</span></b><span class="StyleBerlingAntiqua"><b><span style="background-color: yellow; background-repeat: initial initial;"> at that time
everyone knew at age 17 what the SS was, </span></b></span><span class="StyleBerlingAntiqua"><b><span style="background-color: silver; background-repeat: initial initial;">where I felt I needed to point out that
the 30 year old Handke at times seemed not to know what
every normal 12 year
old does. <br />
</span></b></span><span class="StyleBerlingAntiqua"><b><span style="background-color: silver; background-repeat: initial initial;"> Surprising hat with everybody and
his cat chiming in on the Grass controversy Peter Handke
did not. Journalists,
knowing that Handke is always good for a sexy quote, did
not get anything out
of him until he and his buddy Luc Bondy started giving
interviews for the
mid-May 2012 premiere of <u>Die Schoenen Tage von
Aranjuez.</u> Handke, a
pretty bad liar, lied, not that unusual for him, but
certainly so in an
instance where a star was robbing him of some of his space
in the firmament his
featured place in the lime light, big time,
internationally, the Grass story spread
to India, Thailand, Japan.</span></b></span><b><span style="background-color: silver; background-repeat: initial initial;"></span></b></span><br />
<div style="text-indent: .5in;">
<span style="font-family: 'courier new', monospace; font-size: medium;"><span class="StyleBerlingAntiqua"><b><span style="background-color: silver; background-repeat: initial initial;">Handke, when he finally replied to a query
whether he had read the
poem, said no, he was in Paris - as though my
kiosk-hound cannot find German papers or read the
translation in his
daily <u>Le Monde</u>! Handke’s companion during the
interview, Luc Bondy, had
read the poem and was dismissive. Handke was surprisingly
generous in recalling
a powerful Grass poem of 1966 at Princeton, but then
slighted Grass’s
intelligence… He did pretty much the same thing in two
different interviews, he
and his buddy began to look like the Bobsy Twins!</span></b></span><b><span style="background-color: silver; background-repeat: initial initial;"></span></b></span></div>
<div style="text-indent: .5in;">
<span style="font-family: 'courier new', monospace; font-size: medium;"><span class="StyleBerlingAntiqua"><b><span style="background-color: silver; background-repeat: initial initial;">However, “the comeback kid” is back in good
graces, his press has been
good, deservedly so, for good work, if he has continued to
beat up women or
indulged in other nefarious proclivities we have not heard
about it, although wife Sophie Semin did look very sour in her recent Lillian Photo so why get
involved in a fray that is a lose lose proposition?
Attacking Grass Handke would
have found himself in the company of Joffe, Schirrmacher,
Nauman and
Reichs-Kanickel – second raters who have given him no end
of stupefying grief
over the years, Ranicki turns out to be the best of that
lot, sadly. Coming out
in defense – there was a plenty of that, but it would have
made news and not helped him. Thus “ta geule!”</span></b></span><b><span style="background-color: silver; background-repeat: initial initial;"></span></b></span></div>
<div style="text-indent: .5in;">
<span style="font-family: 'courier new', monospace; font-size: medium;"><span class="StyleBerlingAntiqua"><b><span style="background-color: silver; background-repeat: initial initial;">Moreover, as evidenced by the controversy, the
last thing you want to
do as a German language author is become embroiled in a
dog fight that involves
anti-Semitism. Handke briefly compared the bombing of
Belgrade to Auschwitz, a
comparison rapidly apologized for, but which at the very
least demonstrated the
authenticity of his pain at the final form of the West’s
decimation of the 2<sup>nd</sup>
Federation. </span></b></span><b><span style="background-color: silver; background-repeat: initial initial;"></span></b></span></div>
<span style="font-family: 'courier new', monospace; font-size: medium;"><span class="StyleBerlingAntiqua"><b><span style="background-color: silver;">Other major worthies of Grass’generation
and fellow Gruppe 47 members such as Enzensberger and
Jürgen Habermas have kept
their public mouths <i>ta greule</i>, so
far. Martin Walser noted, in passing, that Grass was
anything but an
anti-Semite, as did a lot of goyim and Jewish friends of
his also citing
the portrayal of the toy maker in <u>The Tin Drum.</u>
The most touching,
heart-breakingly so, was an aging German Jew who survived
by becoming an
enthusiastic Hitler Youth, even though, as he later found
out, both his parents
and his sister were killed by the Nazis. But he felt Grass
was right. </span></b></span></span><big><big><big><b><span style="background-color: magenta; font-family: Georgia, serif; font-size: 13px; font-weight: normal; line-height: 20px; text-align: left;">http://www.badische-zeitung.de/leserbriefe-68/grass-hat-das-recht-zu-solch-einer-warnung--58301213.html</span></b></big></big></big><br />
<div style="text-indent: .5in;">
<span style="font-family: 'courier new', monospace; font-size: medium;"><span class="StyleBerlingAntiqua"><b><span style="background-color: silver; background-repeat: initial initial;">Occasionally, in that wasteland of officialeese,
a private voice peeks
through.</span></b></span><b><span style="background-color: silver; background-repeat: initial initial;"></span></b></span></div>
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</span></div>SUMMA POLITICOhttp://www.blogger.com/profile/11214697505465094305noreply@blogger.com0tag:blogger.com,1999:blog-264664972781705013.post-90648973256447535772012-06-01T09:14:00.001-07:002012-06-01T09:14:17.130-07:00Begegnung mit Peter Handke<span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: 'courier new', monospace; font-size: 13px;"><b><a href="http://www.nachrichten.at/sport/mehr_sport/tennis-blog/art121737,897646">Begegnung mit Peter Handke</a></b></span><br />
<div style="color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<span style="background-color: yellow;"><br /></span></div>
<div style="color: #555555; float: left; font-family: Arial, Helvetica, 'Lucida Grande', Sans; font-size: 13px; line-height: 16px; margin: 0px; min-height: 0px; padding: 0px 0px 8px; vertical-align: middle; width: 981px;">
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<a href="http://www.nachrichten.at/sport/mehr_sport/tennis-blog/" style="background-color: yellow; color: #999999; margin: 0px; padding: 0px; text-decoration: none;" target="_blank">Tennis-Blog</a></div>
<h2 style="color: #444444; float: left; font-size: 22px; font-weight: normal; line-height: 24px; margin: 0px; padding: 0px; width: 747px;">
<span style="background-color: yellow;">Begegnung mit Peter Handke</span></h2>
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</div>
</span><div style="margin-bottom: 8px; padding: 0px;">
<span style="background-color: yellow;">Die Tennis-French-Open dauern oft bis lange in die Nacht. So geschehen auch, als sich John Isner (USA) am Donnerstag Abend mit dem Franzosen Paul-Henri Mathieu einen packenden Schlagabtausch lieferte und nach 5:41 Stunden Minuten und einem 16:18 im fünften Satz geschlagen geben musste.</span></div>
<div style="margin-bottom: 8px; padding: 0px;">
<span style="background-color: yellow;">Noch ein kurzer Imbiss in der Innenstadt von Paris – und dann ging es mit der Metro Richtung Hotel im Stadtteil Porte de Versailles. Da stand doch am Bahnsteig ein Herr, dessen Gesicht mir und einem Kollegen bekannt vorkam. „Peter?“, lautete das vorsichtige Herantasten. Der Mann blickte uns an. Da probierten wir es noch einmal. „Peter Handke?“ - „Ja, das bin ich.“ Und so plauderten wir (der Schriftsteller lebt seit Jahren in der Nähe der Seine-Metropole) ein paar Metro-Stationen lang. Was wir den von Beruf seinen, fragte er. „Sportjournalisten. Und wir berichten von den French Open.“ Tennis, das sei nicht unbedingt sein Sport, sagte Handke. Aber was im Fußball passiert, das verfolgt er sehr genau. Die Euro wird er sich im Fernsehen anschauen. Fast hätten wir wie der Tormann die Angst vor dem Elfmeter die Schüchternheit, die das Gespräch umgab, abgelegt – doch just in diesem Moment öffneten sich die Türen der Metro, Handke stieg aus. Zum Abschied gab es noch als Zeichen des Abschieds ein Winken. Schon verließ die U-Bahn die Station. Adieu, Monsieur Handke. Au Revoir, Roland Garros und Paris. Ich habe ausgefranzt, jetzt geht es nach Hause.</span></div>
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</div>SUMMA POLITICOhttp://www.blogger.com/profile/11214697505465094305noreply@blogger.com0tag:blogger.com,1999:blog-264664972781705013.post-28551629255276801162012-05-25T09:38:00.002-07:002012-05-25T09:38:57.055-07:00TWEEN TEENS COMPETING IN A HANDKE READING CONTEST<span style="font-family: 'courier new', monospace;"><b></b></span><br />
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<span style="font-family: 'courier new', monospace;"><b><span style="background-color: #eeeeee;">Das Maerchen "Lucie", Handke's zweite Tochter, Loacadie gewidmet, und von Handke's</span></b></span></div>
<div>
<span style="font-family: 'courier new', monospace;"><b><span style="background-color: #eeeeee;">Friedens-Pilzen
handelnd ist wohl als Maerchen fuer Jugendliche geeignet. Dagegenhin,
kann ich mir nicht vorstellen, dass jemand mit LINKSHAENDIGE FRAU
anfangen kann, ausser er oder sie had tiefe Erfahrungen mit der Ehe.
Als Amerikanische Uebersetzer von Handke's HILFERUFE freue ich mich,
dass einer der Studenten so gescheit wahr dieses grossartige Stueck
auszuerwaehlen.<a href="http://www.kleinezeitung.at/kaernten/voelkermarkt/griffen/3025747/erlesenes-fest-den-spuren-peter-handkes.story"> TWEEN TEENS COMPETING IN A HANDKE READING CONTEST</a></span></b></span></div>
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<span style="font-family: 'courier new', monospace;"><b><br /></b></span></div>
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<span style="font-family: 'courier new', monospace;"><b><span style="background-color: yellow; font-size: large;">Erlesenes Fest auf den Spuren Peter Handkes</span></b></span></h1>
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<span style="font-family: 'courier new', monospace;"><b><span style="background-color: yellow;">Das 6. Griffner Lesefest konnte gestern eine Teilnehmerin aus Ferlach für sich entscheiden. Ein Vortrag mit Einsatz von Musik überraschte die Jury</span></b></span></div>
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<span style="font-family: 'courier new', monospace;"><b><span style="background-color: yellow;"><span style="font-family: Arial, sans-serif; font-size: 13px; font-weight: normal; line-height: 18px;">Peter Handke von Schülern gelesen ist ein waghalsiges Unterfangen, würde sich ein Erwachsener denken. Dem ist nicht so: Überrascht musste gestern die Jury des 6. Griffner Schülerlesefestes im Kulturzentrum feststellen, wie souverän und beeindruckend die Schüler ihre vorbereiteten Textauszüge vor einem großen Publikum vortrugen.</span><b><div style="display: inline !important;">
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Somit darf auch Peter Handkes Motto zum Lesefest mit "Muss ich lesen? Soll ich lesen? Darf ich lesen?" mit dem Selbstverständnis "Ich lese!" erweitert werden. "Sprache ist für mich auch Ausdruck der Seele und Handke ist Meister der Seelenbeschreibung" leitete Organisatorin Isolde Fellner-Wröhlich das mit Spannung erwartete Wettlesen ein - mit Applaus des Publikums, der als Gruß und Bekundung der Wertschätzung für Peter Handke galt.</div>
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</b></span></b></span></div>
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<span style="font-family: 'courier new', monospace;"><b><span style="background-color: yellow;">Der Schriftsteller feiert heuer seinen 70. Geburtstag. Zum Auftakt der Feierlichkeiten in Griffen stellten sich zehn Schülerinnen und Schüler der Hauptschulen aus den Bezirken Klagenfurt Stadt und Land, Wolfsberg und Völkermarkt mit Leseproben von Handkes Werken einer hochkarätigen Jury, bestehend aus Helmut Zechner, Geschäftsführer der Klagenfurter Buchhandlung Heyn, Fabjan Hafner, Leiter des Musil-Instituts Klagenfurt und Biograf von Peter Handke sowie Uschi Ogris-Loigge, Leiterin der Kulturredaktion der<em>Kleinen Zeitung</em>.</span></b></span></div>
<div style="font-family: Arial, sans-serif; font-weight: normal; line-height: 1.4em; margin-top: 1.65em; padding: 0px;">
<span style="font-family: 'courier new', monospace;"><b><span style="background-color: yellow;">Aufgabe der Teilnehmer war es, in circa sieben Minuten sich selbst, den Autor und sein Werk vorzustellen sowie daraus eine Leseprobe zu geben. Nach zweieinhalb spannenden Stunden Lesen und zwei Pausen mit Jause einigte sich die Jury auf die Siegertexte.</span></b></span></div>
<h2 style="clear: both; font-family: Arial, sans-serif; margin: 1.4em 0px 0.3em; padding: 0px;">
<span style="font-family: 'courier new', monospace;"><b><span style="background-color: yellow; font-size: small;">Arbeit schwer gemacht</span></b></span></h2>
<div style="font-family: Arial, sans-serif; font-weight: normal; line-height: 1.4em; padding: 0px;">
<span style="font-family: 'courier new', monospace;"><b><span style="background-color: yellow;">Hafner, Sprecher der Jury: "Uns ist mit dem Lesewettbewerb die Arbeit auf schöne Weise sehr schwer gemacht worden." Letztlich errang den ersten Platz im "klar mit Verstand und Gefühl" vorgebrachten Auszug aus "Lucie im Wald mit den Dingsda", die 13-jährige Alyssa Guetz von der Neuen Mittelschule Ferlach. Die Siegerin gab sich dennoch äußerst bescheiden und freut sich, "dass ich von meiner Schule ausgewählt worden bin, hier mitmachen zu dürfen".</span></b></span></div>
<div style="font-family: Arial, sans-serif; font-weight: normal; line-height: 1.4em; margin-top: 1.65em; padding: 0px;">
<span style="font-family: 'courier new', monospace;"><b><span style="background-color: yellow;">Beeindruckt, wie souverän die Lesetexte aus "Die linkshändige Frau" von der zweitplatzierten Sabrina Müller von der Hauptschule Griffen vorgebracht wurden, zeigte sich Jurorin Ogris-Loigge. "Erkenntnisreich" für Zechner war das von den Drittplatzierten Selina Fritzl, Raffaela Planka und Alexander Rampitsch (Musikhauptschule Wolfsberg) mit Musik vorgebrachte Sprechstück "Hilferuf". Zechner: "Wusste bis dato nicht, ob eingespielte Musik zum Lesen dazugehört. Nun bin ich des Besseren belehrt worden: Ja!"</span></b></span></div>
</div>SUMMA POLITICOhttp://www.blogger.com/profile/11214697505465094305noreply@blogger.com0tag:blogger.com,1999:blog-264664972781705013.post-91407914506163158942012-05-06T11:20:00.000-07:002012-05-08T16:11:59.166-07:00HANDKE INTERVIEW RE FRANCE, SARKOZY, HOLLANDE ETC<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;"> </b><b style="background-color: yellow;"> Here is another interview of about the same date</b></span><br />
<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: yellow;">in May in Die Zeit. Here is just the link:</b></span><br />
<a href="http://www.zeit.de/2012/19/Gespraech-Handke-Bondy/seite-1" style="background-color: magenta;">http://www.zeit.de/2012/19/Gespraech-Handke-Bondy/seite-1</a>
<br />
<h1 id="MailAction_Title" style="border-bottom-style: none; border-color: initial; border-image: initial; border-left-style: none; border-right-style: none; border-top-style: none; border-width: initial; clear: both; line-height: 1.1em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0.2em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<span style="background-color: #cccccc; font-family: 'Courier New', Courier, monospace; font-size: small;">Handke über Frankreich: Der stille Amoklauf der Verlorenen</span></h1>
<div class="intro" id="MailAction_Subtitle" style="line-height: 1.3em; margin-bottom: 1.1em; margin-top: 0.8em !important; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Europa
blickt am Sonntag nach Frankreich, das seinen Präsidenten wählt. Peter
Handke lebt hier seit 22 Jahren. Wir trafen den Schriftsteller und
sprachen mit ihm über Sarkozy, Hollande, den Aufschrei der Verzagten und
den verblichenen Traum von Größe.</b></span></div>
<div class="art_foto_big" style="border-bottom-color: rgb(202, 202, 202); border-bottom-style: dotted; border-bottom-width: 1px;">
<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;"><img alt="Peter Handke lebt seit 22 Jahren in Frankreich" src="http://static2.kleinezeitung.at/system/galleries_520x335/upload/5/6/0/3011952/handke_050512ap_726.jpg" style="border-bottom-color: rgb(175, 175, 175); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-image: initial; border-left-color: rgb(175, 175, 175); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(175, 175, 175); border-right-style: solid; border-right-width: 1px; border-style: initial; border-top-color: rgb(175, 175, 175); border-top-style: solid; border-top-width: 1px;" title="Peter Handke lebt seit 22 Jahren in Frankreich" /></b></span><br />
<div style="color: #616161; height: 15px; line-height: 1.3em; overflow-x: hidden; overflow-y: hidden; padding-bottom: 0.45em; padding-left: 2px; padding-right: 2px; padding-top: 0.45em;">
<span class="src" style="color: #949494; float: right; margin-bottom: 0px; margin-left: 10px; margin-right: 0px; margin-top: 0px;"><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Foto © AP</b></span></span><span class="in" style="background-color: #cccccc; float: none; margin-left: 0px;"><span style="font-family: 'Courier New', Courier, monospace;"><b>Peter Handke lebt seit 22 Jahren in Frankreich</b></span></span></div>
</div>
<div style="line-height: 1.4em; margin-top: 1.1em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Peter
Handke wirkt müde. Er hat sich ein Fahrrad gekauft und ist damit
hundert Kilometer durch die Picardie im Norden Frankreichs gefahren. Es
ist eine sanft geschwungene Hügellandschaft - viele kleine romanische
Kirchen und weite Rapsfelder. Er mag es, wenn der Sommer naht, sagt
Handke.</b></span></div>
<div style="position: absolute; top: -10px; z-index: 500;">
<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;"><img alt="" height="1" src="http://static.kleinezeitung.at/RealMedia/ads/adstream_lx.ads/kleinezeitungrelaunch/kultur_stmk/L21/1321711406/Middle1/kleinezeitung/default_Middle1_062509/default_Top_062509.html/502b6367594534496c52734142654f4a?_RM_EMPTY_&wetter=schoen&be_id=617&ge_id=61755&schnee=nein&screen=small" style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px;" width="1" /></b></span></div>
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<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Am
Vormittag hat es in Chaville bei Paris geregnet, jetzt bricht die Sonne
durch. Der Dichter lädt die Gäste ein, am alten Holztisch im Garten
Platz zu nehmen. Am Abend zuvor war er in der kleinen heruntergekommenen
Bar unten am Eck, die ein alter vereinsamter Algerier betreibt, und hat
sich das Fernsehduell zwischen Nicolas Sarkozy und François Hollande
angeschaut.</b></span></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Wie empfinden Sie Sarkozy und Hollande?</b></span></em></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">PETER
HANDKE: Sarkozy hat in den vergangenen Jahren an Statur gewonnen und an
Reife. Man spürt die Erfahrung, eine gewisse Musikalität der Macht. Er
hat sich gewandelt. Auch die Stimme ist anders geworden und der Blick.
Und auch eine gewisse Traurigkeit und Ironie der Macht sieht man bei
ihm.</b></span></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Würden Sie ihn wählen?</b></span></em></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE: Ich würde ihn nie wählen. Auch, weil er einen Krieg gemacht hat gegen Libyen.</b></span></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Und Hollande?</b></span></em></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE:
Bei dem habe ich überhaupt kein Gefühl. Ich habe nur Abwehr. Das ist
ein Mensch, der Sozialist spielt. Der wirkt so, als säße er vor dem
Spiegel und redete sich selbst an. Der sieht niemand anderen. Ein
seltsamer neuer Sozialist, für den es den anderen gar nicht mehr gibt.
Bei Sarkozy dagegen kann man sich was vorstellen.</b></span></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Was denn?</b></span></em></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE:
Ich stelle mir ganz gerne vor, wie er mit seiner Carla im Bett liegt,
er so klein und sie so groß. Bei Hollande kann man sich überhaupt nichts
vorstellen an Leben. Bei Hollande, da hängen so wie bei mir fast schon
die Augenwinkel herunter. Das ist kein Mensch. Der funktioniert einfach
gut. Aber was ist seine Vision von der Gesellschaft, vom Menschen?</b></span></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Hollande will einen starken, fürsorgenden Staat.</b></span></em></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE:
Mit Vision ist eine Poesie verbunden. Wo ist seine Poesie? Wenn er die
Stimme erhebt, fängt er zu krächzen an. Seine Gesten erinnern an eine
Vogelscheuche. Er ist wie ein seltsamer Vogel und die Vogelscheuche in
einem. Er ist aber sehr geistesgegenwärtig. Nur Geistesgegenwart ist
überhaupt nicht das Gleiche wie Geist. Hollande ist sehr funktionell.
Bei Sarkozy spürt man dagegen, vielleicht durch die Besorgnis,
irgendeine Art von Leben, von unterirdischem Leben. Da ist etwas
dazugekommen, das durchdringt und nur sein kann, wenn man es schon immer
hatte: eine Seele.</b></span></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Warum sind die Franzosen seiner dann so überdrüssig?</b></span></em></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE:
Die Franzosen sind Jakobiner. Das kommt aus der Revolution. Die möchten
immer jemanden niedertreten. Das ist nicht einmal politisch, sondern
etwas Furchtbares, Archetypisches. Den König getötet zu haben, daraus
bezieht eine gewisse Masse noch immer ihren Stolz: Wir haben einen König
erledigt. Diese Wollust spürt man bis heute.</b></span></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Uns überrascht, wie hart Sie über Hollande urteilen. Immerhin sind ihm viele zugetan.</b></span></em></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE:
Die sind ihm überhaupt nicht zugetan. Die denken, das ist ein
Hampelmann. Schon wie er schaut. Er spielt den Tribun, den
Massenbeweger.</b></span></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Tun das nicht beide?</b></span></em></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE:
Ein guter Schauspieler, der spielt, spielt etwas Wahres, der spielt
irgendetwas vom Menschen mit. Das tut Sarkozy. Bei Hollande spielt
nichts mit von einem Menschen. Der spielt nur den Spieler.</b></span></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Gab es französische Präsidenten, die Sie beeindruckt haben?</b></span></em></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE:
Vielleicht De Gaulle. Der hatte eine Geschichte, der ist als General in
eine Geschichte hineingeraten, der er standgehalten hat.</b></span></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Und Mitterrand?</b></span></em></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE:
Eine einbalsamierte Figur. So wie Lenin am Roten Platz. Der ist nichts
als ein Schlaumeier gewesen. Ein Marionettenspieler, der wusste, wie er
die Fäden ziehen muss. Ein Zyniker, der als Innenminister im
Algerienkrieg kommunistische Widerstandskämpfer hat hinrichten lassen.
Dass wird nie verzeihen werden. Aber die Macht ist halt Shakespeare.
Jeder Politiker ist ein Killer.</b></span></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Sie diabolisieren.</b></span></em></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE: Nein, Politiker müssen killen. Selbst ein kleiner Bürgermeister muss killen. Der muss Feinde haben.</b></span></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Wenn Sie so reden: Was ist Ihr Ideal eines Politikers?</b></span></em></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE:
Er muss aus der Situation, aus dem Problem heraus sprechen, aus seiner
Freude, seinem Enthusiasmus, auch aus seinem Kummer, seiner Wut.</b></span></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Sechs
Millionen Franzosen haben im ersten Wahlgang für Marine Le Pen und die
äußerste Rechte gestimmt. Das sind doch nicht alle Neonazis. Was macht
diese Leute so empfänglich für die Feindbilder, das Ressentiment, das
Antieuropäische?</b></span></em></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE:
Der Zuspruch kommt zu einem erheblichen Teil aus einer Bitternis, aus
Hilflosigkeit, aus einem "Ich-Weiß-Nicht-Mehr-Was-Tun".</b></span></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Bitternis worüber?</b></span></em></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE:
Dass sich niemand um sie kümmert. In Lothringen im Osten sind alle
Stahlarbeiter verschwunden. Die Arbeitslosigkeit ist gewaltig. Ein
Viertel der Arbeiter, die immer Sozialisten oder Kommunisten waren,
wollen jetzt ein Zeichen setzen, obwohl das Zeichen überhaupt keinen
Sinn hat. Das wissen die auch selber. Das sage ich jetzt nicht als so
genannter Kommentator als Arschloch. Das ist fast ein physikalischer
Impuls von diesen Leuten. Die sagen Nein. Die haben vielleicht sogar
eine Idee von Frankreich. Sie sagen: "Ich habe meinen Garten". So ein
Schrebergarten ist ja nicht nur eine Dummheit. Das ist ja etwas
Gewaltiges, Schönes. Das muss man nicht verächtlich machen. Die sagen
also: "Jetzt bin ich umgeben von Leuten, die nichts zu tun haben, mit
meiner Landschaft, wo ich als Kind war, wo ich vielleicht gebräutelt
habe", wie man auf Österreichisch sagt.</b></span></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Aber sind nicht auch die Zugewanderten Verlorene?</b></span></em></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE:
Das ist eine tragische Geschichte. Ich mag die Zugewanderten. Die aus
Afrika kommen, die Stromableser, Automechaniker und Installateure. Die
sind wie mein Wirt am Eck oft vierzig Jahre hier und dürfen noch immer
nicht wählen. Schwierig sind die Jungen, die Nachkömmlinge. Die machen
Krach. Lärm ist Aggression. Den anderen gibt es nicht. Einfach verloren
sein im eigenen Land, bei den eigenen Vorfahren. Das ist ja nicht ganz
ohne, Vorfahren zu haben: Wo ich herkomme, wo diese Linien der
Landschaft gehen, oder der Horizont. Und den Horizont gibt es nicht
mehr. Der Horizont ist versperrt von Lärm und Missachtung. Dann wähle
ich mit einem gewissen Kummer oder aus Wut oder Ratlosigkeit diese
Marine Le Pen.</b></span></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Man wählt das Verfemte?</b></span></em></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE: Ja, gerade das Verbotene. Das ist eine Art stiller Amoklauf der Verlorenen. Der führt natürlich zu nichts.</b></span></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Wie passt diese düstere Grundstimmung, die Sie da beschreiben, zum stolzen Selbstbild Frankreichs?</b></span></em></div>
<div style="line-height: 1.4em; margin-top: 1.65em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE: Dieser Stolz, worauf soll der beruhen? Das ist ein verblichener Traum.<br />
</b></span></div>
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<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE: Überall, wo man hinfährt. Jedes Dorf ist groß. Das</b></span></div>
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<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">hat
aber nichts mit Kriegerdenkmälern zu tun, sondern mit dem Bauerntum,
mit der Vielfalt von Baum- und Erdfrüchten. Frankreich ist seelisch ein
Fruchtland.</b></span></div>
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<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Wo wird dieses bäuerliche Frankreich, das Sie preisen, für Sie besonders greifbar?</b></span></em></div>
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<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE:
Wir sind hier nur zwei Kilometer von Versailles entfernt, nach
Versailles fangen sofort die Äcker und Fruchtgärten an. Heute ist
natürlich alles fragmentiert und Brüssel bestimmt, was wo angebaut wird.
Aber allein, wie jetzt über den Äckern die Lerchen anfangen zu steigen,
in verschiedenen Etagen: Gibt es das in Österreich? Fünf Kilometer vor
Paris, das ist ein Zeichen. Lerchen sind dort, wo etwas wächst. Nicht
Unkraut. Fruchtbares. Bis Rennes, bis ans Meer, bis in die Bretagne, bis
Quimper oder Lorient: überall Lerchen. Und überall Wälder von
Edelkastanien. Das ist Fruchtland, altes Königsland. Man könnte das Volk
noch heute bei einer Hungersnot ernähren. Ganz Frankreich ist
durchflochten von Essbarem.</b></span></div>
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<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Spüren Sie die Kraft des Landes auch bei den Leuten?</b></span></em></div>
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<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE:
Nein, auf dem Land ist da eher große Verzagtheit. Jedes Mal, wenn ich
aufs Land fahre, ist wieder eine Bäckerei zu, oder eine Bar. Jedes Mal
ein anderes Geschäft. Und überall steht: "Zu verkaufen". Die Pariser
ziehen hin und nehmen die Sachen aus den Supermärkten mit. Manchmal
denke ich mir: Vielleicht kommt ja alles wieder zurück. Dass die Städter
aufhören, auf dem Land Städter zu spielen und Gentlemenfarmer. Dass sie
sich wirklich kümmern um jeden Moment von Boden. Bei jedem Wind und bei
jedem Wetter.</b></span></div>
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<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Sie leben jetzt bald ein Vierteljahrhundert in diesem Land. Wie sehr hat Frankreich Sie geprägt?</b></span></em></div>
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<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE: Das müssen Sie mir sagen. Ich weiß es nicht.</b></span></div>
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<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Erkennen Sie gar nichts Französisches an sich?</b></span></em></div>
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<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE:
Nein, ich bin Österreicher. Ich möchte nicht Franzose sein. Ich bin ein
Zugewanderter. Und ich versuche auch, die Bescheidenheit eines
Zugewanderten zu behalten. Aber gerade die Zugewanderten legen dann oft
besonders los, wenn ihnen etwas nicht passt.</b></span></div>
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<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Sie auch?</b></span></em></div>
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<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE: Ich auch.</b></span></div>
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<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Was passt Ihnen nicht?</b></span></em></div>
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<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE: Vieles.</b></span></div>
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<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Was hält Sie hier?</b></span></em></div>
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<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE:
Meine Enklave, wie ich das nenne. Die Verantwortung für den Flecken
Erde, den ich nicht verkommen lassen möchte, für das Haus, das ich gerne
habe. Für die Leute, die es gebaut haben. Allein wenn ich das
Stiegenhaus anschaue: Wie das gedrechselt ist. Ich habe eine große
Achtung davor, auch vor dem Abgesplitterten.</b></span></div>
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<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Und der Garten?</b></span></em></div>
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<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE:
Da habe ich weniger Achtung, weil der ist von mir. Verantwortlich fühle
ich mich aber auch für den Wald, die Wälder hier. Wenn Leute hier
lärmen und herumballern, dann gehe ich sogar als Auswärtiger und
Zugewanderter auf sie zu und sage: Haut ab!</b></span></div>
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<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Der Sheriff von Chaville?</b></span></em></div>
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<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE: Ja, wäre ich gerne. Hilfssheriff.</b></span></div>
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<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Hauen sie dann ab?</b></span></em></div>
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<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE: Ich sage denen, das ist Wald hier. Das sind königliche Wälder.</b></span></div>
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<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Und dann halten die Störenfriede inne und gehen?</b></span></em></div>
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<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE: Natürlich nicht. Aber für einen Moment, für zwei Sekunden sind sie still. Und dann geht es noch lauter los.</b></span></div>
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<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Was mögen Sie noch an Frankreich, wenn Sie Ihre Enklave hinter sich lassen?</b></span></em></div>
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<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE:
Die Kreuzwege in den Wäldern, die sich wie Sterne treffen. Man geht und
geht und sieht die Horizonte. Ich mag das Licht hier, das Licht der
Île-de-France, den Himmel. Ich mag auch, wie Paris gebaut ist. Dass die
Straßen bis an den Stadtrand hinaus gehen und man die hintersten Hügel
sieht. Ich mag die Regionen, die Bretagne, das Languedoc, die Normandie,
die Provence und Burgund. Das ist etwas anderes als Hessen oder Bayern.
Sogar Lothringen! Allein das französische Wort dafür: Lorraine. Da
macht die Geschichte die Hügel zusätzlich schwingen. Frankreich ist
schon ein großes Land! Was da auch an Schriftstellern war: Montaigne,
Rabelais, Molière, die herrlichen Komödien von Molière! Und Marivaux!
Was für eine Anmut! Was für eine Lässigkeit!</b></span></div>
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<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Sie sprechen von der Natur und von Toten, wenn Sie über Ihr Frankreich reden. Was ist mit den Lebenden. Meiden Sie die?</b></span></em></div>
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<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE:
Ich bin nicht gegen Menschen. Ich mag die Gemeinschaft. Ich mag die
einfachen Leute. Aber wenn man unter zu vielen Menschen ist, sieht man
nichts. Natürlich gibt es die Passanten auf der Straße. Schon ihre
Silhouetten sind schön in Frankreich, sind eleganter als anderswo. Auch
die Frauen. Das ist natürlich alles verlogen. Aber es ist eine schöne
Lüge.</b></span></div>
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<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Was ist anders an den Frauen?</b></span></em></div>
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<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE:
Die Art, wie sie reden und sich bewegen. Diese Erdenschwere ist nicht
da, die man manchmal aus Mitteleuropa kennt. Dafür kann man bei uns
diese Mozartsche und Schubertsche Anmut bei Frauen beobachten. Das ist
auch wieder rührend. Im Salzburger Land, in Kärnten, überall sind die
Frauen and<a href="http://www.kleinezeitung.at/nachrichten/kultur/3011952/handke-ueber-frankreich-stille-amoklauf-verlorenen.story?seite=2">handke-ueber-frankreich-stille-amoklauf-verlorenen.story?seite=2</a>ers. Hier in Frankreich spielen die Mädchen sehr früh Frau.
Manchmal kann es einen ärgern, manchmal kann es einen rühren, entflammen
auch. Als Älteren.</b></span></div>
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<em><span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">Werden Sie bleiben?</b></span></em></div>
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<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">HANDKE: Wo soll ich denn hin?</b></span></div>
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<div class="author" style="color: dimgrey; float: left; width: 210px;">
<span style="font-family: 'Courier New', Courier, monospace;"><b style="background-color: #cccccc;">INTERVIEW: HUBERT PATTERER, STEFAN WINKLER</b></span></div>
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<br class="Apple-interchange-newline" /></div>SUMMA POLITICOhttp://www.blogger.com/profile/11214697505465094305noreply@blogger.com0tag:blogger.com,1999:blog-264664972781705013.post-85382493530543274182012-05-03T08:46:00.000-07:002012-08-12T16:30:50.769-07:00Luc Bondy und Peter Handke Plaudern...<br />
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<a href="http://nachtkritik.de/index.php?view=article&catid=242%3Apresseschau&id=6865%3Apresseschau-vom-3-mai-2012--luc-bondy-und-peter-handke-plaudern-in-der-zeit-aus-ihrem-leben&tmpl=component&print=1&layout=default&page=&option=com_content&Itemid=115" rel="nofollow" style="color: #2a86b4; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" title="Drucken"><br class="Apple-interchange-newline" />| Drucken |</a></div>
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<span style="background-color: yellow;"><span style="font-family: 'Courier New', Courier, monospace; font-size: small;">Presseschau vom 3. Mai 2012 – Luc Bondy und Peter Handke plaudern in der ZEIT aus ihrem Leben</span></span></h1>
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<span style="background-color: yellow;"><b><span style="font-family: 'Courier New', Courier, monospace;">Erfinden und Erleben</span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-family: 'Courier New', Courier, monospace;"><span class="text_datum" style="border-left-color: rgb(171, 52, 15); border-left-style: solid; border-left-width: 6px; color: #07474f; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 2px; padding-left: 6px; padding-right: 0px; padding-top: 0px;">3. Mai 2012.</span> Seit den 1960er Jahren sind Luc Bondy und Peter Handke miteinander befreundet. Aber noch nie hat der Theaterre<a href="http://nachtkritik.de/index.php?option=com_content&view=article&id=6865:presseschau-vom-3-mai-2012--luc-bondy-und-peter-handke-plaudern-in-der-zeit-aus-ihrem-leben&catid=242:presseschau&Itemid=115">luc-bondy-und-peter-handke-plaudern-in-der-zeit-aus-ihrem-leben&catid=242:presseschau&Itemid=115</a>gisseur einen Handke-Text uraufgeführt. Dies wird sich am 15. Mai mit "Die schönen Tage von Aranjuez" bei den Wiener Festwochen ändern. Aus diesem Anlass traf Peter Kümmel von der <span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Zeit</span> (3.5.2012) die beiden Künstler in der Pariser Wohnung von Luc Bondy zum Gespräch, besser: zur Plauderei.</span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-family: 'Courier New', Courier, monospace;">Sie sinnieren über die Vorzüge der Schwermütigkeit, den Anteil Kind im Manne (bezogen auf sich selbst) und über den von Handke etwas erratisch stehen gelassenen Satz eines Vorksokratikers: "Der nicht leidende Mensch bleibt nicht Kind". Es geht um die Hoddie-Mode, also die Kapuzenshirts tendenziell junger Vorstadtmänner (Handke: "Manchmal haben die Kapuzenmänner ganz zarte Gesichter; man muss nur die Profillinien sehen und ist total besänftigt...") und um die abgewandten Gesten insbesondere moderner Frauen, die Handke auch in seinen Stücken thematisiere. Handke: "(M)ir kommt es schon so vor, dass sich das verschärft hat, die Härte, die Leere der Blicke, die Verkapptheit der Menschen".</span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-family: 'Courier New', Courier, monospace;"><span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Zum israel-kritischen Gedicht von Günter Grass</span>, der – wie Kümmel bemerkt – damit Handke als "Schriftsteller, der sich ins Abseits begeben hat, abgelöst habe, gibt's zunächst Humoriges. Während Bondy mit Vehemenz das Grass'sche Gedicht als "pauschal und ideologisch" abwatscht, bekennt Handke, "Ich kenne es gar nicht", ehe er in alten Zeiten schwelgt: "Was war Grass noch für ein Dichter, als er in Princeton dieses Vorfrühlingsgedicht vorlas, das war damals auf der Tagung der Gruppe 47, dieses Gedicht endet ungefähr so: Puppe, zieh dich aus." Und weiter: "Das war im April, und es war zu Zeiten, als Grass noch ein starker Körper war. Vom Geist her war bei ihm ja nie viel los, aber auch Körper kann Geist sein. Entschuldigung."</span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-family: 'Courier New', Courier, monospace;">Plötzlich wird es aber doch kontrovers, und während Bondy den Rechtsstaat Israel und seine öffentliche Diskussionskultur gegen die Positionen des Irans verteidigt, beweist Handke ein eher beschränktes Demokratieverständnis: "Lieber Luc, diskutieren allein ist nicht alles. Israel ist eine Demokratie, aber wenn dann entschieden wird, haben die Diskutanten überhaupt nichts zu sagen." Bondy kontert: "Es gibt in Israel kein Einverständnis zwischen dem Militär, das sehr gegen jede Form von Angriff auf Iran ist, und den Regierungspolitikern, die diese Möglichkeit erwägen – das ist <span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">ein Konflikt, der in Israel offen ausgetragen wird."</span> Und Handke: "Darüber weißt du viel mehr als ich." Dann schleicht er sich aus dem Disput raus: "Wenn ich im Leben je ins Politisieren gekommen bin, wusste ich genau, ich hab jetzt eine Schwelle überschritten zur Idiotie."</span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-family: 'Courier New', Courier, monospace;">Mit der Frage nach Humor in Handke-Stücken gibt's wieder festeren Boden unter den Füßen. Der Dichter: "Ich denke von mir oft, ich bin nicht komisch, und dann bin ich komisch." Ab jetzt werden eher Themen aus dem Nahbereich der Erfahrung gestreift. Der in Frankreich lebende Handke bekennt, er habe kein Heimweh, außer "manchmal noch nach dem Schreibtisch". Bondy und Handke erinnern sich ihrer Jugend im Internat (Bondy: "Man kann schon sagen, dass Internatsvergangenheit eine Form von Komplizenschaft stiftet"). Der Regisseur Bondy beschreibt sich als Mensch mit Aufmerksamkeits-Defizit-Syndrom ("Ich kann sehr gut proben, aber im wirklichen Leben lasse ich mich sehr leicht ablenken").</span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-family: 'Courier New', Courier, monospace;">Zwei Passagen gibt es noch <span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">für Freunde der Theoriekost</span>. Handke wendet sich gegen die "Dichotomie zwischen Dichter und Regisseur": "(A)ein Regisseur ist ein Dichter. Na ja, Peter Stein, der war nie Dichter, das kann man nicht sagen." Und Handke blockt eine Frage zum biographischen Hintergrund in einem seiner Texte: "Das geht Sie überhaupt nichts an. (...)<span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Manches Erfundene ist mir wahrer als das Erlebte.</span> Manchmal weiß ich selber nicht, was erzählt und was erlebt war".</span></b></span></div>
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<span style="background-color: yellow;"><b><span style="font-family: 'Courier New', Courier, monospace;">(chr)</span></b></span></div>
SUMMA POLITICOhttp://www.blogger.com/profile/11214697505465094305noreply@blogger.com0tag:blogger.com,1999:blog-264664972781705013.post-82737241936517973312012-04-06T11:42:00.003-07:002012-04-06T11:42:47.125-07:00BURDA MEDIEN VERTRAGEN KEINE KRITIK!<br />
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<a href="http://www.focus.de/kultur/buecher/literatur-petrarca-preis-fuer-einen-sorben-und-einen-serben_aid_733462.html">http://www.focus.de/kultur/buecher/literatur-petrarca-preis-fuer-einen-sorben-und-einen-serben_aid_733462.html</a>
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<br class="Apple-interchange-newline" />From: <b class="gmail_sendername"></b><span dir="ltr"><<a href="mailto:status@focus.de" target="_blank">status@focus.de</a>></span><br />Date: 2012/4/6<br />Subject: FOCUS-Online: Kommentar abgelehnt<br />To: <a href="mailto:mikerol@gmail.com" target="_blank">mikero</a>l<br /><br /><br />Hallo mikerol,<br /><br />Ihr Beitrag: DER PREIS SOLLTE SOFORT HANDKE PREIS HEISSEN!<br />Denn schon seit Jahren ist dieser Preis ein Abbild von Peter Handkes Wuenschen und Geschmack, an dem letzteren ich nichts auszusetzen habe. Die Wuensche anderer kann man selten veraendern, aber wie gefolgsam die Herren Burda, MIchael Krueger, Peter Hamm und Alfred Kolleritsch faellt wohl sogar einem halb-blinden auf! <a href="http://handke-magazin.blogspot.com/2010/06/handke-magazine-is-over-arching-site.html" target="_blank">http://handke-magazin.<wbr></wbr>blogspot.com/2010/06/handke-<wbr></wbr>magazine-is-over-arching-site.<wbr></wbr>html</a> <a href="http://www.facebook.com/mike.roloff1?ref" target="_blank">http://www.facebook.com/mike.<wbr></wbr>roloff1?ref</a> name<br /><br />wurde von uns nach Prüfung durch einen Administrator nicht veröffentlicht.<br /><br />Die Gründe, die zu dieser Entscheidung geführt haben können, entnehmen Sie bitte unserer Netiquette:<br /><a href="http://www.focus.de/community/netiquette" target="_blank">http://www.focus.de/community/<wbr></wbr>netiquette</a><br /><br />Eine Erläuterung der Ablehnung ist aus personellen und zeitlichen Gründen nicht möglich.<br /><br /><br />Ihr FOCUS-Online-<wbr></wbr>Administrationsteam<br /><br />(Dies ist eine automatisch generierte Nachricht, bitte antworten Sie nicht an diesen Absender.)<span class="HOEnZb"><span style="color: #888888;"><br /></span></span></div>
<span class="HOEnZb"><span style="color: #888888;"><a href="http://www.focus.de/kultur/buecher/literatur-petrarca-preis-fuer-einen-sorben-und-einen-serben_aid_733462.html">http://www.focus.de/kultur/buecher/literatur-petrarca-preis-fuer-einen-sorben-und-einen-serben_aid_733462.html</a><br /><div>
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<span style="font-family: 'courier new', monospace;"><b><a href="http://www.facebook.com/mike.roloff1?ref=name" target="_blank">http://www.facebook.com/mike.<wbr></wbr>roloff1?ref=name</a></b></span></div>
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<span class="HOEnZb"><span style="color: #888888;"><br style="font-family: arial; font-size: small;" /><br clear="all" style="font-family: arial; font-size: small;" /></span></span>SUMMA POLITICOhttp://www.blogger.com/profile/11214697505465094305noreply@blogger.com0tag:blogger.com,1999:blog-264664972781705013.post-60018322638298234042012-04-02T09:58:00.001-07:002012-04-02T09:58:15.501-07:00"My Two Whores and Peter Handke," a play by Radovan Karadžić premieres at Klamotten Theater in Bana Juka<span style="font-family: 'courier new', monospace; font-size: x-small;"><b><br /></b></span><br />
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<a href="http://www.emg.rs/en/news/serbia/177531.html" style="color: #2284b6; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank">Tadic: Decision on presidential elections soon</a></h2>
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<img alt="" border="0" height="130" src="http://www.emg.rs/data/Image/EMGportalnikosslike/ELECTIONS2012/ds/.thumb_Tan2012-3-31_1719672_5.195x130.0075.jpg" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" width="195" /></div>
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Serbian President Boris Tadic stated that the decision on whether presidential elections would be called should be adopted on Tuesday or Wednesday.<a href="http://www.emg.rs/en/news/serbia/177531.html" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank"><span style="background-image: url(http://www.emg.rs/img/sprites/icons.gif); background-repeat: no-repeat no-repeat; float: left; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 14px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 14px;"></span></a></div>
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<span style="color: #3366ff; font-family: garamond, serif;"><span style="line-height: 11px;"><b><a href="http://www.emg.rs/en/news/region/177510.html" style="color: #2a81be; font-family: Arial, Helvetica, sans-serif; font-size: 12px; line-height: normal; list-style-type: none; margin-bottom: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 24px; padding-right: 0px; padding-top: 0px; text-align: left; text-decoration: none;" target="_blank">Greece: High speed chase near Komotini, leads to one dead, seven arrested</a></b></span></span></div>
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<strong style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">EMGplus</strong></div>
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<a href="http://www.emg.rs/en/emplus/177490.html" style="color: #2284b6; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank">Bosch: Fourth place in “best international corporate brand” category</a></h2>
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<img alt="" border="0" height="80" src="http://www.emg.rs/data/Image/EMGportalnikosslike/elektretskaoprema/.thumb_boschlogo.100x80.0075.jpg" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" width="100" /></div>
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31. March 2012.</div>
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In the “best international corporate brand” category, the company came fourth, climbing by more than ten places in the ranking. Only three automakers – BMW, Audi, and Volkswagen – were ranked higher than Bosch.<a href="http://www.emg.rs/en/emplus/177490.html" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank"><span style="background-image: url(http://www.emg.rs/img/sprites/icons.gif); background-repeat: no-repeat no-repeat; float: left; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 14px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 14px;"></span></a></div>
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<strong style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">EMGplus</strong></div>
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<a href="http://www.emg.rs/en/emplus/177154.html" style="color: #2284b6; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank">The Best Employers in Slovenia</a></h2>
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<img alt="" border="0" height="100" src="http://www.emg.rs/data/Image/EMGportalnikosslike/slovenia/.thumb_logo.100x100.0075.jpg" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" width="100" /></div>
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31. March 2012.</div>
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<strong style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Source:</strong> STA, The Slovenian Times</div>
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The daily Dnevnik has named catering company Vivo, software company Microsoft Slovenija and caravan maker Adria Mobil the best employers in Slovenia among small, medium-sized and large companies, respectively.<a href="http://www.emg.rs/en/emplus/177154.html" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank"><span style="background-image: url(http://www.emg.rs/img/sprites/icons.gif); background-repeat: no-repeat no-repeat; float: left; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 14px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 14px;"></span></a></div>
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<div style="border-left-color: rgb(204, 204, 204); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(204, 204, 204); border-right-style: solid; border-right-width: 1px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<div style="background-image: url(http://www.emg.rs/img/back.gif); list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 79px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<h1 style="color: #2284b6; float: left; font-size: 22px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 7px; padding-right: 0px; padding-top: 4px;">
Stocks</h1>
<div style="display: inline; float: left; list-style-type: none; margin-bottom: 5px; margin-left: 26px; margin-right: 5px; margin-top: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
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<li style="display: inline; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><a href="http://www.emg.rs/en/#se-overview-1" style="background-color: #2284b6; background-image: url(http://www.emg.rs/img/white-arrow-down.gif); background-repeat: no-repeat no-repeat; border-bottom-color: rgb(34, 132, 182); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(34, 132, 182); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(34, 132, 182); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(34, 132, 182); border-top-style: solid; border-top-width: 1px; color: white; display: block; float: left; font-weight: bold; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 6px; margin-top: 0px; min-height: 1%; padding-bottom: 5px; padding-left: 16px; padding-right: 5px; padding-top: 5px; text-decoration: none; width: 57px;" target="_blank"><span style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">BEOGRAD</span></a></li>
<li style="display: inline; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><a href="http://www.emg.rs/en/#se-overview-2" style="background-repeat: no-repeat no-repeat; border-bottom-color: rgb(34, 132, 182); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(34, 132, 182); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(34, 132, 182); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(34, 132, 182); border-top-style: solid; border-top-width: 1px; color: #2284b6; display: block; float: left; font-weight: bold; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 6px; margin-top: 0px; min-height: 1%; padding-bottom: 5px; padding-left: 16px; padding-right: 5px; padding-top: 5px; text-decoration: none; width: 61px;" target="_blank" title="se-overview-2"><span style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" title="">SARAJEVO</span></a></li>
<li style="display: inline; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><a href="http://www.emg.rs/en/#se-overview-3" style="background-repeat: no-repeat no-repeat; border-bottom-color: rgb(34, 132, 182); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(34, 132, 182); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(34, 132, 182); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(34, 132, 182); border-top-style: solid; border-top-width: 1px; color: #2284b6; display: block; float: left; font-weight: bold; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 6px; margin-top: 0px; min-height: 1%; padding-bottom: 5px; padding-left: 16px; padding-right: 5px; padding-top: 5px; text-decoration: none; width: 46px;" target="_blank" title="se-overview-3"><span style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" title="">SKOPJE</span></a></li>
<li style="display: inline; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><a href="http://www.emg.rs/en/#se-overview-4" style="background-repeat: no-repeat no-repeat; border-bottom-color: rgb(34, 132, 182); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(34, 132, 182); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(34, 132, 182); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(34, 132, 182); border-top-style: solid; border-top-width: 1px; color: #2284b6; display: block; float: left; font-weight: bold; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 6px; margin-top: 0px; min-height: 1%; padding-bottom: 5px; padding-left: 16px; padding-right: 5px; padding-top: 5px; text-decoration: none; width: 67px;" target="_blank" title="se-overview-4"><span style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" title="">LJUBLJANA</span></a></li>
<li style="display: inline; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><a href="http://www.emg.rs/en/#se-overview-5" style="background-repeat: no-repeat no-repeat; border-bottom-color: rgb(34, 132, 182); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(34, 132, 182); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(34, 132, 182); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(34, 132, 182); border-top-style: solid; border-top-width: 1px; color: #2284b6; display: block; float: left; font-weight: bold; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 6px; margin-top: 0px; min-height: 1%; padding-bottom: 5px; padding-left: 16px; padding-right: 5px; padding-top: 5px; text-decoration: none; width: 72px;" target="_blank" title="se-overview-5"><span style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" title="">BANJA LUKA</span></a></li>
<li style="display: inline; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><a href="http://www.emg.rs/en/#se-overview-7" style="background-repeat: no-repeat no-repeat; border-bottom-color: rgb(34, 132, 182); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(34, 132, 182); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(34, 132, 182); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(34, 132, 182); border-top-style: solid; border-top-width: 1px; color: #2284b6; display: block; float: left; font-weight: bold; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 6px; margin-top: 0px; min-height: 1%; padding-bottom: 5px; padding-left: 16px; padding-right: 5px; padding-top: 5px; text-decoration: none; width: 68px;" target="_blank" title="se-overview-7"><span style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" title="">PODGORICA</span></a></li>
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<div style="background-image: url(http://www.emg.rs/img/back1.gif); border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; clear: both; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
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<li style="display: inline; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><a href="http://www.emg.rs/en/#se-index-overview-BELEX15" style="background-color: #2284b6; background-image: url(http://www.emg.rs/img/white-arrow.gif); background-repeat: no-repeat no-repeat; border-bottom-color: rgb(34, 132, 182); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(34, 132, 182); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(34, 132, 182); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(34, 132, 182); border-top-style: solid; border-top-width: 1px; color: white; display: block; font-weight: bold; list-style-type: none; margin-bottom: 6px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 5px; padding-left: 6px; padding-right: 13px; padding-top: 5px; text-decoration: none; width: 60px;" target="_blank"><span style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">BELEX15</span></a></li>
<li style="display: inline; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><a href="http://www.emg.rs/en/#se-index-overview-BELEXline" style="background-repeat: no-repeat no-repeat; border-bottom-color: rgb(34, 132, 182); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(34, 132, 182); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(34, 132, 182); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(34, 132, 182); border-top-style: solid; border-top-width: 1px; color: #2284b6; display: block; font-weight: bold; list-style-type: none; margin-bottom: 6px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 5px; padding-left: 6px; padding-right: 13px; padding-top: 5px; text-decoration: none; width: 60px;" target="_blank"><span style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">BELEXline</span></a></li>
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BELEX15</div>
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Last update: 28.10.2010. | 17:05</div>
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<div style="font-size: 14px; font-weight: bold; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 50px; padding-bottom: 2px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<table style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><tbody style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<tr style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" valign="bottom"><td style="color: #cc0000; font-family: arial; font-size: 20px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">634,97</td><td style="color: #006598; font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 8px; padding-right: 0px; padding-top: 0px;">520,16</td><td align="center" style="color: #19337f; font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">530,97</td><td align="right" style="color: #310267; font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">531,20</td></tr>
<tr style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><td style="background-color: #cc0000; background-image: url(http://www.emg.rs/img/red-arrow.gif); background-repeat: no-repeat no-repeat; color: white; font-family: arial; font-size: 11px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 18px; padding-right: 3px; padding-top: 0px;">-0,81% (-5,20)</td><td colspan="3" style="font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 8px; padding-right: 0px; padding-top: 0px;"><img alt="" height="20" src="http://www.emg.rs/img/indeksi-en.gif" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" width="300" /></td></tr>
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<img alt="BELEX15" height="160" src="http://www.emg.rs/data/Exchanges/BELEX/BELEX15_homepage.png" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" width="190" /></div>
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<div style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<ul style="font-weight: bold; list-style-position: initial; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 22px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<li style="background-color: #e0e0e0; float: left; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 9px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><a href="http://www.emg.rs/en/#" style="background-color: white; border-bottom-color: initial; border-bottom-style: initial; border-bottom-width: 0px; border-left-color: rgb(204, 204, 204); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(204, 204, 204); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(204, 204, 204); border-top-style: solid; border-top-width: 1px; color: #006600; display: block; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 3px; text-decoration: none; white-space: nowrap;" target="_blank">RISERS</a></li>
<li style="background-color: #e0e0e0; float: left; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 9px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><a href="http://www.emg.rs/en/#" style="border-bottom-color: initial; border-bottom-style: initial; border-bottom-width: 0px; border-left-color: rgb(204, 204, 204); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(204, 204, 204); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(204, 204, 204); border-top-style: solid; border-top-width: 1px; color: #cc0000; display: block; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 4px; padding-left: 5px; padding-right: 5px; padding-top: 3px; text-decoration: none; white-space: nowrap;" target="_blank">FALLERS</a></li>
<li style="background-color: #e0e0e0; float: left; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 9px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><a href="http://www.emg.rs/en/#" style="border-bottom-color: initial; border-bottom-style: initial; border-bottom-width: 0px; border-left-color: rgb(204, 204, 204); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(204, 204, 204); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(204, 204, 204); border-top-style: solid; border-top-width: 1px; color: #333333; display: block; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 4px; padding-left: 5px; padding-right: 5px; padding-top: 3px; text-decoration: none; white-space: nowrap;" target="_blank">TURNOVER</a></li>
</ul>
</div>
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<div style="border-bottom-color: initial; border-bottom-style: initial; border-bottom-width: 0px; border-left-color: rgb(204, 204, 204); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(204, 204, 204); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(204, 204, 204); border-top-style: solid; border-top-width: 1px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 325px;">
<table border="0" cellpadding="2" cellspacing="0" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 325px;"><thead style="font-weight: bold; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<tr align="right" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 23px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><td align="left" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; font-weight: normal; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;" width="20%">Symbol</td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; font-weight: normal; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;" width="20%">Change</td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; font-weight: normal; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;" width="20%">Price</td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; font-weight: normal; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;" width="20%">Volume</td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; font-weight: normal; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;" width="20%">Turnover</td></tr>
</thead><tbody style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<tr align="right" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 23px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><td align="left" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;"><strong style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><a href="http://www.emg.rs/en/exchanges/BELEX/TERA.html" style="color: #2284b6; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank" title="Terra formata a.d. Senta">TERA</a></strong></td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;">20,14%</td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;">173</td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;">70</td><td nowrap="" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;">12 110</td></tr>
<tr align="right" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 23px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><td align="left" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;"><strong style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><a href="http://www.emg.rs/en/exchanges/BELEX/PKBT.html" style="color: #2284b6; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank" title="Pekabeta a.d. Beograd">PKBT</a></strong></td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;">20,00%</td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;">3000</td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;">1</td><td nowrap="" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;">3 000</td></tr>
<tr align="right" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 23px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><td align="left" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;"><strong style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><a href="http://www.emg.rs/en/exchanges/BELEX/PLTK.html" style="color: #2284b6; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank" title="Politika a.d. Beograd">PLTK</a></strong></td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;">5,15%</td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;">102</td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;">4</td><td nowrap="" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;">406</td></tr>
<tr align="right" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 23px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><td align="left" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;"><strong style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><a href="http://www.emg.rs/en/exchanges/BELEX/SJPT.html" style="color: #2284b6; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank" title="Soja protein a.d. Bečej">SJPT</a></strong></td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;">4,01%</td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;">779</td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;">20972</td><td nowrap="" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;">16 339 181</td></tr>
<tr align="right" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 23px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><td align="left" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;"><strong style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><a href="http://www.emg.rs/en/exchanges/BELEX/NIIS.html" style="color: #2284b6; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank" title="NIS a.d. Novi Sad">NIIS</a></strong></td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;">1,05%</td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;">482</td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;">59495</td><td nowrap="" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 6px; padding-top: 0px;">28 622 045</td></tr>
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<a href="http://www.emg.rs/en/exchanges/BELEX/BELEX15.html" style="background-image: url(http://www.emg.rs/img/blue-arrow.gif); background-repeat: no-repeat no-repeat; color: #2284b6; font-weight: bold; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 10px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank">HISTORY</a></div>
<div style="color: #333333; display: inline; float: right; list-style-type: none; margin-right: 10px; margin-top: 11px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
Source <a href="http://www.quotestation.com/" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank">Quotestation</a></div>
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<div style="background-image: url(http://www.emg.rs/img/back3.gif); list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<div style="background-image: initial; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 200px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; zoom: 1;">
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<div style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 214px;">
<img alt="ekonference" height="25" src="http://www.emg.rs/img/ekonference.png" style="float: left; list-style-type: none; margin-bottom: 0px; margin-left: 5px; margin-right: 0px; margin-top: 6px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" width="150" /></div>
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<li style="display: inline; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><a href="http://www.emg.rs/en/ekonference/list.eventtype:21173.html" style="background-repeat: no-repeat no-repeat; border-bottom-color: rgb(34, 132, 182); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(34, 132, 182); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(34, 132, 182); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(34, 132, 182); border-top-style: solid; border-top-width: 1px; color: #2284b6; display: block; float: left; font-weight: bold; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 8px; margin-top: 0px; padding-bottom: 5px; padding-left: 16px; padding-right: 5px; padding-top: 5px; text-decoration: none;" target="_blank">ALL EKONFERENCE EVENTS</a></li>
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<img alt="" border="0" height="67" src="http://www.emg.rs/data/Image/dogadjaji/.thumb_thumb_NAJAVA%20FORUM.200x133.0075.100x67.0075.jpg" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" width="100" /></div>
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The Third Annual Summit</h4>
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<a href="http://www.emg.rs/en/ekonference/153755.html" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank">Southeastern European Central Bankers and Ministers of Finance</a></h2>
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17. June 2011.</div>
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<strong style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Organiser:</strong> EMG</div>
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After two successfully organized Summits, Ekonom:east Media Group is proud to announce the Third Annual Summit of Ministers of Finance and Governors of the Region, which is to take place on June 17 in Becici, Montenegro.<a href="http://www.emg.rs/en/ekonference/153755.html" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank"><span style="background-color: transparent; background-image: url(http://www.emg.rs/img/sprites/icons.gif); background-repeat: no-repeat no-repeat; float: left; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 14px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 14px;"></span></a></div>
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<img alt="" border="0" height="127" src="http://www.emg.rs/data/Image/dogadjaji/.thumb_buduci_rast.100x127.0075.jpg" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" width="100" /></div>
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<a href="http://www.emg.rs/en/ekonference/153769.html" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank">Serbia on the Road to the European Business Standards</a></h2>
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24. May 2011.</div>
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<strong style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Organiser:</strong> EMG</div>
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Ekonom:east Media Group proudly presents the conference: Serbia on the Road to the European Business Standards on May 24th 2011, Hotel Hyatt<a href="http://www.emg.rs/en/ekonference/153769.html" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank"><span style="background-color: transparent; background-image: url(http://www.emg.rs/img/sprites/icons.gif); background-repeat: no-repeat no-repeat; float: left; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 14px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 14px;"></span></a></div>
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<img alt="" border="0" height="99" src="http://www.emg.rs/data/Image/dogadjaji/Ekonference/2010/Energetika/.thumb_iluENERGETIKA.100x99.0075.jpg" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" width="100" /></div>
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Fifth Annual Conference on Energy</h4>
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<a href="http://www.emg.rs/en/ekonference/145841.html" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank">Prospects for Energy Business in the Balkan Region</a></h2>
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6. April 2011.</div>
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<strong style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Organiser:</strong> EMG</div>
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Following world and European trends, Serbia has declared 2011 the year of energy efficiency.<a href="http://www.emg.rs/en/ekonference/145841.html" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank"><span style="background-color: transparent; background-image: url(http://www.emg.rs/img/sprites/icons.gif); background-repeat: no-repeat no-repeat; float: left; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 14px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 14px;"></span></a></div>
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Business calendar</h1>
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<li style="border-top-color: rgb(204, 204, 204); border-top-style: solid; border-top-width: 1px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 28px; padding-bottom: 6px; padding-left: 8px; padding-right: 0pt; padding-top: 6px;"><a href="http://www.emg.rs/en/ekonference/177462.html" style="color: #3aa5d8; font-size: 12px; font-weight: bold; list-style-type: none; margin-bottom: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 24px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank">SEEMO Delegation to visit Bulgaria from 2-3 April 2012</a><div style="list-style-type: none; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<span style="color: #d91c10; font-weight: bold; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">2. Apr - 3. Apr 2012</span> | Izabrani događaji</div>
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<li style="border-top-color: rgb(204, 204, 204); border-top-style: solid; border-top-width: 1px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 69px; padding-bottom: 6px; padding-left: 8px; padding-right: 0pt; padding-top: 6px;"><a href="http://www.emg.rs/en/ekonference/177486.html" style="color: #3aa5d8; font-size: 12px; font-weight: bold; list-style-type: none; margin-bottom: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 24px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank">Program managers from three continents at 8th CEEMAN Program Management Seminar in Bled</a><div style="list-style-type: none; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<span style="color: #d91c10; font-weight: bold; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">2. Apr - 4. Apr 2012</span> | Izabrani događaji</div>
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Slovenia, Bled, IEDC</div>
<div style="list-style-type: none; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<strong style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Organiser:</strong> IEDC, CEEMAN</div>
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<li style="border-top-color: rgb(204, 204, 204); border-top-style: solid; border-top-width: 1px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 28px; padding-bottom: 6px; padding-left: 8px; padding-right: 0pt; padding-top: 6px;"><a href="http://www.emg.rs/en/ekonference/177468.html" style="color: #3aa5d8; font-size: 12px; font-weight: bold; list-style-type: none; margin-bottom: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 24px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank">Regional Trenchtown festival to kick off April 30</a><div style="list-style-type: none; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<span style="color: #d91c10; font-weight: bold; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">31. Mar - 6. Apr 2012</span> | Izabrani događaji</div>
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<li style="border-top-color: rgb(204, 204, 204); border-top-style: solid; border-top-width: 1px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 28px; padding-bottom: 6px; padding-left: 8px; padding-right: 0pt; padding-top: 6px;"><a href="http://www.emg.rs/en/ekonference/177482.html" style="color: #3aa5d8; font-size: 12px; font-weight: bold; list-style-type: none; margin-bottom: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 24px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank">Duran Duran to perform at EXIT 2012</a><div style="list-style-type: none; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<span style="color: #d91c10; font-weight: bold; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">31. Mar - 7. Apr 2012</span> | Izabrani događaji</div>
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<div style="background-color: #efefef; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(204, 204, 204); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(204, 204, 204); border-right-style: solid; border-right-width: 1px; border-top-color: initial; border-top-style: initial; border-top-width: 0px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 28px; padding-bottom: 6px; padding-left: 0pt; padding-right: 8px; padding-top: 6px; text-align: right;">
<a href="http://www.emg.rs/en/ekonference/list.eventtype:21175.html?interval=archive" style="background-image: url(http://www.emg.rs/img/blue-arrow.gif); background-repeat: no-repeat no-repeat; color: #2a81be; font-size: 12px; font-weight: bold; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 144px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 10px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank">Past events</a> <a href="http://www.emg.rs/en/ekonference/list.eventtype:21175.html" style="background-image: url(http://www.emg.rs/img/blue-arrow.gif); background-repeat: no-repeat no-repeat; color: #2a81be; font-size: 12px; font-weight: bold; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 10px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank">Upcoming events</a></div>
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<div style="background-color: initial; background-image: url(http://www.emg.rs/img/back1.gif); border-left-color: rgb(204, 204, 204); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(204, 204, 204); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(204, 204, 204); border-top-style: solid; border-top-width: 1px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 9px; min-height: 40px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<h1 style="color: #666666; float: left; font-size: 22px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 4px;">
Exchange rates</h1>
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<div style="border-bottom-color: initial; border-bottom-style: initial; border-bottom-width: 0px; border-left-color: rgb(204, 204, 204); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(204, 204, 204); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(204, 204, 204); border-top-style: solid; border-top-width: 1px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<table cellpadding="0" cellspacing="0" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 309px;"><thead style="background-color: #e6e6e6; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<tr style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 25px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><td align="left" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #0d3692; font-family: arial; font-size: 11px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 0px; padding-top: 0px; text-align: left;" width="25%"><strong style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Currency</strong></td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #0d3692; font-family: arial; font-size: 11px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 0px; padding-top: 0px; text-align: left;" width="25%"><strong style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Buying</strong></td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #0d3692; font-family: arial; font-size: 11px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 0px; padding-top: 0px; text-align: left;" width="25%"><strong style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Middle</strong></td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #0d3692; font-family: arial; font-size: 11px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 0px; padding-top: 0px; text-align: left;" width="25%"><strong style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Selling</strong></td></tr>
</thead><tbody style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<tr style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 25px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><td align="left" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #333333; font-family: arial; font-size: 11px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 0px; padding-top: 0px; text-align: left;"><a href="http://www.emg.rs/en/#" style="color: #666666; font-size: 12px; font-weight: bold; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank" title="EMU">EUR</a></td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #333333; font-family: arial; font-size: 11px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 0px; padding-top: 0px; text-align: left;">111.0302</td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #333333; font-family: arial; font-size: 11px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 0px; padding-top: 0px; text-align: left;">111.3643</td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #333333; font-family: arial; font-size: 11px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 0px; padding-top: 0px; text-align: left;">111.6984</td></tr>
<tr style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 25px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><td align="left" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #333333; font-family: arial; font-size: 11px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 0px; padding-top: 0px; text-align: left;"><a href="http://www.emg.rs/en/#" style="color: #666666; font-size: 12px; font-weight: bold; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank" title="SAD">USD</a></td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #333333; font-family: arial; font-size: 11px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 0px; padding-top: 0px; text-align: left;">83.0630</td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #333333; font-family: arial; font-size: 11px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 0px; padding-top: 0px; text-align: left;">83.3129</td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #333333; font-family: arial; font-size: 11px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 0px; padding-top: 0px; text-align: left;">83.5628</td></tr>
<tr style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 25px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><td align="left" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #333333; font-family: arial; font-size: 11px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 0px; padding-top: 0px; text-align: left;"><a href="http://www.emg.rs/en/#" style="color: #666666; font-size: 12px; font-weight: bold; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank" title="Švajcarska">CHF</a></td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #333333; font-family: arial; font-size: 11px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 0px; padding-top: 0px; text-align: left;">92.0649</td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #333333; font-family: arial; font-size: 11px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 0px; padding-top: 0px; text-align: left;">92.3419</td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #333333; font-family: arial; font-size: 11px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 0px; padding-top: 0px; text-align: left;">92.6189</td></tr>
<tr style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 25px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><td align="left" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #333333; font-family: arial; font-size: 11px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 0px; padding-top: 0px; text-align: left;"><a href="http://www.emg.rs/en/#" style="color: #666666; font-size: 12px; font-weight: bold; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank" title="Velika Britanija">GBP</a></td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #333333; font-family: arial; font-size: 11px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 0px; padding-top: 0px; text-align: left;">132.8113</td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #333333; font-family: arial; font-size: 11px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 0px; padding-top: 0px; text-align: left;">133.2109</td><td style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #333333; font-family: arial; font-size: 11px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 6px; padding-right: 0px; padding-top: 0px; text-align: left;">133.6105</td></tr>
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<div style="background-color: initial; background-image: url(http://www.emg.rs/img/back1.gif); border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(204, 204, 204); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(204, 204, 204); border-right-style: solid; border-right-width: 1px; border-top-color: initial; border-top-style: initial; border-top-width: 0px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<h2 style="color: #0d3692; font-size: 16px; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 1%; padding-bottom: 0px; padding-left: 7px; padding-right: 0px; padding-top: 5px;">
Currency conversion</h2>
<form action="http://www.emg.rs/en/#" method="get" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 6px; padding-left: 6px; padding-right: 0pt; padding-top: 6px;" target="_blank">
<table style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><tbody style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<tr style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" valign="center"><td style="font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><input name="cifra1" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 2px; margin-top: 0px; min-height: 16px; padding-bottom: 0px; padding-top: 2px; width: 50px;" type="text" value="100" /></td><td style="font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><select name="moneta1" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 57px;"> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="RSD">RSD</option> <option selected="" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="EUR">EUR</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="USD">USD</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="CHF">CHF</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="GBP">GBP</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="AUD">AUD</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="CAD">CAD</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="DKK">DKK</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="JPY">JPY</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="NOK">NOK</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="SEK">SEK</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="HRK">HRK</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="CZK">CZK</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="HUF">HUF</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="KWD">KWD</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="BAM">BAM</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="PLN">PLN</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="ATS">ATS</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="BEF">BEF</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="FIM">FIM</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="FRF">FRF</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="DEM">DEM</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="GRD">GRD</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="IEP">IEP</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="ITL">ITL</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="LUF">LUF</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="PTE">PTE</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="ESP">ESP</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="XDR">XDR</option> </select></td><td style="font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><img src="http://www.emg.rs/img/two_arrow2.gif" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /></td><td style="font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><select name="moneta2" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 57px;"> <option selected="" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="RSD">RSD</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="EUR">EUR</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="USD">USD</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="CHF">CHF</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="GBP">GBP</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="AUD">AUD</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="CAD">CAD</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="DKK">DKK</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="JPY">JPY</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="NOK">NOK</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="SEK">SEK</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="HRK">HRK</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="CZK">CZK</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="HUF">HUF</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="KWD">KWD</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="BAM">BAM</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="PLN">PLN</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="ATS">ATS</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="BEF">BEF</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="FIM">FIM</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="FRF">FRF</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="DEM">DEM</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="GRD">GRD</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="IEP">IEP</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="ITL">ITL</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="LUF">LUF</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="PTE">PTE</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="ESP">ESP</option> <option style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" value="XDR">XDR</option> </select></td><td style="font-family: arial; font-size: small; list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><input name="cifra2" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 2px; margin-top: 0px; min-height: 16px; padding-bottom: 0px; padding-top: 2px; width: 50px;" type="text" value="" /></td></tr>
</tbody></table>
</form>
</div>
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<span style="font-family: 'courier new', monospace;"><b><a href="http://www.facebook.com/mike.roloff1?ref=name" target="_blank">http://www.facebook.com/mike.<wbr></wbr>roloff1?ref=name</a></b></span></div>
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<span style="font-family: arial; font-size: x-small;">-- </span><br class="Apple-interchange-newline" />SUMMA POLITICOhttp://www.blogger.com/profile/11214697505465094305noreply@blogger.com1tag:blogger.com,1999:blog-264664972781705013.post-85603279752098716482012-03-28T15:34:00.000-07:002012-03-28T15:34:32.618-07:00HUBERT BURDA ABOUT HANDKE FROM THE GERMAN G.Q!<br />
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<h1 class="headline size42" style="font-family: ChronicleTextG3-Bold,Georgia,'Times New Roman',Times,serif; font-size: 42px; line-height: 45px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 60px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; width: 600px;">
<span class="kicker size15" style="border-bottom-color: rgb(0,0,0); border-bottom-style: dotted; border-bottom-width: 2px; display: inline-block; font-family: ChronicleTextG3-Roman,Georgia,'Times New Roman',Times,serif; font-size: 15px; font-weight: normal; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 4px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-transform: uppercase;">GENTLEMEN</span>Gentlemen: Peter Handke</h1>
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Am 15. März erscheint Handkes neuer Roman "Der große Fall". Einige Notizen seines Freundes Hubert Burda</div>
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<div style="margin-bottom: 23px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
Peter Handke, 68, "die große poetische Stimme der deutschsprachigen Literatur"</div>
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Wer
in den 60er Jahren die ersten Bücher und Theaterstücke von Peter Handke
las oder sah, spürte: Hier entsteht etwas ganz Neues, völlig anderes
als die damals vorherrschende Literatur. Seine Texte entzogen sich den
Kategorien traditionsbewusster Germanisten ebenso wie den
kulturkritischen Ambitionen der Frankfurter Schule. Bei einer Aufführung
der „Publikumsbeschimpfung“ überkam mich das Gefühl, dieses Stück sei
wie für mich geschrieben. Hier stellte einer alles infrage: die Bühne,
die Schauspieler, das Publikum, die Sprache, die Regeln der sozialen
Konvention. Hier wurde das herkömmliche Theater verabschiedet. Ich
empfand es wie die Dekonstruktion meiner Erziehung und aller
ästhetischen Überzeugungen, die ich mir in meinem Studium der
Kunstgeschichte angeeignet hatte.</div>
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<b style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Zu früh dran</b></div>
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Kennengelernt
habe ich Peter Handke bei der Bambi-Verleihung 1968. Damals war die
neue Kategorie für den „künstlerisch wertvollen Film“ geschaffen worden,
und ich hatte ihn überreden können, an der Jury teilzunehmen, wo er nun
neben Liz Taylor und Richard Burton saß. Der Preis ging an Jean-Luc
Godard, der nicht erschienen war. Wir waren zu früh dran.</div>
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<b style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Freundschaft und Poesie</b></div>
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Die
Freundschaft mit Handke begann 1974, als der Petrarca-Preis gegründet
wurde. Ein Lyrikpreis im Namen des humanistischen Autors war für mich
nur mit Handke vorstellbar. In vielen Jurysitzungen konnte ich
miterleben, mit welcher Genauigkeit er auf Texte einging, Berühmtes
verwarf, anderes empfahl: die Gedichte von Jan Skácel, Philippe
Jaccottet, Zbigniew Herbert, Ilse Aichinger. Mir begegnete der
großartige Vermittler von anderen Dichtern. Wie er die Aufmerksamkeit
auf Autoren wie René Char, Hermann Lenz oder Walker Percy lenkte,
verriet tiefes Poesieverständnis.</div>
<div style="margin-bottom: 23px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<b style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Ein lebensveränderndes Buch</b></div>
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Sein
Buch „Langsame Heimkehr“ übte auf mich eine starke Wirkung aus. Die
Verlangsamung der Zeit - dieses Thema ließ mich nicht mehr los. Es war
wie die Einübung in eine andere Lebensweise. Ich entdeckte den
Kontrapunkt zur stets beschleunigten Zeit der Medienwelt. Das Buch
veränderte mein Leben. Ähnliches widerfuhr mir bei der Lektüre aller
seiner weiteren Werke: Jedes Mal ist es, als ob ich auf eine Reise gehe
und verwandelt durch die dunklen und hellen Bilder seiner Poesie wieder
zu Hause ankomme. Handke erschafft eine andere Wirklichkeit, er
verwandelt sie in Kunst - ein Gegengewicht zur Hektik meines Alltags.
Darum danke ich ihm für seine Bücher, für die gemeinsamen Gespräche und
Wanderungen. Ohne unsere Freundschaft sähe mein Leben anders aus. Peter
Handke ist die große poetische Stimme der deutschsprachigen Literatur.
Ihn unter uns zu haben bleibt ein Ereignis, das wir gar nicht hoch genug
schätzen können.</div>
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<b style="background-color: transparent; font-family: 'courier new', monospace;"><a href="http://www.facebook.com/mike.roloff1?ref=name" moz-do-not-send="true" target="_blank">http://www.facebook.com/mike.roloff1?ref=name</a></b></div>
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<br />
<br />SUMMA POLITICOhttp://www.blogger.com/profile/11214697505465094305noreply@blogger.com0tag:blogger.com,1999:blog-264664972781705013.post-231648503257355442012-03-21T20:17:00.001-07:002012-03-21T20:17:06.063-07:00A LIST OF THE PRIZES HANDKE HAS WONAND WE ARE LEAVING OUT THOSE HE DECLINED<br />
I ESPECIALLY LOVE THESE<br />
<span style="background-color: #c9c9c9; color: #222222; font-family: Verdana, sans-serif; font-size: 17px; line-height: 6px;">2009: Goldenes Kreuz des Fürsten Lazar (Orden einer serbischen Literatenorganisation)</span>
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<span style="background-color: #c9c9c9; color: #222222; font-family: Verdana, sans-serif; font-size: 13px;">1996: Verdienstorden der Republika Srpska </span>
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1967: Gerhart-Hauptmann-Preis <br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" />1965 Gerhard Hauptmann Preis</div>
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1972: Literaturpreis des Landes Steiermark <br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" />1973: Schillerpreis der Stadt Mannheim <br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" />1973: Georg-Büchner-Preis (Preisgeld 1999 zurückgegeben) <br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" />1975: Filmband in Gold für Drehbuch Falsche Bewegung <br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" />1978: Bambi für Regie <br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" />1978: Prix Georges Sadoul <br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" />1979: Preis der Gilde deutscher Filmtheater <br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" />1979: Franz-Kafka-Preis der Stadt Klosterneuburg (Weitergabe der Hälfte der Preissumme an Gerhard Meier) <br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" />1983: Kulturpreis des Landes Kärnten <br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" />1983: Franz-Grillparzer-Preis <br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" />1985: Anton-Wildgans-Preis (abgelehnt) <br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" />1986: Literaturpreis des Kulturfonds der Landeshauptstadt Salzburg <br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" />1987: Großer Österreichischer Staatspreis für Literatur <br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" />1988: Bremer Literaturpreis <br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" />1991: Franz-Grillparzer-Preis</div>
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1993: Ehrendoktorat der Katholischen Universität Eichstätt <br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" />1995: Schiller-Gedächtnispreis <br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" />1996: Verdienstorden der Republika Srpska <br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" />2001: Blauer-Salon-Preis des Literaturhaus Frankfurt <br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" />2002: Ehrendoktorat der Alpen-Adria-Universität Klagenfurt <br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" />2003: Ehrendoktorat der Paris-Lodron-Universität Salzburg <br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" />2004: Siegfried Unseld Preis <br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" />2006: Nominierung für den Heinrich-Heine-Preis der Stadt Düsseldorf am 20. Mai 2006. Ablehnung des Jury-Entscheids durch drei Stadtratsfraktionen (30. Mai 2006), Verzicht Handkes am 2. Juni 2006.[20]<br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" />2007: Berliner Heinrich-Heine-Preis <br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" />2008: Thomas-Mann-Literaturpreis der Bayerischen Akademie der Schönen Künste (Stiftung der Preissumme an die Akademie) <br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" />2008: Njegoš-Orden erster Klasse der Republika Srpska<span style="font-size: 1.3em; line-height: 6px;">2009: Goldenes Kreuz des Fürsten Lazar (Orden einer serbischen Literatenorganisation)</span></div>
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2009: Franz-Kafka-Literaturpreis der Stadt Prag <br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" />2010: Vinzenz-Rizzi-Preis[21] <br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" />2011: Nestroy-Theaterpreis für Immer noch Sturm – Salzburger Festspiele/Thalia Theater Hamburg (Kategorie: Bestes Stück – Autorenpreis)<span style="line-height: 1.1818em; padding-top: 100px; width: 1px;"><a href="" name="13637f95f9602e83_pid25341745" style="color: #162964; display: inline !important; line-height: 1.1818em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; min-height: 1px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 100px; width: 1px;"></a></span><a href="http://derstandard.at/?page=post&re=25341745" rel="nofollow" style="background-color: initial; color: #162964; line-height: 17px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; text-indent: 7px;" target="_blank" title="Klicken Sie hier, wenn Sie auf dieses Posting antworten möchten.">n</a><span style="background-color: initial; line-height: 17px; text-indent: 7px;"> </span><a href="http://derstandard.at/plink/1331780169069/25341745" rel="nofollow" style="background-color: initial; color: #162964; line-height: 17px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; text-indent: 7px;" target="_blank" title="Mit diesem Link können Sie die URL des Postings aufrufen.">malink</a></div>
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</div>SUMMA POLITICOhttp://www.blogger.com/profile/11214697505465094305noreply@blogger.com0tag:blogger.com,1999:blog-264664972781705013.post-76953492275546242972011-10-13T07:26:00.000-07:002011-10-13T07:26:36.431-07:00PEYMANN re: HANDKE + LIBGART SCHWARTZ<br />
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"<span style="background-color: white; font-family: arial, helvetica, sans-serif;">Berühmt wurde Müller mit einem (hier nicht abgedruckten) Gespräch mit dem damaligen Burgtheater-Direktor Claus Peymann, in dem dieser allem und jedem ins Gesicht fuhr, was mitunter so klang: „Ich wäre (beim potenziellen Selbstmord, Anm.) bestimmt geschickter gewesen als Peter Handke, der die Tabletten wieder ausgekotzt hat. Er hatte ja die gleichen Probleme. Seine Scheidung von Libgart Schwarz geschah auch nicht aus heiterem Himmel. Er hat sie dauernd mit anderen Frauen betrogen, war aber ganz erstaunt, als sie weglief. Sie ist von Düsseldorf zu mir nach Frankfurt geflohen und hatte dann ein Verhältnis mit dem Lyriker Adam Seide.“</span></div>
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<span style="font-family: 'courier new', monospace;"><span style="border-collapse: collapse;"><b> <a href="http://www.falter.at/web/shop/detail.php?id=34343&SESSID=c335f2f05f0c6bbcbd01a550ea8fc544"> PEYMANN RE HANDKE + LIBGART SCHWARTZ</a></b></span></span></div>
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</span>SUMMA POLITICOhttp://www.blogger.com/profile/11214697505465094305noreply@blogger.com0tag:blogger.com,1999:blog-264664972781705013.post-1903027014347128752011-10-06T08:40:00.000-07:002011-10-13T07:27:33.993-07:00HANDKE'S HOUSE IN CHAVILLE<br />
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<span class="Apple-style-span" style="background-color: yellow;"><span class="Apple-style-span" style="color: blue; font-family: 'Courier New', Courier, monospace;"><b><a href="http://sz-magazin.sueddeutsche.de/texte/anzeigen/36333">http://sz-magazin.sueddeutsche.de/texte/anzeigen/36333</a></b></span></span><br />
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<span class="Apple-style-span" style="background-color: yellow;"><span class="Apple-style-span" style="color: blue; font-family: 'Courier New', Courier, monospace;"><b>also see this discussion and comments of a review of the book at DER FREITAG</b></span></span><br />
<span class="Apple-style-span" style="background-color: yellow;"><span class="Apple-style-span" style="color: blue; font-family: 'Courier New', Courier, monospace;"><b><a href="http://www.freitag.de/kultur/1140-das-schweigen-der-pilze">http://www.freitag.de/kultur/1140-das-schweigen-der-pilze</a></b></span></span><br />
<span class="Apple-style-span" style="background-color: yellow;"><span class="Apple-style-span" style="color: blue; font-family: 'Courier New', Courier, monospace;"><b><br />Häuser von Schriftstellern sind mythische Orte: Thomas Bernhards Vierkanthof in Ohlsdorf, vor dem er gern posierte wie ein Großbauer, oder Norman Mailers New Yorker Loft, das der leidenschaftliche Segler zu einer Art Kapitänskajüte umgebaut hatte. Aber wie wohnt eigentlich Peter Handke, der enigmatische Schmerzensmann der deutschsprachigen Literatur? Und wohnt er überhaupt, der Unnahbare, den die Aura eines Gurus und Einsiedlers umgibt, oder ist das ein viel zu prosaisches Wort für einen wie ihn, der alles um sich herum mit Bedeutung und Emphase auflädt? So schwärmte Handke einmal von der »feinen Pracht der Leere«, die sein Wohnhaus auszeichne, worin er glücklich »in Nutzlosigkeit prange«.<br /><br />Das unverputzte Sandsteinhaus, das Handke 1990 in Chaville, einem Vorort im Südwesten von Paris bezogen hat, gilt als uneinnehmbare Festung, die der Dichter gegen jede Zudringlichkeit verteidigt. Nur für wenige Auserwählte lässt er die Zugbrücke herunter. Und irgendwie passte der Rückzug an die Peripherie zu einer Weltflucht, die Handke auch in seinen Büchern betrieb. Immer weiter weg von der unheilen Realität fantasierte er sich in Traum- und Fabelwelten hinein. So kostbar war ihm sein »kleines, schlangenloses Paradies« in Chaville, dass er einmal ein Fernsehteam, das angereist war, um ein Feature über ihn zu drehen, nicht ins Haus ließ. Das Gespräch sollte stattdessen im Freien stattfinden. Als der Kameramann, offenbar ohne vorher um Erlaubnis gebeten zu haben, nach drinnen eilte, weil er mal musste, konnte Handke sich noch lange danach über diese Gebietsüberschreitung aufregen. Der Autor und Handke-Freund Peter Hamm erzählt diese Anekdote in seinem Vorwort zu Lillian Birnbaums Fotoband über Handkes Haus. </b></span></span><br />
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<span class="Apple-style-span" style="background-color: yellow;"><span class="Apple-style-span" style="color: blue; font-family: 'Courier New', Courier, monospace;"><b><br /></b></span></span><span class="Apple-style-span" style="color: blue; font-family: 'Courier New', Courier, monospace;"><b><span class="Apple-style-span" style="background-color: yellow;">Die in Paris lebende Fotografin ist eine der wenigen, denen der österreichische Schriftsteller Zutritt gewährt. Über Jahre hat sie den kamerascheuen Autor meist sonntags besucht, um ihn aus verschiedenen Anlässen zu porträtieren, und irgendwann angefangen, auch im Haus und im Garten zu fotografieren. Die Aufnahmen, die dabei zwischen 1994 und 2008 entstanden sind, zeigen einen Künstler, der Wert darauf legt, auf geheimnisvolle Weise in den Dingen anwesend zu sein, mit denen er sich umgibt. Und das sind nicht wenige. Der Literatur-Messias, so der Eindruck, ist eben auch ein ziemlicher Messie, der sich von nichts trennen kann. So verrotten das Dreirad und der Plastikball von Handkes Kind, das längst erwachsen ist, genauso im Garten wie das ausrangierte Faxgerät beim Kompost. Es wirkt, als sollten vergangene Lebensabschnitte eingehen in den Kreislauf der Natur. </span></b></span></div>
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<span class="Apple-style-span" style="color: blue; font-family: 'Courier New', Courier, monospace;"><b><span class="Apple-style-span" style="background-color: yellow;"><br />Auch im Inneren ist das Haus weniger eingerichtet als »ausgerichtet auf das Draußen, zum Freien hin, zum Offenen«, wie Peter Hamm das kunstvoll arrangierte Chaos freundlich umschreibt. Überall verteilt finden sich Dinge, die Handke von seinen Wanderungen mitbringt: Steine, Blumen und Vogelfedern, der verkohlte Holzkloben, auf dem Handke saß, als er seinen Roman <em>Mein Jahr in der Niemandsbucht</em> schrieb. Zahllose Wanderstöcke stecken in einem geborstenen Korb an der Haustür, Schnürsenkel und Bindfäden wimmeln neben einer Strohblume in einer Schale, Bleistiftstummel mengen sich unter Beeren, Münzen und Kristalle. Und auf den Tischen: Teller und Schüsseln mit selbst gepflückten Pilzen, Nüssen und Früchten aus Wald und Garten, mit denen der Hausherr seine wenigen Gäste bewirtet.<br /><br />Diese Mahlzeiten zelebrieren in ihrer rustikalen Raffinesse genauso das einfache Leben und den Anti-Modernismus wie die unzähligen Bleistifte und Notizhefte, Handkes bevorzugte Schreibutensilien. Die Geste scheint in diesen heiligen Hallen mindestens so wichtig zu sein wie die Sache selbst. Das Ganze hat bei aller Beiläufigkeit etwas Inszeniertes und Ausgestelltes. Handke scheint in seinem Mikrokosmos Stillleben zu arrangieren, die sein Haus in eine Art Naturalienkabinett verwandeln, ein Museum der Vergänglichkeit. Jedes Gebinde ein kleiner Hausaltar. Selbst die Gebrauchsgegenstände sehen aus, als hätten sie lange draußen gelegen, Wind und Wetter preisgegeben, damit sie Patina bekommen. Die Bücher und Magazine, scheinbar achtlos auf Stühlen, Treppenstufen und in Mauernischen gestapelt, zeigen Spuren der Verwitterung, da sie meist im Freien gelesen wurden. Aber ob Handke wirklich die arabische Zeitung liest, die auf seinem Küchentisch liegt? Die Ornamentik der Schriftzeichen ist jedenfalls äußerst dekorativ.<br /><br />Mit seinem strengen Wildwuchs ist Peter Handkes Haus weniger Lebensraum als ein Statement: Protestwohnen gegen den Funktionalismus. Und schon auch ein gutes Stück Selbststilisierung. </span></b></span></div>
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DIE FOTOGRAFIN</h3>
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<span class="Apple-style-span" style="background-color: transparent; border-color: initial; border-width: initial; color: #4b4a4d; display: inline; font-size: 11px;"><img alt="Lillian Birnbaum " src="http://sz-magazin.sueddeutsche.de/upl/images/user/8059/thumbs_authorbox/37575.jpg" style="border-bottom-style: none; border-color: initial; border-left-style: none; border-right-style: none; border-top-style: none; border-width: initial; display: inline; float: left; font-family: Helvetica, Arial, sans-serif; margin-bottom: 4px; margin-right: 4px;" width="48" /></span><span class="Apple-style-span" style="background-color: cyan;"><span class="Apple-style-span" style="font-size: x-small;"><strong class="pc" style="font-weight: bold;">Lillian Birnbaum </strong>lebt in Paris. Aus ihrem Buch »Peter Handke: Portrait des Dichters in seiner Abwesenheit« (Müry Salzmann) stammen diese Bilder. Sie kennt Peter Handke seit Jahren gut und war doch immer wieder überrascht, mit welch eigentümlichen Kreationen aus selbst gepflückten Pilzen und Waldkräutern der Hausherr seine Gäste bekochte. Es hat immer vorzüglich geschmeckt, sagt sie. Aber auch viel Gottvertrauen verlangt.</span></span><a href="http://sz-magazin.sueddeutsche.de/texte/anzeigen/36333"><span class="Apple-style-span" style="background-color: cyan;"><span class="Apple-style-span" style="color: black; font-size: x-small;"> </span></span><span class="Apple-style-span" style="background-color: transparent; color: #4b4a4d; font-size: 11px;">HANDKE</span></a><span class="Apple-style-span" style="background-color: transparent; color: #4b4a4d; font-size: 11px;">S</span><a href="http://sz-magazin.sueddeutsche.de/texte/anzeigen/36333" style="background-color: transparent; color: #4b4a4d; font-size: 11px;">HANDKE'S HOUSE IN CHAVILLE, WITH LINK TO PHOTOS</a><br />
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<span class="Apple-style-span" style="background-color: white; font-family: 'courier new', monospace; font-size: 16px;"><b><span style="background-color: #ff6666;">collection of photos of all Handke productions</span></b></span></div>
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